Lalita, aka: Lalitā, Lālita; 9 Definition(s)
1a) Lalita (ललित, “sportiveness”).—One of the 108 karaṇas (minor dance movement) mentioned in the Nāṭyaśāstra chapter 4. The instructions for this lalita-karaṇa is as follows, “the left hand with Karihasta gesture, the right one to be again turned aside (apavartita), two feet to be moved up and down.”. A karaṇa represents a minor dance movements and combines sthāna (standing position), cārī (foot and leg movement) and nṛttahasta (hands in dancing position).
1b) Lalita (ललित) is a Sanskrit technical term referring to a gesture (āṅgika) made with ‘dance hands’ (nṛttahasta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
1c) Lalita (ललित) also refers to a one of the twenty maṇḍalas, according to the Nāṭyaśāstra chapter 12. The Lalita-maṇḍala is classified as a ākāśa, or “aerial”, of which there are ten in total. A maṇḍala is a combination of cārīs (“dance-steps”), which refers refers to the simultaneous movement of the feet (pāda), shanks (jaṅghā) and the hip (ūru). From these cārīs proceed dance as well as movements in general.
2) Lalitā (ललिता, “amorous”) refers to a specific “glance” (dṛṣṭi), according to the Nāṭyaśāstra chapter 8. This is a type of glance that expresses a ‘transitory state’ (saṃcāribhāva). There are a total thirty-six glances defined.
The term nāṭyaśāstra is the name of the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects.
1a) Lalitā (ललिता).—Upākhyāna of; narrated to Agastya by Hayagrīva-Viṣṇu; different names like Śakti, Parāśakti, Bhagavatī are given.1 Originally mind-born daughter of Brahmā, named Prakṛti. then as Mohini in the churning of the milk ocean; originator of all gods and creatures. The third was the form of Lalitā when she killed Bhaṇḍa, in consequence of the penance done in her honour by Indra, and out of his offerings. All gods call on Her and praise Her. Finding her reigning alone, Brahmā remembered a form of Śankara, as Kāmeśvara, who was married to the Devī, the sister of Hari; rejoicing and presents on the occasion. Lalitā came to be known as Kāmeśvarī. War with Bhaṇḍa assuming the office of Śrīdaṇḍanāthā; sovereignty of;2 description of the nine parvas of Cakrarājaratha and seven parvas of Geyacakraratha sacred to Lalitā. She rode on the Cakraratha with the sāmrājya umbrella amidst war-music. Bhaṇḍa treated it as a woman's march and with contempt. Night attacks and deceitful attacks by Bhaṇḍa's soldiers; assisted by Mantriṇī and Daṇḍanāthā, Lalitā's march. Gaṇanātha's aid in encouraging the fallen Śaktis and vanquishing the asuras. For this the honour of first worship was awarded. Burning of the city Śūnyakam along with non-combatants. Bhaṇḍa's death and Lalitā's victory; created Kāma and consoled Rati. Glad at the birth of Kumāra and his marriage with Devasenā. Went back to her city, Śrīpuram.3 Pañcadaśākṣarī and other mantras sacred to Lalitā; meditation of.4
- 1) Brahmāṇḍa-purāṇa IV. 5. (whole) ; Chh. 17-18.
- 2) Ib. IV. Chh. 6, 8, 10, 12-16.
- 3) Ib. IV. Chh. 19, 20, and 21; 26, 27, 29, 30; 37. 84.
- 4) Ib. IV. 38. 8-31.
1b) The Goddess at Prayāgā.*
- * Matsya-purāṇa 13. 26.
1c) A Goddess enshrined at Santāna.*
- * Matsya-purāṇa 13. 34.
1d) A name of Satī, wife of Śiva.*
- * Matsya-purāṇa 60. 11.
Lalita (ललित):—The Sanskrit name for a group of temples (prāsāda) containing 25 unique varieties. It is described in the 11th-century Samarāṅgaṇasūtradhāra (chapter 56) by Bhojadeva.
The Lalita group contains the following twenty-five temple classifications:
These are the names of 25 out of a total of 64 temple types mentioned in same chapter.
