Vira, aka: Vīrā, Vīra; 13 Definition(s)
Vira means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Nāṭyaśāstra (theatrics and dramaturgy)
1) Vīra (वीर) is the Sanskrit name of one of Bharata’s sons, mentioned in the Nāṭyaśāstra 1.26-33. After Brahmā created the Nāṭyaveda (nāṭyaśāstra), he ordered Bharata to teach the science to his (one hundred) sons. Bharata thus learned the Nāṭyaveda from Brahmā, and then made his sons study and learn its proper application. After their study, Bharata assigned his sons (eg., Vīra) various roles suitable to them.
2) Vīra (वीर) refers to the “heroic” sentiment (rasa). It is one of the eight rasas mentioned in the Nāṭyaśāstra 6.15. The color associated with the vīra is yellowish (gaura), and the presiding deity of of the heroic (śṛṅgāra) sentiment is Indra.
According to the Nāṭyaśāstra, “The Heroic (vīra) Sentiment, relates to the superior type of persons and has energy as its basis. This is created by Determinants, such as presence of mind, perseverance, diplomacy, discipline, military strength, aggressiveness, reputation of might, influence and the like.”.
3) Vīrā (वीरा, “heroic”) refers to a specific “glance” (dṛṣṭi), according to the Nāṭyaśāstra chapter 8. This is a type of glance that expresses the ‘heroic sentiment’ (vīrarasa). There are a total thirty-six glances defined. The Glance which is bright, fully open, agitated, serious, and in which eyeballs are at the centre of the eye (lit. leyel) is called vīrā (heroic), and it is used in the Heroic Sentiment.(Source): Wisdom Library: Nāṭya-śāstra
A type of glance (or facial expression): Vīra (heroic): radiant, direct, open, rather majestic, selfcontrolled, the pupils at rest. Usage: the heroic.(Source): archive.org: The mirror of gesture (abhinaya-darpana)
Vīra (वीर) or the “sentiment (rasa) of heroism” belongs to the noblest men. It is generated from utsāha or energy, which is its sthāyibhāva or the permanent mood. It is said to be of the colour yellow and Indra, the king of the gods is its presiding divinity. Here, the ālambanavibhāvas are the persons to be vanquished and the uddīpanavіbhāvas are their heroic utterances, advances and appropriate situations. Again, taking up of the arms and the like by the rivals are the anubhāvas and the vyabhicāribhāvas are the firmness, resolution, pride, reminiscences, reasoning and horripilation. It may be mentioned here that utsāha is that mood, by which one is encouraged to perform a particular act.(Source): Shodhganga: Mankhaka a sanskrit literary genius (natya)
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Shaivism (Shaiva philosophy)
Vīrā (वीरा):—One of the twelve guṇas associated with Kanda, the fifth seat of the Svādhiṣṭhāna-chakra. According to tantric sources such as the Śrīmatottara-tantra and the Gorakṣasaṃhitā (Kādiprakaraṇa), these twelve guṇas are represented as female deities. According to the Ṣaṭsāhasrasaṃhitā however, they are explained as particular syllables. They (eg. Vīrā) only seem to play an minor role with regard to the interpretation of the Devīcakra (first of five chakras, as taught in the Kubjikāmata-tantra).(Source): Wisdom Library: Ṣaṭsāhasra-saṃhitā
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Rasashastra (chemistry and alchemy)
Vīra (वीर, “hero”) is a reference to the broader tantric tradition within which the Siddha theoreticians often situated themselves. The tantric “hero” is a practitioner who, through his initiation, practice, and gnoseological transformation, has transcended the bounded, duality-ridden world of lower creatures (paśus) of this world. The very same heterodox practices with which the tantric practitioner reaffirms his transcendence and absolute freedom—caste-free sexual intercourse, the consumption of forbidden power substances—are those which otherwise condemn the unwashed masses to hell. Intercourse with Siddha maidens, yogiṇīs, even goddesses, is a desideratum for the Siddha practitioner and a recurring theme in every tantric alchemical work.(Source): Google Books: The Alchemical Body
Rasaśāstra (रसशास्त्र, rasashastra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.
1a) Vīra (वीर).—A son of Pṛthu; pursued Indra at the instance of Atri when Indra walked away with Pṛthu's sacrificial horse.*
- * Bhāgavata-purāṇa IV. 19. 17; 20. 21.
