Rakshasa, aka: Rākṣasa, Rakṣasa; 17 Definition(s)
Rakshasa means something in Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Rākṣasa and Rakṣasa can be transliterated into English as Raksasa or Rakshasa, using the IAST transliteration scheme (?).
Dharmashastra (religious law)
Rākṣasa (राक्षस) and the rest (yakṣa and piśāca) are lower classes of beings, ignorant of the law relating to what should and what should not be eaten; and it is they that eat meat (See the Manubhāṣya verse 11.95)(Source): Google Books: Manusmṛti with the Manubhāṣya
Dharmashastra (धर्मशास्त्र, dharmaśāstra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.
Natyashastra (theatrics and dramaturgy)
1) Rākṣasa (राक्षस) is the Sanskrit name for a group of deities to be worshipped during raṅgapūjā, according to the Nāṭyaśāstra 3.1-8. Accordingly, the master of the dramatic art who has been initiated for the purpose shall consecrate the playhouse after he has made obeisance (eg., to Rākṣasas).
2) Rākṣasa (देव) refers to a classification of women according to Nāṭyaśāstra chapter 24.—“A woman who has large and broad limbs, red wide eyes, coarse hairs, loves to sleep in day time, speaks loudly, has the habit of hurting one with nails and teeth, is disposed to anger, jealousy and quarrel, and likes to roam at night, is said to possess the nature of a rākṣasa (or, rakṣas)”.
3) Rākṣasa (राक्षस).—According to the Nāṭyaśāstra chapter 35, the role (bhūmikā) of actors playing Rākṣasas is defined as, “persons who are fat, and have a large body and a voice like the peal of thunder (lit. cloud), furious looking eyes and naturally knit eyebrows, should be employed to take up the role of Rākṣasas, Dānavas and Daityas; for the performance of male actors should be in conformity with their limbs and movements.”.(Source): Wisdom Library: Nāṭya-śāstra
The Rākṣasa Hand: Both hands Śakaṭa, held on the face.(Source): archive.org: The mirror of gesture (abhinaya-darpana)
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Rākṣasa (राक्षस) refers to a class of demons and represents a type of Ādhibhautika pain, according to the Viṣṇu-purāṇa 6.5.1-6. Accordingly, “the wise man having investigated the three kinds of worldly pain, or mental and bodily affliction and the like, and having acquired true wisdom, and detachment from human objects, obtains final dissolution.”
Ādhibhautika and its subdivisions (eg., rākṣasas) represents one of the three types of worldly pain (the other two being ādhyātmika and ādhidaivika) and correspond to three kinds of affliction described in the Sāṃkhyakārikā.
The Viṣṇupurāṇa is one of the eighteen Mahāpurāṇas which, according to tradition was composed of over 23,000 metrical verses dating from at least the 1st-millennium BCE. There are six chapters (aṃśas) containing typical puranic literature but the contents primarily revolve around Viṣṇu and his avatars.(Source): Wisdom Library: Viṣṇu-purāṇa
2a) Rākṣasa (राक्षस).—A form of marriage by which Kṛṣṇa married Rukmiṇī. But Rukmi objected to this form of marriage.*
- * Bhāgavata-purāṇa X. 52. 18 and 41; 54. 18; Viṣṇu-purāṇa III. 10. 24.
2b) See Rakṣas: semi-divine beings;1 different clans—Devarākṣasas like Nairṛtas, Bhūmirākṣasas, Guhyarākṣasas Daityarākṣasas like Kāpileyas; Another classification is dīvācaras (Yajñamukhas) (Yātudhāna, Brahmadhāna, and Vārtta) and Niśācaras (Paulastya, Nairṛta, Āgastya, and Viśvāmītra) who ruin the Śrāddha, but worship Pitṛs;2 of sharp teeth, reside in Bhaumanarakam;3 sons of Yātudhāna;4 description of their forms and features;5 mother, Svasā;6 both Dānavas and Daityas live in Pātāla.7
- 1) Bhāgavata-purāṇa VI. 8. 24; Brahmāṇḍa-purāṇa II. 32. 1 and 2; 35. 191.
- 2) Ib. III. 7. 132167; 8. 60-65; 10. 111; 11. 81; IV. 1. 155; 2. 26; 20. 47; Vāyu-purāṇa 70. 54-7.
- 3) Matsya-purāṇa 39. 8-9.
- 4) Vāyu-purāṇa 69. 128.
- 5) Ib. 70. 54-63.
- 6) Viṣṇu-purāṇa I. 21. 25.
- 7) Ib. II. 5-4.
2c) ety—(see also Yakṣa, Niśācara). When out of hunger the first created beings began to swallow water, the Rākṣasas tried to protect the waters; then the hairs of Prajāpati stood on end with anger; out of this came snakes of all sorts;1 occupy Vajraka hill.2
- 1) Brahmāṇḍa-purāṇa II. 8. 32; Vāyu-purāṇa 9. 30-5; Viṣṇu-purāṇa I. 5. 43.
