Sandhi; 17 Definition(s)
Sandhi means something in Hinduism, Sanskrit, Buddhism, Pali, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Ayurveda (science of life)
Sandhi is a medical term used in Ayurveda meaning “joints”.Source: Wisdom Library: Āyurveda and botany
Sandhi (सन्धि) refers to that “which serve as lines of demarcation of the circles of the eye” and are six in number:—
- the first binding the eye-lashes (Paksha-mandala) with the eyelids (Vartma-mandala),
- the second the eye-lids and the Sclerotic coat (Sveta-mandala),
- the third binding the latter with the Krishna-mandala (choroid),
- the fourth situated between the latter and the Drishti-mandala,
- the fifth lying in the interior comer (Kaninakas)
- and the last (sixth) in the exterior (posterior) corner (Apāngas) of the eye.
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Dharmashastra (religious law)
1) Sandhi (सन्धि) refers to the “alliance”, as in, an alliance with an enemy king. Sandhi is considered to be one of the six constituents of state-craft that the King shall constantly ponder over. It is used throughout Dharmaśāstra literature such as the Manusmṛti and the Baudhāyana-dharmasūtra. (See the Manubhāṣya 7.160)
2) Sandhi (सन्धि) refers to “meeting point (junction)” of the boundaries between two villages. (See the Manubhāṣya, verse 8.251)Source: Wisdom Library: Dharma-śāstra
1) Sandhi is alliance, entering into a compact, such as we shall help each other with elephants, horses and so forth. (See the Manubhāṣya verse 7.160 et. seq.)
Sandhi (alliance) is of two kinds—
- the compact that ‘both of us should march against a common enemy’,
- and the compact that ‘you march this way, I march the other way’.
2) Sandhi, Peace, is that by which a powerful enemy becomes friendly.Source: Google Books: Manusmṛti with the Manubhāṣya
Sandhi (सन्धि):—When the king knows that he can purchase his superiority in future, but at the present time, he shall suffer little pain or loss, then he must enter into alliance (sandhi) with an enemy king. When the king thinks all his subjects and allies fully contended and himself in a very exalted position in respect of his enemies, then he must declare war with his adversary.Source: Shodhganga: Facts of society in the Manusamhita
Dharmashastra (धर्मशास्त्र, dharmaśāstra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.
Arthashastra (politics and welfare)
Sandhi (सन्धि, “peace”) is known to be of two types; it is entered into by the king for achieving his aim (i.e., supremacy) at the proper time. (Similarly) when the enemy acts abnormally, the twofold war (vigraha) is to be resorted to (whether the time for it is improper or proper). Making peace either alone or (sandhi) with some king and their being together can be made instantly. (see the Nītiprakāśikā 8.80)Source: Exotic India: Nitiprakasika of Vaisampayana (A Critical Edition)
Arthashastra (अर्थशास्त्र, arthaśāstra) literature concerns itself with the teachings (shastra) of economic prosperity (artha) statecraft, politics and military tactics. The term arthashastra refers to both the name of these scientific teachings, as well as the name of a Sanskrit work included in such literature. This book was written (3rd century BCE) by by Kautilya, who flourished in the 4th century BCE.
Natyashastra (theatrics and dramaturgy)
1) Sandhi (सन्धि) refers to “euphonic combinations” (in Sanskrit grammar) and forms part of the “verbal representation” (vācika), according to the Nāṭyaśāstra chapter 15. Vācika itself represents one of the four categories of representation (abhinaya).
(Description of Sandhi): “where a separated vowel or a consonant sandhīyate (“combines with another”) by ‘coming together’ (yogata) in a word or words, it is called sandhi (“euphonic combination”)” and “as due to the combination of words and the meeting of two sounds (lit. letters) their ‘sound sequence’ (karma-saṃbandha) sandhīyate (“develops in a combination”), it is called sandhi (“euphonic combination”)”.
The five segments (sandhi), assigned to the principal plot (ādhikārika), are as follows:
- mukha (the opening),
- pratimukha (the progression),
- garbha (the development),
- vimarśa (the pause),
- nirvahaṇa (the conclusion).
- mukhāṅga (the 12 limbs of the opening segment),
- pratimukhāṅga (the 12 limbs the progression segment),
- garbhāṅga (the 13 limbs of the development segment),
- vimarśāṅga (the 13 limbs of the pause segment),
- nirvahaṇāṅga (the 14 limbs of the conclusion segment).
