Ananda, aka: Ānanda, Ānandā; 29 Definition(s)
Ananda means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Shaktism (Shakta philosophy)
Ānandā (आनन्दा, “bliss, happiness”):—Name of one of the goddesses to be worshipped during Āvaraṇapūjā (“Worship of the Circuit of Goddesses”), according to the Durgāpūjātattva (“The truth concerning Durgā’s ritual”). They should be worshipped with either the five upācāras or perfume and flowers.
Her mantra is as follows:
Source: Wisdom Library: Śāktism
ह्रीं ओं आनन्दायै नमः
hrīṃ oṃ ānandāyai namaḥ
Ānanda (आनन्द) or Ānandatantra refers to one of the twenty-three Vāmatantras, belonging to the Śāktāgama (or Śāktatantra) division of the Āgama tradition. The Śāktāgamas represent the wisdom imparted by Devī to Īśvara and convey the idea that the worship of Śakti is the means to attain liberation. According to the Pratiṣṭhālakṣaṇasamuccaya of Vairocana, the Śāktatantras are divided into to four parts, the Ānanda-tantra belonging to the Vāma class.Source: Shodhganga: Iconographical representations of Śiva (shaktism)
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)
1) Ānanda (आनन्द).—A forest on the top of the mountain Mahāmeru. It was inhabited by celestial damsels, devas, gandharvas and Maharṣis. (Chapter 93, Bhūmi Khaṇḍa, Padma Purāṇa).
2) Ānanda (आनन्द).—(CĀKṢUṢA). Son of Maharṣi Anamitra. It was he who was born as Cākṣuṣa, the sixth Manu. There is a story behind his birth. One day, while his mother was keeping him in her lap and caressing him the baby laughed and questioned "Oh mother why are you caressing me, but look at those two cats. They consider me as their food". After some time one of the cats took the child away and put it in the cradle of the child of King Vikrānta. Vikrānta took the child as his for granted and reared him. At the time of Upanayana the King asked the boy to prostrate before his mother at which the boy exclaimed "Oh King, I am not your son. Your son is at some other place. By births and rebirths all of us have many mothers and so it is better to be above rebirths". After having said so much Ānanda went to the forest and started doing penance. Brahmā appeared before him and blessing him said that he would become the sixth Manu and lead the world to righteousness. By the blessing of Brahmā Ānanda was reborn as Cākṣuṣamanu. (See under Cākṣuṣa). (Mārkaṇḍeya Purāṇa).Source: archive.org: Puranic Encyclopaedia
1a) Ānanda (आनन्द).——(c)—a kingdom adjoining the Dundubhi hill in Plakṣadvīpa.*
- * Brahmāṇḍa-purāṇa II. 14. 39; 17. 16.
1b) A Satya god.*
- * Brahmāṇḍa-purāṇa II. 36. 35.
1c) The Lord of first kalpa consisting 100 lakhs of years by name Bhāva; this is the place of Brahmā.*
- * Vāyu-purāṇa 21. 28.
1d) A son of Medhātithi; a varṣa after his name, in Plakṣadvīpa.*
- * Vāyu-purāṇa 33. 32; Viṣṇu-purāṇa II. 4. 4 and 5.
1e) A varṣa centering round the Dundubhi hill of Plakṣa.*
- * Vāyu-purāṇa 49. 14.
Ānanda (आनन्द) is a name mentioned in the Mahābhārata (cf. IX.44.60) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Ānanda) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.Source: JatLand: List of Mahabharata people and places
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shaivism (Shaiva philosophy)
Ānanda (आनन्द) is the tradition (ovallī) founded by Olinātha, who was one of the twelve princes born to Kuṃkumā, consort to Mīnanātha, who is the incarnation of Siddhanātha in the fourth yuga, belonging to the Pūrvāmnāya (‘eastern doctrine’) tradition of Kula Śaivism, according to the Ciñcinīmatasārasamuccaya. Siddhanātha incarnates as a Kaula master in each of the four yugas. Olinātha was one of the six princes having the authority to teach.Source: Wisdom Library: Śaivism
Ānanda (आनन्द) or Ānandāgama refers to one of upāgamas (supplementary scriptures) of the Dīptāgama which is one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing upāgamas (eg., Ānanda Āgama) is to explain more elaborately than that of mūlāgamas (eg., Dīpta-āgama) and to include any new idea if not dealt in mūlāgamas.Source: Shodhganga: Iconographical representations of Śiva
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Natyashastra (theatrics and dramaturgy)
Ānanda (आनन्द, “joy”) refers to ‘joy’ in the attainment of the desired object. Ānanda represents one of the fourteen nirvahaṇasandhi, according to the Nāṭyaśāstra chapter 21. Nirvahaṇasandhi refers to the “segments (sandhi) of the concluding part (nirvahaṇa)” and represents one of the five segments of the plot (itivṛtta or vastu) of a dramatic composition (nāṭaka).Source: Wisdom Library: Nāṭya-śāstra
Ānanda (आनन्द).—One of the fourteen elements of the ‘concluding segment’ (nirvahaṇasandhi);—(Description:) Attaining objects of one’s desire is called Joy (ānanda).Source: archive.org: Natya Shastra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Jyotisha (astronomy and astrology)
Ānanda (आनन्द) refers to the forty-eighth saṃvatsara (“jovian year)” in Vedic astrology.—The native who is born in the ‘samvatsara’ of ‘ananda’ has a number of wives, is skilful, excessively adroit, is always endowed with the happiness of having a son, is learned, has sense of gratitude or thankfulness, is courteous and liberal or bountiful.