- 2) Vāyu-purāṇa 30. 90; 31. 12; 34. 55; 39. 36; 100. 159; 101. 3, 28.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Jyotisha (astronomy and astrology)
Rākṣasa (राक्षस) refers to the forty-ninth saṃvatsara (“jovian year)” in Vedic astrology.—The native whose birth occurs in the ‘samvatsara’ of ‘rakshasa’ is extremely cruel or malefic, doer of reprehensible or blameworthy deeds, quarrelsome, devoid of religion and thoughtfulness, cruel and also courageous.
According with Jataka Parijata, the person born in the year rakshasa (2035-2036 AD) will be sinful, indulge in vain talk, and will injure the virtuous.(Source): The effect of Samvatsaras: Satvargas
Jyotiṣa (ज्योतिष, jyotisha or jyotish) basically refers to ‘astronomy’ or “Vedic astrology” and represents one of the six additional sciences to be studied along with the Vedas. Jyotiṣa concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
General definition (in Hinduism)
Rakshasas are demons, who are forces of evil. They appear to be related to the Asuras, and the names might be used interchangably. It is also sometimes use to refer to persons who have unsavory traits, people who indulge in wanton destruction etc.(Source): Apam Napat: Indian Mythology
Rākṣasaḥ (रा॑क्षस): A rakshasa alternately, raksasa or rakshas is a demon or unrighteous spirit in Hinduism.(Source): WikiPedia: Hinduism
Rākṣasa (राक्षस).—A class of asura or ungodly people. The Rākṣasa are always opposed to God’s will. Generally, they are man-eaters and have grotesque forms.(Source): ISKCON Press: Glossary
General definition (in Jainism)
1) Rākṣasa (राक्षस).—The rākṣasa are a group of deities categorised as belonging to the vyantara class of Gods (devas). The vyantaras represent a class of Gods (devas) comprising eight groups of deities that wander about the three worlds (adhaloka, madhyaloka and ūrdhvaloka).
2) Rākṣasa (राक्षस).—One of the ten sub-types of gods (devas), according to Jain cosmology. The are also known by the name Ātmarakṣa, or Ātmarakṣaka. The occupation of the rākṣasas is to act as bodyguards.
3) Rākṣasa (राक्षस) refers to a class of piśāca deities according to the Digambara tradition of Jainism, while Śvetāmbara does not recognize this class. The piśācas refer to a category of vyantaras gods which represents one of the four classes of celestial beings (devas).
The deities such as the Rākṣasas are defined in ancient Jain cosmological texts such as the Saṃgrahaṇīratna in the Śvetāmbara tradition or the Tiloyapaṇṇati by Yativṛṣabha (5th century) in the Digambara tradition.(Source): Wisdom Library: Jainism
Rākṣasa (राक्षस).—A class of vyantara gods;—They are of seven classes according to the Tiloyapaṇṇatti:
All Rākṣasas are black. Their Indras are Bhīma and Mahābhīma, having four chief queens each called Padmā, Vasumitrā, Ratnāḍhyā and Kāñcanaprabha. Kaṇṭaka is the Caitya-tree of Rākṣasas.
The Śvetāmbaras also acknowledge seven classes, namely:
Their Indras are Bhīma and Mahābhīma. The Rākṣasa are white, adorned with golden ornaments and having fierce appearances with long red lower lips. Their flags have the mark of khaṭvāṅga.(Source): Google Books: Jaina Iconography
Rākṣasa (राक्षस) refers to the “demon” class of “peripatetic celestial beings” (vyantara), itself a category of devas (celestial beings), according to the 2nd-century Tattvārthasūtra 4.10. Who are the lords amongst the demon (rākṣasa) class of peripatetic (forest) celestial beings? Bhīma and Mahābhīma are the two lords in the demon class of peripatetic celestial beings.(Source): Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
rākṣasa (राक्षस).—m (S) A demon or fiend variously described; as a Titan or enemy of the gods in a human or superhuman form; as an attendant on Kubera and guardian of his treasures; as a fierce goblin or ogre haunting cemeteries, animating dead bodies &c. 2 Applied to any ferocious, monstrous, hideous, gluttonous, sleepyheaded man.(Source): DDSA: The Molesworth Marathi and English Dictionary
rākṣasa (राक्षस).—m A demon. A monstrous man.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Rākṣasa (राक्षस).—a. (-sī f.) [रक्षस इदम् अण् (rakṣasa idam aṇ)] Belonging to or like an evil spirit, demoniacal, partaking of a demon's nature; मुनयो राक्षसीमाहुर्वाचमुन्मत्तदृप्तयोः (munayo rākṣasīmāhurvācamunmattadṛptayoḥ) U.5.3; ततस्तद्राक्षसं सैन्यम् (tatastadrākṣasaṃ sainyam) Rām.3.22.17; राक्षसीमासुरीं चैव प्रकृतिं मोहिनीं श्रिताः (rākṣasīmāsurīṃ caiva prakṛtiṃ mohinīṃ śritāḥ) Bg.9.12.