There are also twenty-one sandhyantara (‘categories of contents’), which give the segments their distinction.
3) Sandhi (सन्धि, “junction”) refers to ‘the resurfacing of the original juncture’ in which the plot was germinated. Sandhi represents one of the fourteen nirvahaṇasandhi (concluding segment), according to the Nāṭyaśāstra chapter 21. Nirvahaṇasandhi refers to the “segments (sandhi) of the concluding part (nirvahaṇa)” and represents one of the five segments of the plot (itivṛtta or vastu) of a dramatic composition (nāṭaka).
(Description of Sandhi): “the coming up of the opening (mukha) and the seed is called a juncture (sandhi)”.
4) Sandhi (प्रवृत्त) refers to one of the two limbs (aṅga) belonging to Antarā type of song (dhruvā) defined in the Nāṭyaśāstra chapter 32.9-16. Accordingly, “depending on different conditions, the dhruvās are known to be of five classes”.Source: Wisdom Library: Nāṭya-śāstra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Purana and Itihasa (epic history)
Sandhi (सन्धि):—Son of Prasuśruta (son of Maru). He had a son named Amarṣaṇa. (see Bhāgavata Purāṇa 9.12.7)Source: Wisdom Library: Bhagavata Purana
Sandhi (सन्धि) refers to the “period of conjunction”, as defined in the Śivapurāṇa 1.13, “The last yāma (3 hours) of the night is called uṣā and the latter half of it is sandhi (period of conjunction). A Brahmin shall get up at that hour and answer the calls of nature. It must be in a place far off from the house. It must be a covered place. He shall sit facing the north. If it is not possible due to any obstacle he can sit facing other directions”.Source: archive.org: Siva Purana - English Translation
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Jyotisha (astronomy and astrology)
Sandhi (सन्धि).—The inter-space between the foot of an altitude and the foot of the flank-side from whose tip the altitude is drawn, usually in a quadrilateral. Note: Sandhi is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry.Source: Wikibooks (hi): Sanskrit Technical Terms
Jyotiṣa (ज्योतिष, jyotisha or jyotish) basically refers to ‘astronomy’ or “Vedic astrology” and represents one of the six additional sciences to be studied along with the Vedas. Jyotiṣa concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Sandhi.—As a rule the refrain verses in a sandhi are all in the same metre. The sandhi has an opening verse in that same metre. Thus a sandhi has a certain unity conferred by this refarin metre ‘entwining’ it.Source: Google Books: Indian Kāvya Literature
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Languages of India and abroad
sandhi : (f.) union; junction; joint; connection; agreement; euphonic combination.Source: BuddhaSasana: Concise Pali-English Dictionary
Sandhi, (m. & f.) (fr. saṃ+dhā) 1. union, junction Miln. 330 (of 2 roads); Bdhgh on S. II, 270 (between 2 houses). ‹-› 2. breach, break, hole, chasm D. II, 83=A. V, 195; Th. 1, 786; J. V, 459. āloka° a window Vin. II, 172; sandhiṃ chindati to make a break, to break into a house D. I, 52; DA. I, 159.—3. joint, piece, link J. II, 88; Vism. 277 (the 5, of kammaṭṭhāna); Mhvs 33, 11; 34, 47; applied to the joints of the body Vism. 185 (the 14 mahā°); DhsA. 324.—4. connection, combination VbhA. 191 (hetuphala° & phalahetu° etc.).—5. euphonic junction, euphony, “sandhi” SnA 76. See pada°.—6. agreement Mhvs 9, 16.
