Marana, aka: Maraṇa, Māraṇa; 25 Definition(s)
Marana means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Rasashastra (chemistry and alchemy)
1) Maraṇa (मरण) is a Sanskrit technical term that refers to the “death” (due to the onset of diseases), as per rasaśāstra literature (Medicinal Alchemy)
2) Māraṇa (मारण) refers to the process of “incineration” of metatals. It is used throughout Rasaśāstra literature, such as the Rasaprakāśasudhākara.Source: Wisdom Library: Rasa-śāstra
Māraṇa, the “killing” of mercury (or any metal) reduces it to a fine ash or oxide (bhasma), such that the human body is able to absorb it when it is taken in medical preparations. Metals other than mercury are genrally killed, in preparation for internal use, by heating them together with iron pyrites and mercuric sulfide. When mercury is killed, it loses its fluidity, density, luster, and brilliance. Tantric alchemy attributes fantastic powers of transmutation to said mercury, which it identifies as “killed ash” (mṛtabhasma) or “killed mercury” (mṛtasūtaka).Source: Google Books: The Alchemical Body
Rasashastra (रसशास्त्र, rasaśāstra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.
Shaivism (Shaiva philosophy)
Māraṇa (मारण) refers to “killing others”. It is a siddhi (‘supernatural power’) described in chapter one of the Kakṣapuṭatantra (a manual of Tantric practice from the tenth century).Source: Wisdom Library: Kakṣapuṭa-tantra
Māraṇa (मारण) or Mṛti refers to “killing others” and represents one of the various siddhis (perfections) mentioned in the Kakṣapuṭatantra verse 1.11-13. Accordingly, “by excellent Sādhakas (tantric practitioners) wishing the Siddhi (eg., māraṇa), the mantrasādhana should be performed in advance, for the sake of the Siddhi. One would not attain any Siddhi without the means of mantra-vidhāna (the classification of mantra)”.Source: Shodhganga: Mantra-sādhana: Chapter One of the Kakṣapuṭatantra
Māraṇa (मारण) or Māraṇāgama refers to one of upāgamas (supplementary scriptures) of the Kāraṇāgama which is one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing upāgamas (eg., Māraṇa Āgama) is to explain more elaborately than that of mūlāgamas (eg., Kāraṇa-āgama) and to include any new idea if not dealt in mūlāgamas.Source: Shodhganga: Iconographical representations of Śiva
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Natyashastra (theatrics and dramaturgy)
1) Maraṇa (मरण, “death”).—One of the thirty-three vyabhicāribhāva (transitory states), according to the Nāṭyaśāstra chapter 7. These ‘transitory states’ accompany the ‘permanent state’ in co-operation. The term is used throughout nāṭyaśāstra literature. (Also see the Daśarūpa 4.8-9)
2) Maraṇa (मरण, “death”) refers to the tenth of the ten stages of love (kāma) arising in a woman (strī) and men (puṃs) alike, according to the Nāṭyaśāstra chapter 24.
3) Maraṇa (मरण, “death”) represents the eighth stage of the action of poison (viṣa) after drinking it, according to the Nāṭyaśāstra chapter 26. In a dramatic play, the representation of death from drinking poison is displayed by throwing out of hands and feet and other limbs. The power of the poison will lead to the quivering action of the different parts of the body.
Maraṇa according to the Nāṭyaśāstra: “death (maraṇa) whether it is due to a growth of disease or to snake-bite should be represented, according to the dramatic convention (nāṭyadharma) by a closure of the eyes. ”.Source: Wisdom Library: Nāṭya-śāstra
1) Maraṇa (मरण, “death”) comes through disease as well as accidental injury. Of these two kinds of death, that from sickness is caused by determinants (vibhāva) such as a malady of the intestine and the liver, colic pain, disturbance of humours, tumours, boils, fever, cholera, and the like. And that due to accidental injury is caused by weapons, snake bite, taking poison, [attack of] ferocious animals, injury due to falling down from elephant, horse, chariot and other vehicles.
Death due to disease is to be represented on the stage by one mark viz. loose body and inactive sense-organs. But death due to accidental injury is to be represented on the stage in different ways: e.g., [death due to] wound by weapons is to be represented by consequents (anubhāva) such as suddenly falling down on the ground and the like. In case of snake-bite or taking poison [there is a gradual] development of its symptoms which are eight in number, viz. thinness (of the body), tremor, burning sensation, hiccup, foam at the mouth, breaking of the neck, paralysis and death.