1b) A son of Kṛṣṇa and Satyā.*
- * Bhāgavata-purāṇa X. 61. 13-14.
1c) A son of Satrajit.*
- * Brahmāṇḍa-purāṇa III. 71. 55.
1d) A name. of Vighneśvara.*
- * Brahmāṇḍa-purāṇa IV. 44. 68.
1e) The gods of Tāmasa epoch.*
- * Bhāgavata-purāṇa VIII. 1. 28.
1f) A class of Piśācas.*
- * Brahmāṇḍa-purāṇa III. 7. 378.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
General definition (in Hinduism)
Vīra (वीर) in the Rigveda and later denotes ‘man’ as the strong and heroic. Collectively in the singular the word denotes ‘male offspring’, an object of great desire (cf. Putra) to the Vedic Indian. The Pañcaviṃśa-brāhmaṇa gives a list of eight Vīras of the king, constituting his supporters and entourage.(Source): archive.org: Vedic index of Names and Subjects
Theravada (major branch of Buddhism)
1. Vira Thera. He was born in Savatthi in the family of a minister of Pasenadi and became a great warrior. He married, and, on the birth of his son, left the world, attaining arahantship in due course. His former wife tried to win him back to household life, but he showed her in a verse (Thag. vs. 8) that her efforts were futile.
In the time of Vipassi Buddha he swept the Buddhas hermitage and offered him niggunthi flowers. Later, he was born as King Mahapatapa. In the time of Kassapa Buddha he was a very rich merchant and gave milk rice to the monks and alms to the poor (ThagA.i.50).
He is probably identical with Niggundipupphiya Thera of the Apadana. Ap.i.205.
2. Vira. A setthi whose daughter gave milk rice to Tissa Buddha immediately before his Enlightenment. BuA.189.
3. Vira. The village in which Vira setthi lived. BuA.189.
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See Dhira.(Source): Pali Kanon: Pali Proper Names
Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
vīra : (adj.) brave; heroic. (m.) a hero.(Source): BuddhaSasana: Concise Pali-English Dictionary
Vīra, (Vedic vīra; cp. Av. vīra, Lat. vir, virtus “virtue”; Gotu. wair, Ohg, Ags wer; to vayas strength etc.; cp. viriya) manly, mighty, heroic; a hero S. I, 137; Sn. 44, 165 (not dhīra), 642, 1096, 1102; Th. 1, 736 (nara° hero); Nd2 609; DhA. IV, 225.—mahā° a hero S. I, 110, 193; III, 83 (of the Arahant).—vīra is often an Ep. of the Buddha.
—aṅgarūpa built like a hero, heroic, divine D. I, 89; II, 16; III, 59, 142, 145; S. I, 89; Sn. p. 106; expld as “devaputta-sadisa-kāya” at DA. I, 250 & SnA 450. ‹-› The BSk. equivalent is var-aṅga-rūpin (distorted fr. vīr°), e.g. MVastu I. 49; II, 158; III, 197. (Page 644)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Languages of India and abroad
vīra (वीर).—m (S) A hero, a warrior, a champion. 2 One of the rasa or sentiments,--the heroic rasa or passion, heroism, valor. 3 A person of whom some ancestor died in battle, and who on the first of phālgunavadya proceeds, habited as a warrior and with warlike pomp and state, to make obeisance to an idol, is at such time so called. 4 As attached to proper names, to designations generally, or to descriptive epithets, vīra conveys the sense of Chief, leading, eminent; as raghuvīra, yaduvīra, kuruvīra, daityavīra, kapivīra, bhaktavīra, vadānyavīra &c. and as per ex. taisā tukā vaiṣṇavavīra || avīṭa āvaḍī tyācī thōra ||; also mōjuni dēta vaiṣṇavīra || svahastēṃ cauguṇēṃ ghētī vara ||. Applied also to any person prominent or conspicuous for daring or intrepidity, vigor or energy, enterprise, munificence, philanthropy &c.
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vīra (वीर).—f (Contracted from vīrya) Strength, vigor, virility, virtue, potency, excellence. 2 A term at chess. The reach or range of a piece.(Source): DDSA: The Molesworth Marathi and English Dictionary
vīra (वीर).—m A hero. The heroic passion. f Strength.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Vira (विर).—1 P.
