Sparsha, aka: Sparśa; 12 Definition(s)
Sparsha means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Sparśa can be transliterated into English as Sparsa or Sparsha, using the IAST transliteration scheme (?).
1a) Sparśa (स्पर्श).—A Tuṣita.*
- * Brahmāṇḍa-purāṇa III. 3. 19; Vāyu-purāṇa 66. 18.
1b) The guṇa of Vāyu devoured by Ākāśa when Vāyu cools down.*
- * Vāyu-purāṇa 102. 15.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
Vaiśeṣika (school of philosophy)
Sparśa (स्पर्श, “touch”) is one of the seventeen guṇas (‘qualities’), according to the Vaiśeṣika-sūtras. These guṇas are considered as a category of padārtha (“metaphysical correlate”). These padārthas represent everything that exists which can be cognized and named. Together with their subdivisions, they attempt to explain the nature of the universe and the existence of living beings.(Source): Wisdom Library: Vaiśeṣika
Vaiśeṣika (वैशेषिक, vaisheshika) refers to a school of orthodox Hindu philosophy (āstika), drawing its subject-matter from the Upaniṣads. Vaiśeṣika deals with subjects such as logic, epistemology, philosophy and expounds concepts similair to Buddhism in nature
Nāṭyaśāstra (theatrics and dramaturgy)
Sparśa (स्पर्श, “touch”) refers to an aspect of the representation of objects and senses, according to the Nāṭyaśāstra chapter 24. Accordingly, “by slightly narrowing down the eyes, raising the eyebrows in the like manner as well as by touching (sparśa) the shoulder and the cheek, the wise one should represent the form”.(Source): Wisdom Library: Nāṭya-śāstra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Vyākaraṇa (Sanskrit grammar)
Sparśa (स्पर्श).—A contact consonant; a term used in connection with the consonants of the five classes, verily because the karana or the tip of the tongue touches the place of utterance in the mouth in their pronunciation; cf. कादयो भावसानाः स्पर्शाः (kādayo bhāvasānāḥ sparśāḥ) S.K. Samjnaprakarana on P. VIII. 2.1; cf. also आद्याः स्पर्शाः पञ्च ते पञ्चवर्गाः (ādyāḥ sparśāḥ pañca te pañcavargāḥ) R.Pr. I.78: cf. also T.Pr.I.7.(Source): Wikisource: A dictionary of Sanskrit grammar
Vyākaraṇa (व्याकरण, vyakarana) refers to Sanskrit grammar and represents one of the six additional sciences (vedāṅga) to be studied along with the Vedas. Vyākaraṇa concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.
Jyotisha (astronomy and astrology)
Sparśa (स्पर्श).—First contact of an eclipse. Note: Sparśa is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry.(Source): Wikibooks (hi): Sanskrit Technical Terms
Jyotiṣa (ज्योतिष, jyotisha or jyotish) basically refers to ‘astronomy’ or “Vedic astrology” and represents one of the six additional sciences to be studied along with the Vedas. Jyotiṣa concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Mahayana (major branch of Buddhism)
Sparśa (स्पर्श, “contact”) (pali phassa) refers to the sixth of twelve pratītyasamutpāda (dependent origination) according to the Mahāprajñāpāramitāśāstra chapter X. From nāmarūpa there arise the six sense organs, eye (cakṣus), etc. These are the ṣaḍāyatanas, the six inner bases of consciousness. The meeting (saṃnipāta) of organ (indriya), object (viṣaya) and a consciousness (vijñāna) is called sparśa, contact. From sparśa there arises vedanā, sensation.(Source): Wisdom Library: Maha Prajnaparamita Sastra
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
General definition (in Buddhism)
Sparśa (स्पर्श, “tangible”) or sparśāyatana refers to one of the “twelve sense spheres” (āyatana) as defined in the Dharma-saṃgraha (section 24). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (eg., sparśa). The work is attributed to Nagarjuna who lived around the 2nd century A.D.
Sparśa also refers to one of the “six spheres” (ṣaḍviṣaya) as defined in the Dharma-saṃgraha (section 33).
Sparśa also refers to the “five qualities” (pāñcabhautika) as defined in the Dharma-saṃgraha (section 40).