Lalitā (ललिता).—The Divine Playfulness is personified either as Krishna or as a manifestation of Pārvatī known as Lalitā. She holds the Pāśa, Ankuśa and a sugar-cane bow with which she shoots the five arrows of the sense-objects.
Tripura-Sundarī is also known as Lalitā. The wise say: “The word Lalitā has eight meanings, namely brilliance, manifestation, sweetness, depth, fixity, energy, grace and generosity; are the eight human qualities.”
The Kāma-śastra says: — Lalitā means erotic actions and also tenderness; as she has all the above- mentioned qualities she is called Lalitā.
1) A type of glance (or facial expression): Lalita (graceful): the comers of the eyes closed by the movement of the brows, smiling because of the working of Love, direct; it is used in graceful posing (lalita), etc.
2) One of the saṃyutta-hastāni (Twenty-six combined Hands).—Lālita the same hands crossed near the head. Patron deity Vaiṣṇavī. Usage: sāl-tree, mountain.
Here we speak of the great Goddess Lalitā , who is also known as Tripurasundarī , Mahārājñī and Rājarājeśvarī amongst other names. She is the presiding deity of the most esoteric yogic practices associated with the Śrī Cakra (also called Śrī Yantra) that are collectively called Śrī Vidyā .
lalita : (nt.) grace; charm. || lālita (pp. of lāleti), lulled; quelled; soothed.
Lalitasañcara (ललितसञ्चर).—A type of maṇḍala (series of cārīs) classified as aerial (ā...
‘Śrī Lalita Triśatī Stotra’ is one of the great poems in praise of Paradevata as...
Tripurasundarī ("Beautiful (Goddess) of the Three Cities") is one of the group of ...
Lalitakānta (ललितकान्त):—The Sanskrit name for a classification of a ‘temple&rsq...
Lalitāgama (ललितागम):—One of the 28 Śaivāgamas. This is one of the eight Āgamas that w...
Lalitabhadra (ललितभद्र):—The Sanskrit name for a classification of a ‘temple&rsq...
Mayūralalita (मयूरललित).—One of the 108 karaṇas (minor dance movement) mentioned in th...
Śrīvatsa (श्रीवत्स) is a Sanskrit technical term referring to a variety of maṇḍapa (halls at...
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1a) Haṃsa (हंस).—A son of Brahmā; remained a celibate.** Bhāgavata-purāṇa IV. 8. 1.1b) Mt...
1a) Gaṇeśa (गणेश).—Is Vināyaka (s.v.); sprung out of Kāmeśvara, thought of by Lalītā; des...
Daṇḍa (दण्ड) refers to a weapon (“stick”, “staff”). It is a Sanskrit...
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- · Śrī Kṛṣṇa-vijaya > Brahmā's Prayers (Lalita-rāga)
- · Śrī Sanatkumara-saṃhita > Text 204
- · Brihad Bhagavatamrita > ... > Verse 2.6.141
- · Śrī Sanatkumara-saṃhita > Text 219
- · Brihad Bhagavatamrita > ... > Verse 1.6.52
- · Brihad Bhagavatamrita > ... > Verse 2.6.46
- · Nectar of Devotion > Kṛṣṇa’s Personality
- · Brihad Bhagavatamrita > ... > Verse 2.5.201
- · Nectar of Devotion > Symptoms of Ecstatic Love
- · The Natyashastra > Maṇḍala movements
- · Bodhisattva-caryāvatāra > ... > Text Section 173
- · The Vishnu Purana > ... > 18. The Brahmāṇḍa Purāṇa
- · The Mirror of Gesture (abhinaya-darpana) > Forty-four Glances
- · Śrī Kṛṣṇa-vijaya > Description of the Lord's Four-armed Form (Hillola-rāga)
- · Preceptors of Advaita > ... > (ii) Kāmakoṭi and Nayanmars
- · The Mirror of Gesture (abhinaya-darpana) > Twenty-four Movements of the Head
- · Nectar of Devotion > Perverted Expression of Mellows
- · Brihad Bhagavatamrita > ... > Verse 2.5.81
- · Nectar of Devotion > Further Analysis of Mixed Rasas
- · Nectar of Devotion > Further Traits of Śrī Kṛṣṇa
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