Rakshasa, Rākṣasa, Rakṣasa: 24 definitions
Rakshasa means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Rākṣasa and Rakṣasa can be transliterated into English as Raksasa or Rakshasa, using the IAST transliteration scheme (?).
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
1) Rākṣasa (राक्षस) is the Sanskrit name for a group of deities to be worshipped during raṅgapūjā, according to the Nāṭyaśāstra 3.1-8. Accordingly, the master of the dramatic art who has been initiated for the purpose shall consecrate the playhouse after he has made obeisance (eg., to Rākṣasas).
2) Rākṣasa (देव) refers to a classification of women according to Nāṭyaśāstra chapter 24.—“A woman who has large and broad limbs, red wide eyes, coarse hairs, loves to sleep in day time, speaks loudly, has the habit of hurting one with nails and teeth, is disposed to anger, jealousy and quarrel, and likes to roam at night, is said to possess the nature of a rākṣasa (or, rakṣas)”.
3) Rākṣasa (राक्षस).—According to the Nāṭyaśāstra chapter 35, the role (bhūmikā) of actors playing Rākṣasas is defined as, “persons who are fat, and have a large body and a voice like the peal of thunder (lit. cloud), furious looking eyes and naturally knit eyebrows, should be employed to take up the role of Rākṣasas, Dānavas and Daityas; for the performance of male actors should be in conformity with their limbs and movements.”.Source: archive.org: The mirror of gesture (abhinaya-darpana)
The Rākṣasa Hand: Both hands Śakaṭa, held on the face.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Dharmashastra (religious law)Source: Google Books: Manusmṛti with the Manubhāṣya
Rākṣasa (राक्षस) and the rest (yakṣa and piśāca) are lower classes of beings, ignorant of the law relating to what should and what should not be eaten; and it is they that eat meat (See the Manubhāṣya verse 11.95)
Dharmashastra (धर्मशास्त्र, dharmaśāstra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.
Vaishnavism (Vaishava dharma)Source: ISKCON Press: Glossary
Rākṣasa (राक्षस).—A class of asura or ungodly people. The Rākṣasa are always opposed to God’s will. Generally, they are man-eaters and have grotesque forms.
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Purana and Itihasa (epic history)Source: Wisdom Library: Viṣṇu-purāṇa
Rākṣasa (राक्षस) refers to a class of demons and represents a type of Ādhibhautika pain, according to the Viṣṇu-purāṇa 6.5.1-6. Accordingly, “the wise man having investigated the three kinds of worldly pain, or mental and bodily affliction and the like, and having acquired true wisdom, and detachment from human objects, obtains final dissolution.”
Ādhibhautika and its subdivisions (eg., rākṣasas) represents one of the three types of worldly pain (the other two being ādhyātmika and ādhidaivika) and correspond to three kinds of affliction described in the Sāṃkhyakārikā.
The Viṣṇupurāṇa is one of the eighteen Mahāpurāṇas which, according to tradition was composed of over 23,000 metrical verses dating from at least the 1st-millennium BCE. There are six chapters (aṃśas) containing typical puranic literature but the contents primarily revolve around Viṣṇu and his avatars.Source: archive.org: Puranic Encyclopedia
1) Rākṣasa (राक्षस).—A particular sect of asuras. The ancients had ordained that Rākṣasas should not be killed at dusk. Vālmīki Rāmāyaṇa, Bālakāṇḍa, Canto 22, Verse 22).
Uttararāmāyaṇa, contains the following story about the origin of Rākṣasas. When Brahmā was reciting the Vedas at the beginning of Kṛtayuga he felt very hungry and certain forms emanated from his face. Those who were born from his anger assumed the form of Rākṣasas and those from his hunger that of Yakṣas. The Rākṣasas turned out to be evil folk killing and eating cows and brahmins. Praheti and Heti were the first born Rākṣasas, the latter of whom wedded Bhayā, daughter of Kāla, and to them was born a son called Vidyutkeśa. He married Sālakaṭaṅkā, daughter of Sandhyā. Though a child was born to them they forsook it in the Himālayan slopes and went their own way. (See full article at Story of Rākṣasa from the Puranic encyclopaedia by Vettam Mani)
2) Rākṣasa (राक्षस).—An approved system of marriage. (See under Vivāha).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
2a) Rākṣasa (राक्षस).—A form of marriage by which Kṛṣṇa married Rukmiṇī. But Rukmi objected to this form of marriage.*
- * Bhāgavata-purāṇa X. 52. 18 and 41; 54. 18; Viṣṇu-purāṇa III. 10. 24.