—cheda (1) housebreaking J. I, 187 sq.; II, 388.—(2) one who has brought rebirths (=paṭisandhi) to an end Dh. 97; DhA. II, 187; III, 257. —chedaka one who can cut a break, an underminer J. VI, 458. —bheda(ka) causing discord J. III, 151. —mukha opening of a break (made by burglars) into a house Th. 1, 786; PvA. 4. —samala (-saṅkaṭīva) refuse heap of a house-sewer (cp. K. S. II. 181, 203) D. II, 160; M. I, 334=S. II, 270. (Page 678)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
sandhi (संधि).—m pop. f (S) Junction, union, unitedness, joined or united state. 2 Joint, juncture, commissure, seam, line or point of junction. 3 A cleft, chink, fissure, cranny, chap, crack, chasm, breach, gap, slit, any interruption of continuity. 4 An interval, intermediate time or space. 5 A joint, knuckle, knot, an articulation generally. 6 Union or coalition of letters at the end or beginning of words entering into composition;--in obviation of dissonance or hiatus. 7 Aim; the mind as directed or applied, as attent or intent. v ṭhēva. Ex. bhikṣuka paikyāvara sandhi ṭhēvūna yajamānācēṃ ārjava karitō. 8 A period at the expiration of a Yuga or age, equaling one sixth of its duration, intervening between it and the succeeding Yuga: also a period of the same length as the Satya Yuga occurring at the end of each Manwantara and each Kalpa. 9 A hole made in a wall or underneath it, to enter a building for hostile or felonious purposes; a breach, a mine &c. 10 fig. The exactly opportune or suitable period or point of time; the critical juncture; the time and tide; the nick: also conjuncture or juncture generally. Ex. tukā mhaṇē aiśā sandhīṃ || ālī vaiṣṇavācī māndī ||. 11 fig. Connection or combination under the amicable or social relation, but, especially, the renewal of interrupted connection,--re-union, reconciliation, peace.
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sāndhī (सांधी).—f Joint, juncture: also chink, cranny &c. See sāndha.Source: DDSA: The Molesworth Marathi and English Dictionary
sandhi (संधि).—f Junction. An arrival. Union. Aim. The nick, opportunity.
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sāndhī (सांधी).—f Joint. Chink.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Search found 237 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Asthisandhi (अस्थिसन्धि).—f. (-ndhiḥ) 1. A joint, and articulation. 2. Uniting of a broken bone...
Nirvahaṇasandhi (निर्वहणसन्धि).—The “dramatic juncture of the conclusion or catastrophe” in whi...
Pratimukhasandhi (प्रतिमुखसन्धि).—The “dramatic juncture of the progression or epitasis” in whi...
Vimarśasandhi (विमर्शसन्धि).—The “dramatic juncture of the plot crisis or peripeteia” in wich w...
Kāñcanasandhi (काञ्चनसन्धि).—f. (-ndhiḥ) A treaty of friendship between two parties on equal te...
Jānusandhi (जानुसन्धि).—f. (-ndhiḥ) The knee-joint. E. jānu, and sandhi articulation.
Mukhasandhi (मुखसन्धि).—The “dramatic juncture of the introduction or protasis” in which an ini...
Garbhasandhi (गर्भसन्धि).—The “dramatic juncture of the development or catastasis” in which, fo...
Sandhyaṅga (सन्ध्यङ्ग).—The “aspects of dramatic juncture” refer to the different sections of a...
Sandhi-viḻakku.—(SII 1), a sacred lamp; cf. nandā-viḻakku, sandhi-dīpa. Note: sandhi-viḻakku is...
Kṣiprasandhi (क्षिप्रसन्धि).—m. a kind of सन्धि (sandhi) produced by changing the first of two ...
Sandhi-pāta.—emergency (Ep. Ind., Vol. XXX, p. 213). Note: sandhi-pāta is defined in the “India...
Pāṣāṇasandhi (पाषाणसन्धि).—a cave or chasm in a rock. Derivable forms: pāṣāṇasandhiḥ (पाषाणसन्ध...
Ṛtusandhi (ऋतुसन्धि).—1) the junction of two seasons. 2) the last day in the bright fortnight (...
Hīnasandhi (हीनसन्धि).—an agreement made by an inferior king. Derivable forms: hīnasandhiḥ (हीन...
Search found 40 books and stories containing Sandhi. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sushruta Samhita, Volume 6: Uttara-tantra (by Kaviraj Kunja Lal Bhishagratna)
Chapter II - Pathology of the diseases of the eye-joints < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
Chapter I - Diseases of the eye and its appendages < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
Chapter XVIII - Preparations and medicinal measures for ocular affections in general < [Canto I - Shalakya-tantra (ears, eyes, nose, mouth and throat)]
Sushruta Samhita, volume 3: Sharirasthana (by Kaviraj Kunja Lal Bhishagratna)
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 7.160 < [Section XII - Daily Routine of Work]
Verse 7.162-163 < [Section XII - Daily Routine of Work]
Verse 8.261 < [Section XL - Disputes regarding Boundaries]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.4.236 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Verse 2.4.238 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Verse 2.4.235 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 12 - The Dynasty of Kusa, the Son of Lord Ramacandra < [Canto IX - Liberation]
Later Chola Temples (by S. R. Balasubrahmanyam)