According with Jataka Parijata, the person born in the year ananda (2034-2035 AD) will be of a joyous temperament, will be devoted to the study of traditional doctrines and sacred scriptures and will be acquainted with the real nature of all things.Source: The effect of Samvatsaras: Satvargas
Ānandā (आनन्दा) or Ānandatithi is the name of the eleventh of fifteen tithis (cycle of time) according to the Gārgīyajyotiṣa while the Śārdūlakarṇāvadāna considers Mānyā as the eleventh. The associated deity for Ānandā or Mānyā according to the Bṛhatsaṃhitā is Īśa. A tithi was defined as one thirtieth of a synodic month (c. 29.5 days), resulting in an average tithi being slightly less than a day.
Accordingly, “(31) The eleventh tithi is said to be Sunandā. One should make firm acts, kitchen, houses, towns, villages, sacrifices and assembly halls for Brahmins. (32) One should choose the best among women and servants. One should not hide money. Śiva (enemy of Kāma) is the deity”.Source: academia.edu: Tithikarmaguṇa in Gārgīyajyotiṣa
Jyotisha (ज्योतिष, jyotiṣa or jyotish) refers to ‘astronomy’ or “Vedic astrology” and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Ānanda (आनन्द) is the name of an important person (viz., an Ācārya or Kavi) mentioned in Rājaśekhara’s 10th-century Kāvyamīmāṃsā.—Ānadavardhana was the follower of Kāśmīra Śaiva sects. He also the court poet of king of Kāśmīra, Avantivarmā, which is indicated by Kalhaṇa in his work Rājataraṅginī.Source: Shodhganga: The Kavyamimamsa of Rajasekhara
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Pancaratra (worship of Nārāyaṇa)
Ānanda (आनन्द) or Ānandasaṃhitā is the name of a Vaiṣṇava Āgama scripture, classified as a rājasa type of the Muniprokta group of Pāñcarātra Āgamas. The vaiṣṇavāgamas represent one of the three classes of āgamas (traditionally communicated wisdom).—Texts of the Pāñcara Āgamas are divided in to two sects. It is believed that Lord Vāsudeva revealed the first group of texts which are called Divya and the next group is called Muniprokta which are further divided in to three viz. a. Sāttvika. b. Rājasa (eg., Ānanda-saṃhitā). c. Tāmasa.Source: Shodhganga: Iconographical representations of Śiva (pancaratra)
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Katha (narrative stories)
Ānanda (आनन्द) is the name of a physician that was ordered by queen Tārādattā to examine her daughter Kaliṅgasenā, as mentioned in the Kathāsaritsāgara, chapter 29. Accordingly, “a physician named Ānanda, having examined the child [Kaliṅgasenā], told her mother [Tārādattā] that there was nothing the matter with her. He [Ānanda] said: ‘She has lost her appetite through delight at something, not from disease; for her countenance, which appears to be laughing, with eyes wide open, indicates this’.”
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Ānanda, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.Source: Wisdom Library: Kathāsaritsāgara
Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.
Tibetan Buddhism (Vajrayana or tantric Buddhism)
The Four Types of Bliss (ānanda) are part of the Sixteen Aspects (ṣoḍaśākārā) of Gnosis (jñāna) in terms of conventional reality.
- the bliss of the mind (cittānanda),
- the bliss of the body (kāyānanda),
- the bliss of speech (vāg-ānanda),
- the bliss of gnosis (jāñānanda).