2b) See Rakṣas: semi-divine beings;1 different clans—Devarākṣasas like Nairṛtas, Bhūmirākṣasas, Guhyarākṣasas Daityarākṣasas like Kāpileyas; Another classification is dīvācaras (Yajñamukhas) (Yātudhāna, Brahmadhāna, and Vārtta) and Niśācaras (Paulastya, Nairṛta, Āgastya, and Viśvāmītra) who ruin the Śrāddha, but worship Pitṛs;2 of sharp teeth, reside in Bhaumanarakam;3 sons of Yātudhāna;4 description of their forms and features;5 mother, Svasā;6 both Dānavas and Daityas live in Pātāla.7
- 1) Bhāgavata-purāṇa VI. 8. 24; Brahmāṇḍa-purāṇa II. 32. 1 and 2; 35. 191.
- 2) Ib. III. 7. 132167; 8. 60-65; 10. 111; 11. 81; IV. 1. 155; 2. 26; 20. 47; Vāyu-purāṇa 70. 54-7.
- 3) Matsya-purāṇa 39. 8-9.
- 4) Vāyu-purāṇa 69. 128.
- 5) Ib. 70. 54-63.
- 6) Viṣṇu-purāṇa I. 21. 25.
- 7) Ib. II. 5-4.
2c) ety—(see also Yakṣa, Niśācara). When out of hunger the first created beings began to swallow water, the Rākṣasas tried to protect the waters; then the hairs of Prajāpati stood on end with anger; out of this came snakes of all sorts;1 occupy Vajraka hill.2
- 1) Brahmāṇḍa-purāṇa II. 8. 32; Vāyu-purāṇa 9. 30-5; Viṣṇu-purāṇa I. 5. 43.
- 2) Vāyu-purāṇa 30. 90; 31. 12; 34. 55; 39. 36; 100. 159; 101. 3, 28.
Rakṣasa (रक्षस) is a name mentioned in the Mahābhārata (cf. I.59.7, I.65, I.60.7) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Rakṣasa) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Jyotisha (astronomy and astrology)Source: The effect of Samvatsaras: Satvargas
Rākṣasa (राक्षस) refers to the forty-ninth saṃvatsara (“jovian year)” in Vedic astrology.—The native whose birth occurs in the ‘samvatsara’ of ‘rakshasa’ is extremely cruel or malefic, doer of reprehensible or blameworthy deeds, quarrelsome, devoid of religion and thoughtfulness, cruel and also courageous.
According with Jataka Parijata, the person born in the year rakshasa (2035-2036 AD) will be sinful, indulge in vain talk, and will injure the virtuous.
Jyotisha (ज्योतिष, jyotiṣa or jyotish) refers to ‘astronomy’ or “Vedic astrology” and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
General definition (in Hinduism)Source: Apam Napat: Indian Mythology
Rakshasas are demons, who are forces of evil. They appear to be related to the Asuras, and the names might be used interchangably. It is also sometimes use to refer to persons who have unsavory traits, people who indulge in wanton destruction etc.Source: WikiPedia: Hinduism
Rākṣasaḥ (रा॑क्षस): A rakshasa alternately, raksasa or rakshas is a demon or unrighteous spirit in Hinduism.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: academia.edu: The Structure and Meanings of the Heruka Maṇḍala
Rākṣasa (राक्षस) refers to one of the eight direction-guardians (dikpāla) of the Guṇacakra, according to the 10th century Ḍākārṇava chapter 15. Accordingly, the guṇacakra refers to one of the four divisions of the sahaja-puṭa (‘innate layer’), situated within the padma (lotus) in the middle of the Herukamaṇḍala. Rākṣasa is associated with the charnel grounds (śmaśāna) named Ghorāndhakāra; with the tree (vṛkṣa) named Latāparkaṭi; with the serpent king (nāgendra) named Kulika and with the cloud king (meghendra) named Varṣaṇa.