2) Maraṇa (मरण).—One of the ten stages of love (kāma);—If even after adopting all the means available for the purpose the Union with the beloved does not take place, then burnt in the fire of love one’s Death (maraṇa) takes place. Thus in case of her not meeting (lit. getting) the beloved, one should represent, according to the Science of Erotics, for the Heroine all the stages of love except the last one
3) Maraṇa (मरण).—Representation of death (maraṇa) which may arise from different conditions will be of different nature. For example, sometimes it is indicated by throwing out all the hands and feet, and sometimes by a paralysis of movement of all the limbs.Source: archive.org: Natya Shastra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Purana and Itihasa (epic history)
Maraṇa (मरण).—(M) (death) Death is a goddess whose name is Mṛtyu. The Purāṇas state that there was no death in the world before the birth of this goddess. In Mahābhārata, Droṇa Parva, Chapter 53 there is the following story about the circumstances in which Brahmā created Mṛtyu.
Living beings multiplied endlessly on earth. As they had no death, the goddess Earth found their weight too much for her to bear. She went weeping to Brahmā and prayed for his help. At that time, Rudra and Nārada were present in Brahmā’s assembly. Brahmā said that he did not like destroying living beings. Because of the pressure of Rudra and Nārada, Brahmā created out of Viśvaprakāsa (Cosmic Light) a woman. She was born from the south and Brahmā gave her the name "Mṛtyu". He gave her permission to destroy human beings.
When she heard that she was to kill living beings, she shed tears and Brahmā gathered those tears. She went to Dhenukāśrama and other places and performed tapas. At last Brahmā called her back and assured her that it was not against Dharma to kill living beings. He changed the tears he had gathered from her face into the various diseases and returned them to her. He gave those diseases and the god Yama as her companions. Thus the goddess Mṛtyu started her dance of destruction. (See also under the word PUNARJANMA).Source: archive.org: Puranic Encyclopaedia
1) Māraṇa (मारण) refers to “exterminating enemies”, which is mentioned as obtainable through the worship of Śiva, according to the Śivapurāṇa 2.1.14:—“[...] in order to drive out enemies, the number of worship is the same as before [for details, see text]. For exterminating enemies (māraṇa), worship is for a hundred thousand times and for enchantment worship is half that number”.
2) Māraṇa (मारण, “killing”) refers to one of the five arrows of Kāma, also known as Puṣpabāṇa, according to the Śivapurāṇa 2.2.3.—“[...] In this form and with your five flower-arrows [viz., Puṣpabāṇa] you can enamour and captivate men and women and carry on the eternal task of creation. [...] The minds of all living beings will become an easy target of your five-flower arrows (Puṣpabāṇa). You will be the cause of their elation. Thus I have assigned you the task of facilitating creation. These sons of mine will confer names and titles on you. Taking his five flower-arrows (Puṣpabāṇa), Kāma decided on his future course remaining invisible in form. His five arrows are respectively: Harṣaṇa (delighting), Rocana (appealing), Mohana (deluding), Śoṣaṇa (withering), Māraṇa (killing). Even sages could be deluded and tormented by them”.Source: archive.org: Siva Purana - English Translation
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
General definition (in Hinduism)
The ‘Māraṇa’ (मारण) process which is aimed at killing of metal or mineral and destroying its metallic nature by subjecting it with ‘bhāvanā’ and ‘puṭapāka’ treatments for several times or till these arenot divided/converted into finest subdivisions and into suitable desired compound form.Source: Indian National Science Academy: Hinduism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Māraṇa (मारण) refers to one of the eight charnel grounds (śmaśāna) of the Medinīcakra, according to the 10th century Ḍākārṇava chapter 15. Accordingly, the medinīcakra refers to one of the three divisions of the dharma-puṭa (‘dharma layer’), situated in the Herukamaṇḍala. Māraṇa is associated with the tree (vṛkṣa) named Pāga; with the female world-guardian (lokapālinī) named Indrī; with a female serpent (nāginī) and with a female cloud (meghinī).Source: academia.edu: The Structure and Meanings of the Heruka Maṇḍala
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Theravada (major branch of Buddhism)
Marana (“death”). - Contemplation of °: maranānussati. - As divine messenger: deva-dūta.Source: Pali Kanon: Manual of Buddhist Terms and Doctrines
'death', in ordinary usage, means the disappearance of the vital faculty confined to a single life-time, and therewith of the psycho-physical life-process conventionally called 'man, animal, personality, ego', etc. Strictly speaking, however, death is the continually repeated dissolution and vanishing of each momentary physical-mental combination, and thus it takes place every moment. About this momentaneity of existence, it is said in Vis.M. VIII:
"In the absolute sense, beings have only a very short moment to live, life lasting as long as a single moment of consciousness lasts. Just as a cart-wheel, whether rolling or whether at a standstill, at all times only rests on a single point of its periphery, even so the life of a living being lasts only for the duration of a single moment of consciousness. As soon as that moment ceases, the being also ceases. For it is said:
- 'The being of the past moment of consciousness has lived, but does not live now, nor will it live in future.