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Theravada (major branch of Buddhism)
1. Ananda - One of the principal disciples of the Buddha. He was a first cousin of the Buddha and was deeply attached to him.
He came to earth from Tusita and was born on the same day as the Bodhisatta, his father being Amitodana the Sakiyan, brother of Suddhodana. Mahanama and Anuruddha were therefore his brothers (or probably step brothers). According to the Mtu.iii.176, Ananda was the son of Suklodana and the brother of Devadatta and Upadhana. His mother was Mrgi.
Ananda entered the Order in the second year of the Buddhas ministry, together with other Sakiyan princes, such as Bhaddiya, Anuruddha, Bhagu, Kimbila and Devadatta, and was ordained by the Buddha himself (Vin.ii.182), his upajjhaya being Belatthasisa (ThagA.i.68; also DA.ii.418ff.; Vin.i.202; iv. 86). Soon after, he heard a discourse by Punna Mantaniputta and became a Sotapanna. In S.iii.105 Ananda acknowledges his indebtedness to Punna and gives an account of Punnas sermon to him.
During the first twenty years after the Enlightenment, the Buddha did not have the same personal attendants all the time. From time to time various monks looked after him, among them being Nagasamala, Nagita, Upavana, Sunakkhatta, the novice Cunda, Sagata, Radha and Meghiya. We are told that the Buddha was not particularly pleased with any of them. At the end of twenty years, at an assembly of the monks, the Buddha declared that he was advanced in years and desired to have somebody as his permanent body servant, one who would respect his wishes in every way. The Buddha says that sometimes his attendants would not obey him, and on certain occasions had dropped his bowl and robe and gone away, leaving him.
All the great disciples offered their services, but were rejected by the Buddha. Ananda alone was left; he sat in silence. When asked why he did not offer himself, his reply was that the Buddha knew best whom to choose. When the Buddha signified that he desired to have Ananda, the latter agreed to accept the post on certain conditions. The Buddha was never to give him any choice food or garment (*) gotten by him, nor appoint for him a separate fragrant cell (residence), nor include him in the invitations accepted by the Buddha. For, he said, if the Buddha did any of these things, some would say that Anandas services to the Buddha were done in order to get clothes, good fare and lodging and be included in the invitations. Further he was to be allowed to accept invitations on behalf of the Buddha; to bring to the Buddha those who came to see him from afar; to place before the Buddha all his perplexities, and the Buddha was to repeat to him any doctrine taught in his absence. If these concessions were not granted, he said, some would ask where was the advantage of such service.
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One of the five daughters of the chief
queen of the king of the third Okkaka dynasty (DA.i.Source: Pali Kanon: Pali Proper Names Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
Theravāda is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).
Mahayana (major branch of Buddhism)
1) Ānanda (आनन्द) is the name of a śaikṣa (aspirant) who is mentioned as being present amongst the assembly when the Buddha went dwelling at Rājagṛha according to the 2nd century Mahāprajñāpāramitāśāstra (chapter VI). Accordingly, “the venerable Ānanda is the third patriarch (ācārya), head of the great assembly; for numberless kalpas he planted the seeds of nirvāṇa; he always stays near the Buddha; he is the keeper of the baskets of the Dharma (dharmapiṭakadhara)”.
Note: Before his death, Śākyamuni entrusted Kāśyapa to watch over his doctrine; later, Kāśyapa transmitted the Dharma to Ānanda. According to the Aṅguttara I, and the stories of the first Council, Ānanda became the foremost of those who have heard much. The depository of the holy words, Ānanda received and retains the totality of the sūtras; according to the Theragathā, v. 1024, he had learned 82,000 dhammas from the Buddha and 2,000 from his colleagues.
Ānanda is mentioned as the “assistant” (upasthāyaka) of Buddha Śākyamuni, according to the Mahāvadānasūtra. Each Buddha had his assistant (upasthāyaka), a monk specially attached to his person, entrusted with fanning him, carrying his robe and bowl for alms-round, introducing visitors. The Sanskrit Mahāvadānasūtra has drawn up a list of the assistants who served the last seven Buddhas: Aśoka for Vipaśyin, Kṣemakāra for Śikhin, Upaśanta for Viśvabhuj, Bhadrika for Krakasunda (or Krakucchanda), Svastika for Kanakamuni, Sarvamitra for Kāśyapa, and finally Ānanda for Śākyamuni.
Ānanda (आनन्द) is also mentioned as a disciple of the Buddha, according to the the Vinayamātṛkā of the Haimavatas.—The Vinayamātṛkā of the Haimavatas knows of eight disciples who, “fan in hand, fanned the Buddha”. These were [viz., Cunda].