Sparśa also refers to the sixth of the “twelve factors of conditional origination” (pratītyasamutpāda) as defined in the Dharma-saṃgraha (section 42).(Source): Wisdom Library: Dharma-samgraha
General definition (in Jainism)
Sparśa (स्पर्श, “touch”) refers to the object of sparśana (touching), which represents one of the “five sense-organs” (pañcendriya), according to the 2nd-century Tattvārthasūtra 2.19. Cognition which results by touching the object of knowledge is called touch (sparśa). How many kinds of touch are there? There are eight namely cold-hot, oily-dry or smooth-rough, soft-hard and heavy-light. What is the form of touch sense organ? There are innumerable forms of touch sense organ.(Source): Encyclopedia of Jainism: Tattvartha Sutra 2: the Category of the living
Sparśa (स्पर्श, “touch”) according to the 2nd-century Tattvārthasūtra 5.23.—“The forms of matter (pudgala) are characterized by touch (sparśa), taste (rasa), smell (gandha) and colour (varṇa)”. What is the meaning of touch (sparśa)? What is touched or just touching alone is touch. How many types of touch are there? There are eight types of touch namely light and heavy, rough and smooth, hard and soft, cold and hot.(Source): Encyclopedia of Jainism: Tattvartha Sutra 5: The category of the non-living
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
sparśa (स्पर्श).—m (S) Touch, taction, contact. 2 The sense of touch. 3 That property of bodies which constitutes them objects of the sense of touch, tactility or tangibility. 4 A consonant of any of the first five classes of the alphabet; i. e. from ka, kha &c. to pa, pha, ba, bha, ma. 5 A gem or stone of which the touch turns iron into gold, the philosopher's stone. 6 (Figuratively of the sense Touch or contact.) A whit, jot, iota, tittle, bit, the merest tangible point. Ex. hṛdayānta dayēcā sparśa nāhīṃ; tyālā adattaśirōmaṇī hmaṇūna hmaṇāvēṃ udāratvācā kiṃvā nustyā snēhācā tyālā sparśa nāhīṃ. 7 S Air or wind.(Source): DDSA: The Molesworth Marathi and English Dictionary
sparśa (स्पर्श).—m Touch; the sense of touch. Tan- gibility. A little, a bit, as tyācyā anta:- karaṇāta dayēcā sparśahī nāhī.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Search found 92 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Atalasparśa (अतलस्पर्श).—a. [na. tale spṛśyate karmaṇi kvip; na talasya sparśo yatra] bottomles...
Sparśamaṇi (स्पर्शमणि).—a kind of jewel considered to be the same as 'philosopher's stone'. °मण...
Sparśāyatana (स्पर्शायतन) or simply sparśa refers to the “sense sphere of the tangible” and rep...
Sparśadhātu (स्पर्शधातु) or simply sparśa refers to the “touch element” and represents one of t...
Sparśarūpaskandha (स्पर्शरूपस्कन्ध) or simply sparśa refers to the “tangible form component” an...
Śītasparśa (शीतस्पर्श).—a. cooling.Śītasparśa is a Sanskrit compound consisting of the terms śī...
Sparśāhāra (स्पर्शाहार) refers to “nutriment of contact” and represents one of the “five nutrim...
Sparśatattva (स्पर्शतत्त्व, “touch”):—One of the Thirty-six Tattvas, according to Śaiv...
Sparśodaya (स्पर्शोदय).—a. followed by a consonant. Sparśodaya is a Sanskrit compound consistin...
Sparśatanmātra (स्पर्शतन्मात्र).—the subtile element of tangibility. Derivable forms: sparśatan...
Aṅgasparśa (अङ्गस्पर्श).—fitness or qualification for bodily contact or being touched by others...
Sparśakliṣṭa (स्पर्शक्लिष्ट).—a. painful to the touch. Sparśakliṣṭa is a Sanskrit compound cons...
Sparśasyanda (स्पर्शस्यन्द).—a frog.Derivable forms: sparśasyandaḥ (स्पर्शस्यन्दः).Sparśasyanda...
Sparśānandā (स्पर्शानन्दा).—an apsaras. Sparśānandā is a Sanskrit compound consisting of the te...
Sparśarasika (स्पर्शरसिक).—a. sensual, lustful. Sparśarasika is a Sanskrit compound consisting ...
Search found 30 books and stories containing Sparsha or Sparśa. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Śrī Hari-bhakti-kalpa-latikā (by Sarasvati Thkura)
Rasa Jala Nidhi, vol 1: Initiation, Mercury and Laboratory (by Bhudeb Mookerjee)
Part 20 - Mercurial operations (18): Transformation of base metals into gold by mercury (bedhana) < [Chapter IV-V - Mercurial operations]
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.6.92 < [Chapter 6 - Abhīṣṭa-lābha: The Attainment of All Desires]
Verse 2.5.27 < [Chapter 5 - Prema: Love of God]
Verse 1.5.103-105 < [Chapter 5 - Priya: The Beloved]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Bodhisattva quality 14: skilled in teaching dependent origination < [Chapter X - The Qualities of the Bodhisattvas]
III. The concept of non-self (anātman-saṃjñā) < [Chapter XXXVII - The Ten Concepts]
IV. Results of the Nine Notions < [Part 1 - The nine notions according to the Abhidharma]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.4.51 < [Part 4 - Parenthood (vātsalya-rasa)]
Verse 2.4.182 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Verse 1.2.217 < [Part 2 - Devotional Service in Practice (sādhana-bhakti)]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
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