- The being of the future moment has not yet lived, nor does it live now, but it will live in the future.
- The being of the present moment has not lived, it does live just now, but it will not live in the future.'"
In another sense, the coming to an end of the psycho-physical life-process of the Arahat, or perfectly Holy One, at the moment of his passing away may be called the final and ultimate death, as up to that moment the psycho-physical life-process was still going on from life to life.
Death, in the ordinary sense, combined with old age, forms the 12th link in the formula of dependent origination (paticca-samuppāda).
For death as a subject of meditation, s. maranānussati; as a function of consciousness, s. viññāna-kicca.Source: Pali Kanon: Manual of Buddhist Terms and Doctrines
Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
General definition (in Buddhism)
Maraṇa (मरण, “death”) or Maraṇabhaya refers to the “fear of death” as defined in the Dharma-saṃgraha (section 71). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (eg., maraṇa). The work is attributed to Nagarjuna who lived around the 2nd century A.D.Source: Wisdom Library: Dharma-samgraha
Death is the only absolutely certain thing in life, yet how many of us plan for it and prepare ourselves adequately in advance to face it calmly? All human beings must die. The body disintegrates, breaks apart, and turns to ashes and dust.
The only thing we own that remains with us beyond death is our kamma, our intentional deeds. Our deeds continue, bringing into being a new form of life until all craving is extinguished. We are born and evolve according to the quality of our kamma. Good deeds will produce a good rebirth, bad deeds a bad rebirth.Source: Buddhist Information: A Simple Guide to Life
General definition (in Jainism)
Maraṇa (मरण) or Maraṇabhaya refers to “fear of death” and represents one of the seven types of fear (bhaya), according to Cāmuṇḍarāya in his Caritrasāra. Accordingly, these seven bhayas are referred to by Cāmuṇḍarāya in connexion with niḥśaṅka, or “freedom from fear”, which represents an aspect of samyaktva (right belief) classified under the liṅga heading.Source: archive.org: Jaina Yoga
Maraṇa (मरण, “death”) according to the 2nd-century Tattvārthasūtra 5.20.—“The function of matter (pudgala) is also to contribute to pleasure (sukha), suffering (duḥkha), life (jīvita) and death (maraṇa) of living brings”. What is death (maraṇa)? Due to the destruction of the life determining (āyusya) karma, the stoppage of the respiration of a living being and the leaving of the body subsequently is in the same realm is called death.Source: Encyclopedia of Jainism: Tattvartha Sutra 5: The category of the non-living
Maraṇa (मरण, “death”) according to the 2nd-century Tattvārthasūtra 7.22, “the householder courts ‘voluntary pious-death’ at the end of his life”.—What is meant by death ‘maraṇa’? The loss of senses and the vitalities at the end of one’s duration of life acquired by one’s own dispositions is called death.Source: Encyclopedia of Jainism: Tattvartha Sutra 7: The Five Vows
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
maraṇa : (nt.) death. || māraṇa (nt.), killing.Source: BuddhaSasana: Concise Pali-English Dictionary
Māraṇa, (nt.) (fr. Caus. māreti) killing, slaughter, death D. II, 128; Sdhp. 295, 569. (Page 530)