2) Ānanda (आनन्द) is one of the two sons of Droṇadana, son of Siṃhahanu: an ancient king of the solar clan (āditagotra or sūryavaṃśa) according to Mahāprajñāpāramitāśāstra (chapter VI). Accordingly, “King Droṇodana had two sons: 1) T’i p’o ta to (Devadatta), 2) A nan (Ānanda)”.Source: Wisdom Library: Maha Prajnaparamita Sastra
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
General definition (in Buddhism)
According Śekoddesa-ṭīkā there are four kinds of bliss, i.e.
- and Sahajānanda.
The firsty state of Ānanda is the bliss when the Bodhicitta is in the Nirmankāya, second state of Paramānanda is when Bodhicitta is inthe Dharmacakra, third state of bliss (Viramānanda) is when Bodhicitta is in the Sambhogacakra and Sahajānanda is in the state when Bodhicitta is in the Mahāsukha-kāya. A Vajra-tantra says that Ānanda means ordinary pleasure, Paramānanda is more intense, Viramānanda refers to detachment from the transient pleasure and Sahajānanda is a state of Mahāsukha.
Corresponsing to the four stages of Ānanda there is the four states of mind,
- Jāgrat (wakefulness),
- Svapna (dream),
- Suṣupti (deep-sleep)
- and Turīya (samādhi).
Again it refers to four kinds of elements, i.e.
- Kāya (body),
- Vāk (speech),
- Citta (mind)
- and Jñāna (knowledge).
Ananda was one of many principal disciples and a devout attendant of the Buddha. Amongst the Buddhas many disciples, Ananda had the most retentive memory and most of the suttas in the Sutta Pitaka are attributed to his recollection of the Buddhas teachings during the First Buddhist Council. For that, he was known as the Guardian of the Dharma.
According to the Buddha every Buddha in the past and to come will have two chief disciples and one attendant during his ministry. In the case of Gautama Buddha the pair of disciples were Sariputta and Mahamoggallana and the attendant Ananda.
The word Ananda means bliss in Pali, Sanskrit as well as other Indian languages. It is a popular Buddhist and Hindu name.
In the Kannakatthala Sutta (MN 90), Ananda is identified with the meaning of his name:
Then King Pasenadi Kosala said to the Blessed One, "Lord, what is the name of this monk?"
"His name is Ananda, great king."
"What a joy he is! What a true joy!..."
Ananda was the first cousin of the Buddha by their fathers, and was devoted to him. In the twentieth year of the Buddhas ministry, he became the Buddhas personal attendant, accompanying him on most of his wanderings and taking the part of interlocutor in many of the recorded dialogues. He is the subject of a special panegyric delivered by the Buddha just before the Buddhas Parinibbana (the Mahaparinibbana Sutta (DN 16)); it is a panegyric for a man who is kindly, unselfish, popular, and thoughtful toward others.Source: WikiPedia: Buddhism
Ananda was one of the principle disciples of the Buddha and was with Him during last 25 years of His life. He is known for establishing the order of nuns. He was also picked up at the First Councli, by President Kasyapa, to recite all the sermons preached by the Buddha.Source: Buddhism Tourism: Glossary of Buddhist Terms
Madhyandina and Ananda II: The Buddhist Monks (1480-1400 BCE).—Gilgit Manuscript Vinayavastu part 1 (Bhaishajyavastu) mentions that Mahayana Buddhist monks Madhyandina and Ananda II lived 100 years after the nirvana of Nagarjuna Vajrapani.Source: academia.edu: The Chronological History of Buddhism
General definition (in Jainism)
Ānanda (आनन्द) is the name of the sixth Baladeva according to Śvetāmbara sources, while the Digambara has Nandī as the sixth Baladeva. Jain legends describe nine such Baladevas (“gentle heroes”) usually appearing together with their “violent” twin-brothers known as the Vāsudevas. The legends of these twin-heroes usually involve their antagonistic counterpart known as the Prativāsudevas (anti-heroes).
The mother of Ānanda is known by the name Vaijayantī according to the Samavāyāṅga-sūtra, and their stories are related in texts such as the Triṣaṣṭiśalākāpuruṣacarita (“the lives of the sixty-three illustrious persons”), a twelfth-century Śvetāmbara work by Hemacandra.
