Sparsha, aka: Sparśa; 8 Definition(s)
Sparsha means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Sparśa can be transliterated into English as Sparsa or Sparsha, using the IAST transliteration scheme (?).
1a) Sparśa (स्पर्श).—A Tuṣita.*
- * Brahmāṇḍa-purāṇa III. 3. 19; Vāyu-purāṇa 66. 18.
1b) The guṇa of Vāyu devoured by Ākāśa when Vāyu cools down.*
- * Vāyu-purāṇa 102. 15.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
Vaiśeṣika (school of philosophy)
Sparśa (स्पर्श, “touch”) is one of the seventeen guṇas (‘qualities’), according to the Vaiśeṣika-sūtras. These guṇas are considered as a category of padārtha (“metaphysical correlate”). These padārthas represent everything that exists which can be cognized and named. Together with their subdivisions, they attempt to explain the nature of the universe and the existence of living beings.(Source): Wisdom Library: Vaiśeṣika
Vaiśeṣika (वैशेषिक, vaisheshika) refers to a school of orthodox Hindu philosophy (āstika), drawing its subject-matter from the Upaniṣads. Vaiśeṣika deals with subjects such as logic, epistemology, philosophy and expounds concepts similair to Buddhism in nature
Nāṭyaśāstra (theatrics and dramaturgy)
Sparśa (स्पर्श, “touch”) refers to an aspect of the representation of objects and senses, according to the Nāṭyaśāstra chapter 24. Accordingly, “by slightly narrowing down the eyes, raising the eyebrows in the like manner as well as by touching (sparśa) the shoulder and the cheek, the wise one should represent the form”.(Source): Wisdom Library: Nāṭya-śāstra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Mahayana (major branch of Buddhism)
Sparśa (स्पर्श, “contact”) (pali phassa) refers to the sixth of twelve pratītyasamutpāda (dependent origination) according to the Mahāprajñāpāramitāśāstra chapter X. From nāmarūpa there arise the six sense organs, eye (cakṣus), etc. These are the ṣaḍāyatanas, the six inner bases of consciousness. The meeting (saṃnipāta) of organ (indriya), object (viṣaya) and a consciousness (vijñāna) is called sparśa, contact. From sparśa there arises vedanā, sensation.(Source): Wisdom Library: Maha Prajnaparamita Sastra
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
General definition (in Buddhism)
Sparśa (स्पर्श, “tangible”) or sparśāyatana refers to one of the “twelve sense spheres” (āyatana) as defined in the Dharma-saṃgraha (section 24). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (eg., sparśa). The work is attributed to Nagarjuna who lived around the 2nd century A.D.
Sparśa also refers to one of the “six spheres” (ṣaḍviṣaya) as defined in the Dharma-saṃgraha (section 33).
Sparśa also refers to the “five qualities” (pāñcabhautika) as defined in the Dharma-saṃgraha (section 40).
Sparśa also refers to the sixth of the “twelve factors of conditional origination” (pratītyasamutpāda) as defined in the Dharma-saṃgraha (section 42).(Source): Wisdom Library: Dharma-samgraha
General definition (in Jainism)
Sparśa (स्पर्श, “touch”) refers to the object of sparśana (touching), which represents one of the “five sense-organs” (pañcendriya), according to the 2nd-century Tattvārthasūtra 2.19. Cognition which results by touching the object of knowledge is called touch (sparśa). How many kinds of touch are there? There are eight namely cold-hot, oily-dry or smooth-rough, soft-hard and heavy-light. What is the form of touch sense organ? There are innumerable forms of touch sense organ.(Source): Encyclopedia of Jainism: Tattvartha Sutra 2: the Category of the living
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
sparśa (स्पर्श).—m (S) Touch, taction, contact. 2 The sense of touch. 3 That property of bodies which constitutes them objects of the sense of touch, tactility or tangibility. 4 A consonant of any of the first five classes of the alphabet; i. e. from ka, kha &c. to pa, pha, ba, bha, ma. 5 A gem or stone of which the touch turns iron into gold, the philosopher's stone. 6 (Figuratively of the sense Touch or contact.) A whit, jot, iota, tittle, bit, the merest tangible point. Ex. hṛdayānta dayēcā sparśa nāhīṃ; tyālā adattaśirōmaṇī hmaṇūna hmaṇāvēṃ udāratvācā kiṃvā nustyā snēhācā tyālā sparśa nāhīṃ. 7 S Air or wind.(Source): DDSA: The Molesworth Marathi and English Dictionary
sparśa (स्पर्श).—m Touch; the sense of touch. Tan- gibility. A little, a bit, as tyācyā anta:- karaṇāta dayēcā sparśahī nāhī.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Search found 60 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Sparśadhātu (स्पर्शधातु) or simply sparśa refers to the “touch element” and represents one of t...
Sparśarūpaskandha (स्पर्शरूपस्कन्ध) or simply sparśa refers to the “tangible form component” an...
Sparśāyatana (स्पर्शायतन) or simply sparśa refers to the “sense sphere of the tangible” and rep...
Sparśatattva (स्पर्शतत्त्व, “touch”):—One of the Thirty-six Tattvas, according to Śaiv...
Sparśendriya (स्पर्शेन्द्रिय, “touch-sense-organ”) is another word for Sparśanendriya: one of t...
Sparśāhāra (स्पर्शाहार) refers to “nutriment of contact” and represents one of the “five nutrim...
Sparśasaṃkocin (स्पर्शसंकोचिन्) is another name for Piṇḍālu, which is a Sanskrit word referr...
Tṛṇasparśa (तृणस्पर्श) refers to “injury from thorns, etc.” and represents one of the hardships...
1) Guṇa (गुण).—Degree of a vowel; vocalic degree, the second out of the three degrees of a vowe...
Vāyu (वायु) refers to one of the 53 gods to be worshipped in the northern quarter and given pāy...
svara (स्वर).—m A note in music; an accent; a vowel sound. svara bāhaṇēṃ To incline or lean to....
Dhātu (धातु).—A word which denotes action and result. The Pāṇinian dhātupāṭha includes about 22...
Ākāśa (आकाश, “space”) refers to the first of the “three unconditioned things” (asaṃskṛta) as de...
Prakṛti (प्रकृति) is one of the twenty-six varieties of Sanskrit metres (chandas) mentioned in ...
Saṃskāra (संस्कार) refers to “purificatory rites of fire” and forms part of preliminary rites b...
Search found 28 books and stories containing Sparsha or Sparśa. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Śrī Hari-bhakti-kalpa-latikā (by Sarasvati Thkura)
Rasa Jala Nidhi, vol 1: Initiation, Mercury and Laboratory (by Bhudeb Mookerjee)
Part 20 - Mercurial operations (18): Transformation of base metals into gold by mercury (bedhana) < [Chapter IV-V - Mercurial operations]
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.6.92 < [Chapter 6 - Abhīṣṭa-lābha: The Attainment of All Desires]
Verse 2.5.27 < [Chapter 5 - Prema: Love of God]
Verse 1.5.103-105 < [Chapter 5 - Priya: The Beloved]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Bodhisattva quality 14: skilled in teaching dependent origination < [Chapter X - The Qualities of the Bodhisattvas]
III. The concept of non-self (anātman-saṃjñā) < [Chapter XXXVII - The Ten Concepts]
IV. Results of the Nine Notions < [Part 1 - The nine notions according to the Abhidharma]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.4.51 < [Part 4 - Parenthood (vātsalya-rasa)]
Verse 2.4.182 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Verse 1.2.217 < [Part 2 - Devotional Service in Practice (sādhana-bhakti)]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
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