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Maraṇa, (nt.) (fr. mṛ) death, as ending this (visible) existence, physical death, in a narrower meaning than kālakiriyā; dying, in cpds. death.—The customary stock definition of maraṇa runs; yaṃ tesaṃ tesaṃ sattānaṃ tamhā tamhā satta-nikāyā cuti cavanatā bhedo antaradhānaṃ, maccu maraṇaṃ kālakiriyā, khandhānaṃ bhedo, kaḷebarassa nikkhepo M. I, 49; Nd1 123, 124 (adds “jīvit’indriyass’upacchedo”). Cp. similar definitions of birth and old age under jāti and jarā.—S. I, 121; D. III, 52, 111 sq. , 135 sq. , 146 sq. , 235, 258 sq.; Sn. 32, 318, 426 sq. , 575 sq. , 742, 806; Nd2 254 (=maccu); Pug. 60; Vbh. 99 sq.; VbhA. 100 (definition and exegesis in det. , cp. Vism. 502), 101 (var. kinds of, cp. Vism. 229), 156 (lahuka), 157; DhA. III, 434; PvA. 5, 18, 54, 64, 76, 96; Sdhp. 292, 293.—kāla° timely death (opp. akāla°); khaṇika° sudden death Vism. 229.Source: Sutta: The Pali Text Society's Pali-English Dictionary
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
maraṇa (मरण).—n (S) Death. 2 fig. Loss, decrease, detriment, diminution. Ex. sōnyācē nāṇyāsa kōṭhēṃ- tarīṃ ma0 nāhīṃ. 3 Any danger or peril: also jeopardy, hazard, or perilousness. Ex. tyā mārgānēṃ jāūṃ nakō tēthēṃ mōṭhēṃ ma0 āhē; samudrāvara basūna jāṇēṃ mōṭhēṃ ma0 āhē. 4 An act or a state in general exceedingly disgusting or disagreeable. Ex. lōkā- javaḷa karja māgaṇēṃ hēṃ malā mōṭhēṃ ma0 āhē. ājacēṃ ma0 udyāvara lōṭaṇēṃ To put off a present evil. āpalyā maraṇānēṃ maraṇēṃ To die a natural death. 2 To bring evil (as punishment or other result of misdoing or folly) upon one's self. udyācēṃ ma0 āja āṇaṇēṃ To anticipate an evil. khitapaṇīcēṃ ma0 A lingering death. Ex. jyā aṅgāvarī kēlēṃ śayana || tēthūna aṅga halavūṃ nēṇē || khitapaṇīcēṃ ālēṃ ma0 || nindaka- jana bōlati ||. ma0 jāṇaṇēṃ or samajaṇēṃ or, in. con., kaḷaṇēṃ or kaḷūṃ yēṇēṃ To apprehend danger. ma0 nāhīṃ There is no fear or doubt, no ground of apprehension or uncertainty (about it). Ex. ēthēṃ śēta kēlyāsa dāhā maṇāsa ma0 nāhīṃ; hā ghōḍā vikalā tara pāñcaśēṃ rupayāṃsa ma0 nāhīṃ. ma0 prāya Like death itself. A phrase expressive of the superlative disagreeableness (of any object or act). maraṇāñcīṃ vājantrīṃ vājaṇēṃ (kōṇhācyā gharīṃ) Used where one is ready to brave every death or danger. maraṇācyā dārīṃ basaṇēṃ To be at death's door. Also maraṇācyā panthāsa lāgaṇēṃ or ṭēkaṇēṃ. maraṇādārīṃ kīṃ tōraṇādārīṃ (jāvēṃ &c.) Whether at the death of or at the wedding of (one must attend &c.) maraṇā- māthāṃ or māthēsa yēṇēṃ or pāvaṇēṃ To become as if dying; to be utterly knocked up or wearied out. maraṇā- lā rātra aḍavī karaṇēṃ To put off death or any pressing danger or evil for a short season. maraṇīṃ maraṇēṃ g. of o. To suffer death in the stead of; to give or to expose one's life for. 2 fig. To be devotedly at the beck of.
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maraṇā (मरणा).—a R (maraṇa) Reduced to the verge of the grave; exceedingly emaciated.
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māraṇa (मारण).—n S Killing. 2 Incantations to destroy.Source: DDSA: The Molesworth Marathi and English Dictionary
maraṇa (मरण).—n Death. Fig. Loss; any danger. ājacē maraṇa udyāṃvara lōṭaṇēṃ Put off a present
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māraṇa (मारण).—n Killing. Incantations to destroy.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Maraṇa (मरण).—[mṛ-bhāve lyuṭ]
1) Dying, death; मरणं प्रकृतिः शरीरिणाम् (maraṇaṃ prakṛtiḥ śarīriṇām) R.8.87; or संभावितस्य चाकीर्तिर्मरणादतिरिच्यते (saṃbhāvitasya cākīrtirmaraṇādatiricyate) Bg. 2.34.
2) A kind of poison.
3) Passing away, cessation (as of rain).
4) (In astrol.) The 8th mansion.
5) A refuge, asylum.
Derivable forms: maraṇam (मरणम्).
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Māraṇa (मारण).—[mṛ-ṇic lyuṭ]
1) Killing, slaying, slaughter, destruction; पशुमारणकर्मदारुणः (paśumāraṇakarmadāruṇaḥ) Ś.6.1.