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
General definition (in Jainism)Source: Wisdom Library: Jainism
1) Rākṣasa (राक्षस).—The rākṣasa are a group of deities categorised as belonging to the vyantara class of Gods (devas). The vyantaras represent a class of Gods (devas) comprising eight groups of deities that wander about the three worlds (adhaloka, madhyaloka and ūrdhvaloka).
2) Rākṣasa (राक्षस).—One of the ten sub-types of gods (devas), according to Jain cosmology. The are also known by the name Ātmarakṣa, or Ātmarakṣaka. The occupation of the rākṣasas is to act as bodyguards.
3) Rākṣasa (राक्षस) refers to a class of piśāca deities according to the Digambara tradition of Jainism, while Śvetāmbara does not recognize this class. The piśācas refer to a category of vyantaras gods which represents one of the four classes of celestial beings (devas).
The deities such as the Rākṣasas are defined in ancient Jain cosmological texts such as the Saṃgrahaṇīratna in the Śvetāmbara tradition or the Tiloyapaṇṇati by Yativṛṣabha (5th century) in the Digambara tradition.Source: Google Books: Jaina Iconography
Rākṣasa (राक्षस).—A class of vyantara gods;—They are of seven classes according to the Tiloyapaṇṇatti:
All Rākṣasas are black. Their Indras are Bhīma and Mahābhīma, having four chief queens each called Padmā, Vasumitrā, Ratnāḍhyā and Kāñcanaprabha. Kaṇṭaka is the Caitya-tree of Rākṣasas.
The Śvetāmbaras also acknowledge seven classes, namely:
Their Indras are Bhīma and Mahābhīma. The Rākṣasa are white, adorned with golden ornaments and having fierce appearances with long red lower lips. Their flags have the mark of khaṭvāṅga.Source: Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)
Rākṣasa (राक्षस) refers to the “demon” class of “peripatetic celestial beings” (vyantara), itself a category of devas (celestial beings), according to the 2nd-century Tattvārthasūtra 4.10. Who are the lords amongst the demon (rākṣasa) class of peripatetic (forest) celestial beings? Bhīma and Mahābhīma are the two lords in the demon class of peripatetic celestial beings.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
rākṣasa (राक्षस).—m (S) A demon or fiend variously described; as a Titan or enemy of the gods in a human or superhuman form; as an attendant on Kubera and guardian of his treasures; as a fierce goblin or ogre haunting cemeteries, animating dead bodies &c. 2 Applied to any ferocious, monstrous, hideous, gluttonous, sleepyheaded man.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
rākṣasa (राक्षस).—m A demon. A monstrous man.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
Rākṣasa (राक्षस).—a. (-sī f.) [रक्षस इदम् अण् (rakṣasa idam aṇ)] Belonging to or like an evil spirit, demoniacal, partaking of a demon's nature; मुनयो राक्षसीमाहुर्वाचमुन्मत्तदृप्तयोः (munayo rākṣasīmāhurvācamunmattadṛptayoḥ) U.5.3; ततस्तद्राक्षसं सैन्यम् (tatastadrākṣasaṃ sainyam) Rām.3.22.17; राक्षसीमासुरीं चैव प्रकृतिं मोहिनीं श्रिताः (rākṣasīmāsurīṃ caiva prakṛtiṃ mohinīṃ śritāḥ) Bg.9.12.
-saḥ 1 A demon, an evil spirit, a goblin, fiend, imp.
2) One of the eight forms of marriage in Hindu Law, in which a girl is forcibly seized and carried away after the defeat or destruction of her relatives in battle; हत्वा छित्त्वा च भित्त्वा च क्रोशन्तीं रुदतीं गृहात् । प्रसह्य कन्याहरणं राक्षसो विधिरुच्यते (hatvā chittvā ca bhittvā ca krośantīṃ rudatīṃ gṛhāt | prasahya kanyāharaṇaṃ rākṣaso vidhirucyate) || Ms.3.33; राक्षसो युद्धहरणात् (rākṣaso yuddhaharaṇāt) Y.1.61. (Kṛṣṇa carried away Rukmiṇī in this manner.)
3) One of the astronomical Yogas.
4) Name of a minister of Nanda, an important character in the Mudrārākṣasa.
5) A king of the Rākṣasas.
6) Name of the 3th Muhūrta.
7) Name of a संवत्सर (saṃvatsara).
-sī 1 A female demon.