1) To end, terminate, come to an end; अविदितगतयामा रात्रिरेव व्यरंसीत् (aviditagatayāmā rātrireva vyaraṃsīt) U.1.27;6.33.
2) To cease, desist, stop, leave off (speaking &c); एतावदुक्त्वा विरते मृगेन्द्रे (etāvaduktvā virate mṛgendre) R.2.51; Śi.2.13; oft. with abl.; हा हन्त किमिति चित्तं विरमति नाद्यापि विषयेभ्यः (hā hanta kimiti cittaṃ viramati nādyāpi viṣayebhyaḥ) Bv.4.25; न स्थिरकर्मा विरराम कर्मणः (na sthirakarmā virarāma karmaṇaḥ) R.8.22; वत्सैतस्माद्विरम विरमातःपरं न क्षमोऽस्मि (vatsaitasmādvirama viramātaḥparaṃ na kṣamo'smi) U.1. 33; Bh.2.8.
Derivable forms: viram (विरम्).
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Vīra (वीर).—[ajeḥ rak vībhāvaśca Uṇ.2.13] a.
1) Heroic, brave.
2) Mighty, powerful.
3) Excellent, eminent.
-raḥ 1 A hero, warrior, champion; कोऽप्येष संप्रति नवः पुरुषावतारो वीरो न यस्य भगवान् भृगुनन्दनोऽपि (ko'pyeṣa saṃprati navaḥ puruṣāvatāro vīro na yasya bhagavān bhṛgunandano'pi) U.5.33.
2) The sentiment of heroism (in rhetoric); अस्तोक- वीरगुरुसाहसमद्भुतं च (astoka- vīragurusāhasamadbhutaṃ ca) Mv.1.6; it is distinguished under four heads; दानवीर, धर्मवीर, दयावीर (dānavīra, dharmavīra, dayāvīra) and युद्धवीर (yuddhavīra); for explanation see these words s. v.).
3) An actor.
5) The sacrificial fire.
6) A son; अस्य कुले वीरो जायते (asya kule vīro jāyate) Ch. Up.3.13.6; वीरं मे दत्त पितरः (vīraṃ me datta pitaraḥ) Śrādhamantras.
7) A husband.
8) The Arjuna tree.
9) A Jaina.
1) The Karavīra tree.
11) Name of Viṣṇu.
-ram 1 A reed.
4) The root of Uśīra q. v.
5) Iron; Gīrvāṇa.
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1) The wife of a hero.
2) A wife.
3) A mother, matron.
4) A kind of perfume (called Murā).
5) Spirituous liquor.
6) An aloe.
7) The plantain tree.
8) A woman with a husband and a son living; L. D. B.(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
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Search found 56 books and stories containing Vira, Vīrā or Vīra. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 15: Lāntikāpitṛ < [Chapter VIII - Initiation of ṛṣabhadatta and devānandā]
Part 18: Gośāla’s death < [Chapter VIII - Initiation of ṛṣabhadatta and devānandā]
Part 4: Initiation and death of Abhaya < [Chapter XII - Omniscience and wandering of Mahāvīra]
List of Mahabharata people and places (by Laxman Burdak)
A History of Indian Philosophy Volume 5 (by Surendranath Dasgupta)
Part 1 - History and Literature of Vīra-śaivism < [Chapter XXXV - Vīra-śaivism]
Part 6 - Vātulāgama < [Chapter XXXIV - Literature of Southern Śaivism]
The Markandeya Purana (by Frederick Eden Pargiter)
Middle Chola Temples (by S. R. Balasubrahmanyam)
Vira Rajendra (a.d. 1062-1070) < [Chapter V - Successors of Rajendra I (a.d. 1018 to 1070)]
Inscriptional References: General < [Chapter I - Rajaraja I (a.d. 985 to 1014)]
Temples in Chikka Hansoge < [Chapter IV - Temples of Rajendra I’s Time]
Later Chola Temples (by S. R. Balasubrahmanyam)
Note 1: the ruling dynasties (Hoysala and Kakatiya) < [Chapter XI - Kulottunga III (a.d. 1178 to 1218)]
Temples in Chelluru < [Chapter II - Temples of Kulottunga I’s Time]
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