2) A magical ceremony performed for the purpose of destroying an enemy.
4) A kind of poison.
Derivable forms: māraṇam (मारणम्).Source: DDSA: The practical Sanskrit-English dictionary
Maraṇa (मरण).—as m. (?), and f. °ṇā, death (otherwise nt.): in LV 175.11 (verse) Lefm. maraṇo with ms. A only, but all others °ṇam (or a few °ṇa), and so citation of the verse Śikṣ 206.9; in Mv i.165.8 (verse) maraṇāya (3 mss. unmetri- cally °ṇāye) pāraṃ, to the farther shore of death; can hardly be taken as dat., or as anything other than gen., which seems to imply stem °ṇā.Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary
(-ṇaṃ) Death, dying. E. mṛ to die, aff. lyuṭ .
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(-ṇaṃ) 1. Killing, slaughter. 2. A magical ceremony for the purpose of destroying an enemy. 3. A kind of poison. E. mṛ to die, causal form, to kill, aff. lyuṭ .Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 224 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Sahamaraṇa (सहमरण).—n. (-ṇaṃ) Concremation, a widow’s burning herself with the corpse of her hu...
Maraṇanta refers to: having death as its end (of jīvita) Dh. 148 (cp. DhA. II, 366: maraṇa-saṅk...
Kāmyamaraṇa (काम्यमरण).—n. (-ṇaṃ) Voluntary death, suicide. E. kāmya, and maraṇa dying.
Durmaraṇa (दुर्मरण).—violent or unnatural death. Derivable forms: durmaraṇam (दुर्मरणम्).Durmar...
Maraṇonmukha (मरणोन्मुख).—a. on the point of death, near death, moribund. Maraṇonmukha is a San...
Proṣitamaraṇa (प्रोषितमरण).—n. (-ṇaṃ) Dying in a foreign country. E. proṣita absent, and maraṇa...
Hayamāraṇa (हयमारण).—m. (-ṇaḥ) The holy-fig tree, (Ficus religiosa.) E. haya, māraṇa killing.
MaraṇaMaraṇa-cinta (मरणमरण-चिन्त) is the name of a Vīra (hero) who, together with the Ḍākinī na...
Maraṇabhaya (मरणभय) or simply Maraṇa refers to “fear of death” and represents one of the seven ...
Maraṇānussati refers to: mindfulness of death Vism. 197, 230 sq. (under 8 aspects). Note: maraṇ...
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Maraṇānusmṛti (मरणानुस्मृति) refers to the “recollection of death” and represents one of the An...
Maraṇābhimukha (मरणाभिमुख).—a. on the point of death, near death, moribund. Maraṇābhimukha is a...
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Search found 34 books and stories containing Marana, Maraṇa, Māraṇa, Maraṇā; (plurals include: Maranas, Maraṇas, Māraṇas, Maraṇās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Doctrine of Paticcasamuppada (by U Than Daing)
The Catusacca Dipani (by Mahathera Ledi Sayadaw)
Three Psycho-physical Elements < [Part I - The Manual Of The Four Noble Truths]
The Great Chronicle of Buddhas (by Ven. Mingun Sayadaw)
Part 11 - Dependent Origination: Paṭiccasamuppāda < [Chapter 42 - The Dhamma Ratanā]
Part 10 - Mahāvajira Insight Knowledge (Vipassanā-ñāṇa) < [Chapter 7 - The Attainment of Buddhahood]
Part 7 - The Great Homage paid by the Devas and Brahmās < [Chapter 7 - The Attainment of Buddhahood]
The Shiva Purana (by J. L. Shastri)
Chapter 32 - The rites for achieving worldly benefits < [Section 7.2 - Vāyavīya-saṃhitā (2)]
Chapter 3 - Kāma is cursed but blessed later < [Section 2.2 - Rudra-saṃhitā (2): Satī-khaṇḍa]
Abhidhamma in Daily Life (by Ashin Janakabhivamsa) (by Ashin Janakabhivamsa)
Cause 3 - Death Caused By Both Factors < [Part 1 - The Four Causes Of Death]
Cause 4 - Untimely Death < [Part 1 - The Four Causes Of Death]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Appendix 8 - Fourteen unanswered questions < [Chapter IV - Explanation of the Word Bhagavat]
I. Lists of recollections (anusmṛti or anussati) < [Preliminary note on the Eight Recollections]
Preliminary note on the ten concepts (daśa-saṃjñā) < [Chapter XXXVII - The Ten Concepts]