2) Laṅkā or Ceylon.
4) A larger tooth, tusk.Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
Rākṣasa (राक्षस).—n. of a nāga king: Māy 247.7.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-saḥ-sī-saṃ) Infernal, demoniacal. m.
(-saḥ) An evil spirit, a demon, a vampire, a fiend, but who appears to be of various descriptions, and is either a powerful Titan or enemy of the gods in a superhuman or incarnate form, as Ravana and others; an attendant on Kuvera, and guardian of his treasures; or a mischievous and cruel goblin or ogre, haunting cemeteries, animating dead bodies, and devouring human beings. f. (-sī) 1. A female fiend, the female of the preceding. 2. A large tooth, a tusk. 3. A sort of perfume, commonly Chor. n.
(-saṃ) 1. A form of marriage, the violent seizure and rape of a girl after the repulse or destruction of her relatives. 2. Surgery, cure by the knife of cautery. E. rakṣ to preserve, to be preserved, (from whom,) aff. asun, and aṇ pleonasm added; or rakṣas a demon, and aṇ aff. of reference.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Starts with: Rakshasagana, Rakshasaghna, Rakshasagraha, Rakshasajit, Rakshasalinga, Rakshasaloka, Rakshasamantra, Rakshasamatri, Rakshasamukhi, Rakshasanna, Rakshasarakshasa, Rakshasashila, Rakshasavela, Rakshasavivaha, Rakshasayajna, Rakshasendra.
Ends with: Arakshasa, Bhaderakshasa, Bhumirakshasa, Brahmamrakshasa, Brahmarakshasa, Daityarakshasa, Devarakshasa, Jalarakshasa, Kshudrarakshasa, Manavarakshasa, Manusharakshasa, Mudrarakshasa, Rajarakshasa, Rakshasarakshasa, Ripurakshasa, Shalirakshasa, Udakarakshasa, Yaksharakshasa.
Full-text (+638): Yaksha, Vidyujjihva, Kalmashapada, Kirmira, Sumali, Bhima, Ravana, Parashara, Hidimba, Alambusha, Rakshasendra, Rakshasavela, Atikaya, Rakshasagraha, Lohitaksha, Yamadamshtraka, Mahakapala, Kumbhakarna, Manushyagana, Rakshasayajna.
Search found 90 books and stories containing Rakshasa, Rākṣasa, Rakṣasa, Raksasa; (plurals include: Rakshasas, Rākṣasas, Rakṣasas, Raksasas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mahabharata (English) (by Krishna-Dwaipayana Vyasa)
Section CLV < [Hidimva-vadha Parva]
Section CCLXXXVIII < [Draupadi-harana Parva]
Section CCLXXXV < [Draupadi-harana Parva]
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 11 - Summary Description of the Mahapurusa < [Canto XII - The Age of Deterioration]
Chapter 10 - The Pastimes of the Supreme Lord, Ramacandra < [Canto IX - Liberation]
Chapter 9 - The Dynasty of Amsuman < [Canto IX - Liberation]
Chapter 13 - Hidimba Slain < [Adi Parva]
Chapter 10 - The Death of Ghatotkacha < [Drona Parva]
Chapter 4 - Bhima Meets Hanuman and Kills Jatasura < [Vana Parva]
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 1.37 < [Section XXI - Creation of the Semi-divine Beings]
Verse 3.33 < [Section IV - The Eight Forms of Marriage]
Verse 3.23 < [Section IV - The Eight Forms of Marriage]
The Shiva Purana (by J. L. Shastri)
Chapter 21 - The origin of the Jyotirliṅga Bhīmeśvara < [Section 4 - Koṭirudra-Saṃhitā]
Chapter 30 - The greatness of the Jyotirliṅga Nāgeśvara < [Section 4 - Koṭirudra-Saṃhitā]
Chapter 29 - The havoc of the Rākṣasas of Dārukāvana < [Section 4 - Koṭirudra-Saṃhitā]
Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3 (by Henry Parker)
Story 20 - The Prince Who Did Not Go To School < [Part I - Stories told by the Cultivating Caste and Vaeddas]
Story 48 - The Seven Princesses < [Part II (b) - Stories of the Tom-tom Beaters]
Story 39 - The Jackal Devatawa < [Part II (a) - Stories told of or by the Lower Castes]