-saḥ 1 A demon, an evil spirit, a goblin, fiend, imp.
2) One of the eight forms of marriage in Hindu Law, in which a girl is forcibly seized and carried away after the defeat or destruction of her relatives in battle; हत्वा छित्त्वा च भित्त्वा च क्रोशन्तीं रुदतीं गृहात् । प्रसह्य कन्याहरणं राक्षसो विधिरुच्यते (hatvā chittvā ca bhittvā ca krośantīṃ rudatīṃ gṛhāt | prasahya kanyāharaṇaṃ rākṣaso vidhirucyate) || Ms.3.33; राक्षसो युद्धहरणात् (rākṣaso yuddhaharaṇāt) Y.1.61. (Kṛṣṇa carried away Rukmiṇī in this manner.)
3) One of the astronomical Yogas.
4) Name of a minister of Nanda, an important character in the Mudrārākṣasa.
5) A king of the Rākṣasas.
6) Name of the 3th Muhūrta.
7) Name of a संवत्सर (saṃvatsara).
-sī 1 A female demon.
2) Laṅkā or Ceylon.
4) A larger tooth, tusk.(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 395 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
brahmarākṣasa (ब्रह्मराक्षस).—m The ghost of a Brahman.
rākṣasa-vēḷa (राक्षस-वेळ).—f Dusk of evening
Rākṣasagraha (राक्षसग्रह).—An evil spirit connected with the Rākṣasas. Affected by this spirit ...
Rākṣasarākṣasa (राक्षसराक्षस) is the name of a class of rākṣasas according to both the Digambar...
Rākṣasendra (राक्षसेन्द्र).—Name of Rāvaṇa. Derivable forms: rākṣasendraḥ (राक्षसेन्द्रः).Rākṣa...
Mānuṣarākṣasa (मानुषराक्षस).—a fiend in human form. Derivable forms: mānuṣarākṣasaḥ (मानुषराक्ष...
Mānavarākṣasa (मानवराक्षस).—a demon or fiend in the form of a man; तेऽमी मानवराक्षसाः परहितं स्...
Rājarākṣasa (राजराक्षस).—a bad king. Derivable forms: rājarākṣasaḥ (राजराक्षसः).Rājarākṣasa is ...
Rākṣasaliṅga (राक्षसलिङ्ग) refers to a type of sthāvaraliṅgas, or, “immovable liṅgas”, accor...
Rākṣasaloka (राक्षसलोक) refers to the world of the Rākṣasas and represents a division of the di...
Rākṣasamantra (राक्षसमन्त्र).—Before any dramatic performance (nāṭya) takes place, god...
Śālirākṣasa (शालिराक्षस).—In the 5th tala or mahātala.** Vāyu-purāṇa 50. 36.
Jalarākṣasa (जलराक्षस) is the name of a class of rākṣasas according to the Śvetāmbara tradition...
Bhīma (भीम) or Bhīmatantra refers to one of the thirty-three Dakṣiṇatantras, belonging to the Ś...
1) Vaṭa (वट).—One of the five attendants given to Subrahmaṇya by the god Aṃśa. The five attenda...
Search found 63 books and stories containing Rakshasa, Rākṣasa or Rakṣasa. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Chapter I - Origin of the Rākṣasavaṃśa and Vānaravaṃśa < [Book VII - Jain Ramayana (Rāmāyaṇa)]
Part 8: Story of Brāhman boy < [Chapter I - Five previous incarnations]
Part 19: Story of Sodāsa < [Chapter II - Marriages of Vasudeva with maidens]
List of Mahabharata people and places (by Laxman Burdak)
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 11 - Summary Description of the Mahapurusa < [Canto XII - The Age of Deterioration]
Chapter 9 - The Dynasty of Amsuman < [Canto IX - Liberation]
Chapter 52 - Rukmini’s Message to Lord Krishna < [Canto X - The Summum Bonum]
Rasa Jala Nidhi, vol 4: Iatrochemistry (by Bhudeb Mookerjee)
Part 42 - Treatment for indigestion (40): Raksasa rasa < [Chapter IV - Irregularity of the digesting heat]
The Mahabharata - First Book (by Krishna-Dwaipayana Vyasa)
Section CLXV < [Vaka-vadha Parva]
Section CLVI < [Hidimva-vadha Parva]
Section V < [Pauloma Parva]
The Mahabharata - Third Book (by Krishna-Dwaipayana Vyasa)