The nine Baladevas (such as Ānanda) are also known as Balabhadra and are further described in various Jain sources, such as the Bhagavatīsūtra and Jambūdvīpaprajñapti in Śvetāmbara, or the Tiloyapaṇṇatti and Ādipurāṇa in the Digambara tradition. The appearance of a Baladeva is described as follows: their body is of a white complexion, they wear a blue-black robe, and the mark of the palm-tree (tāla) is seen on their banners.Source: Wisdom Library: Jainism
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
ānanda : (m.) joy; pleasure.Source: BuddhaSasana: Concise Pali-English Dictionary
Ānanda, (Vedic ānanda, fr. ā + nand, cp. BSk. ānandī joy Divy 37) joy, pleasure, bliss, delight D.I, 3; Sn.679, 687; J.I, 207 (°maccha Leviathan); VI, 589 (°bheri festive drum); DA.I, 53 (= pītiyā etaṃ adhivacanaṃ). (Page 100)Source: Sutta: The Pali Text Society's Pali-English Dictionary
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
ānanda (आनंद).—m (S) Joy, happiness, pleasure, gratification. Five characters or departments of ā0 are treated in five sections of pañcadaśīgrantha, named ātmānanda, brahmānanda, viṣayānanda, vidyānanda, yōgānanda. See in order. 2 An order among Gosavis and Sanyasis.Source: DDSA: The Molesworth Marathi and English Dictionary
ānanda (आनंद).—m Happiness, joy. An order among religious mendicants or saṃ- nyāsī. ānandīṃ ānanda Joy upon joy; ex- ceeding joy. ānandaṇē v i Be glad; rejoice.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Ananda (अनन्द).—a. [na nandayati; nand-ṇic ac] Joyless, cheerless
-ndaḥ Name of a purgatory.
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1) Happiness, joy, delight, pleasure; आनन्दं ब्रह्मणो विद्वान्न बिभेति कदाचन (ānandaṃ brahmaṇo vidvānna bibheti kadācana) T. Up. supreme bliss of felicity; आनन्द एवास्य विज्ञानमात्मानन्दात्मनो हैवं सर्वे देवाः (ānanda evāsya vijñānamātmānandātmano haivaṃ sarve devāḥ) Śat. Br.
2) God, Supreme Spirit (brahman) (said to be n. also in this sense; cf. vijñānamānandaṃ brahma Bṛ. Up.3.9.28.).
3) Name of the forty-eighth year of the cycle of Jupiter.
4) Name of Śiva.
5) Name of Viṣṇu.
6) Name of Balarāma (according to Jaina doctrines).
7) Name of a cousin and follower and favourite disciple of Buddha Śākyamuni, compiler of the Sūtras.
8) A variety of the Daṇḍaka metre.
-dā, -dī Name of two plants (Mar. bhāṅga, rānamogarī).
-dam 1 Wine, liquor.
2) A kind of house.
Derivable forms: ānandaḥ (आनन्दः).Source: DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
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Brahmānanda (ब्रह्मानन्द).—bliss or rapture of absorption into Brahma; ब्रह्मानन्दसाक्षात्क्रिय...
Ānandadatta (आनन्ददत्त).—m. (-ttaḥ) Membrum virile.
Svānanda (स्वानन्द).—delight in one's self. Derivable forms: svānandaḥ (स्वानन्दः).Svānanda is ...
Surānanda (सुरानन्द) is the name of an important person (viz., an Ācārya or Kavi) mentioned in ...
Ātmānanda (आत्मानन्द).—a. Rejoicing in the soul or Supreme Spirit; आत्ममिथुनः आत्मानन्दः (ātmam...
Pikānanda (पिकानन्द).—m. (-ndaḥ) The spring season. E. pika the Kokila, and ānanda delight. Als...
Ānandatantra (आनन्दतन्त्र) or simply Ānanda refers to one of the twenty-three Vāmatantras, belo...
Ānandalaharī (आनन्दलहरी) is the name of a work ascribed to Jānī Mahāpātra (2nd half of 17th cen...
Nirānanda (निरानन्द).—a. cheerless, sad, sorrowful. Nirānanda is a Sanskrit compound consisting...
Ānandaja (आनन्दज) refers to “produced from joy”, representing one of the two types of the “sent...
Search found 145 books and stories containing Ananda, Ānanda or Ānandā. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Buddhist Monastic Discipline (by Jotiya Dhirasekera)
The Gospel of Buddha (by Paul Carus)
The Book of Protection (by Piyadassi Thera)
Discourse 15 - Discourse To Girimananda Thera < [Discourses]
Discourse 3 - The Jewel Discourse < [Discourses]
The Buddha and His Disciples (by Venerable S. Dhammika)
Maha Kassapa (by Hellmuth Hecker)