Caturmukha, Catur-mukha: 17 definitions
Introduction
Introduction:
Caturmukha means something in Hinduism, Sanskrit, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Chaturmukha.
In Hinduism
Vastushastra (architecture)
Source: Wisdom Library: Vāstu-śāstra1) Caturmukha (चतुर्मुख):—One of the eight types of villages, according to Chapter 9 of the Mānasāra (called the grāmalakṣaṇam). The Mānasāra is one of the traditional authorative Hindu treatises on Vāstuśāstra. The form of this village is said to be tattadrūpeṇa, which means it represents the form of the meaning of its Sanskrit name.
2) Caturmukha (चतुर्मुख) refers to a type of temple (prāsāda) classified under the group named Kailāśa, according to Samarāṅgaṇasūtradhāra chapter 49. The Kailāśa group contains ten out of a sixty-four total prāsādas (temples) classified under five prime vimānas (aerial car/palace), which were created by Brahmā for as many gods (including himself). This group represents temples (e.g. Caturmukha) that are to be globular shaped. The prāsādas, or ‘temples’, represent the dwelling place of God and are to be built in towns. The Samarāṅgaṇasūtradhāra is an 11th-century encyclopedia dealing with various topics from the Vāstuśāstra.
Caturmukha is mentioned in another list from the Samarāṅgaṇasūtradhāra chapter 56, being part of the group named Nigūḍha, containing 5 unique temple varieties.
Caturmukha is also mentioned as a classification of ‘temple’ in the Īśānaśivagurudevapaddhati which features a list of 52 temple types. This list represents the classification of temples in South-India.
3) Caturmukha (चतुर्मुख) refers to a category of gopura, which is the “tower” built above the gateway of a house, palace or Buddhist monastery.
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Purana and Itihasa (epic history)
Source: Wisdom Library: Skanda-puranaCaturmukha (चतुर्मुख) is the name of a gaṇa (attendant of Śiva), mentioned in the Skandapurāṇa 4.2.53. In this chapter, Śiva (Giriśa) summons his attendants (gaṇas) and ask them to venture towards the city Vārāṇasī (Kāśī) in order to find out what the yoginīs, the sun-god, Vidhi (Brahmā) were doing there.
While the gaṇas such as Caturmukha were staying at Kāśī, they were desirous but unable of finding a weakness in king Divodaśa who was ruling there. Kāśī is described as a fascinating place beyond the range of Giriśa’s vision, and as a place where yoginīs become ayoginīs, after having come in contact with it. Kāśī is described as having both the power to destroy great delusion, as well as creating it.
The Skandapurāṇa narrates the details and legends surrounding numerous holy pilgrimages (tīrtha-māhātmya) throughout India. It is the largest Mahāpurāṇa composed of over 81,000 metrical verses, with the core text dating from the before the 4th-century CE.
Source: Cologne Digital Sanskrit Dictionaries: The Purana IndexCaturmukha (चतुर्मुख).—Brahmā (s.v.) as Vedarāśī with Gāyatri and Sāvitri; acted as Udgāta for Soma's Rājasūya and officiated as priest for Umā's marriage;1 three avastas of: as Brahmā, Kāla and Puruṣa, creating, destroying and as being indifferent; hence three guṇas, three agnis, three Vedas and three worlds.2
Source: JatLand: List of Mahabharata people and placesCaturmukha (चतुर्मुख) is a name mentioned in the Mahābhārata (cf. XIV.8.30, XIV.8) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Caturmukha) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shaivism (Shaiva philosophy)
Source: Shodhganga: Iconographical representations of ŚivaCaturmukha (चतुर्मुख) or Caturmukhāgama refers to one of upāgamas (supplementary scriptures) of the Bimbāgama which is one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing upāgamas (e.g., Caturmukha Āgama) is to explain more elaborately than that of mūlāgamas (e.g., Bimba-āgama) and to include any new idea if not dealt in mūlāgamas.
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Kavya (poetry)
Source: Google Books: Indian Kāvya LiteratureCaturmukha (Apabhraṃśa Caumuha=nominative Caumuhu), we see that he was one of the greatest Apabhraṃśa epic poets, though known at present only from a few quotations and references. Though a Brahmanical author, he receives homage from Jaina poets, who indicate also that he was the pioneer of the ‘classical’ form of Apabhraṃśa epic, which moreover became the classical form of epic continued in later languages such as Avadhī. Thus Svayambhū (Riṭṭhaṇemicariu 1.1.10) says that Caumuhu ‘made over to him’ the paddhaḍiā (metre) ‘entwined with’ the chaḍḍaṇi, duvai and dhuvau.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Pancaratra (worship of Nārāyaṇa)
Source: eScholarship: Chapters 1-14 of the Hayasirsa PancaratraCaturmukha (चतुर्मुख) refers to “four-faced one” and is a name of Brahmā, as mentioned in the 9th century Hayaśīrṣa-pañcarātra (Ādikāṇḍa chapter 1).—“[...] Formerly, it is told, Virūpākṣa-Maheśvara (i.e., Śiva) with Gaurī (i.e., Pārvatī) questioned the four-faced one (Caturmukha, i.e., Brahmā) who was staying in the above of Vairāja”.
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Ayurveda (science of life)
Source: Shodhganga: Dietetics and culinary art in ancient and medieval IndiaCaturmukha (चतुर्मुख) is another name for Mudgānna or “rice cooked with green gram” and represents one of the six kinds of “cooked rice” (bhakta) as described in the 17th century Bhojanakutūhala (dravyaguṇāguṇa-kathana), and is commonly found in literature dealing with the topics of dietetics and culinary art, also known as Pākaśāstra or Pākakalā.—[...] Cooked rice dishes are of six types based upon the different ingredients used along with rice. These, collectively called as ṣaḍvidhānna. They are [viz., mudgānna (rice cooked with green gram)]. To describe this ṣaḍvidhānna the author quotes an Ayurvedic text namely Kriyāsāra.
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
In Jainism
General definition (in Jainism)
Source: archive.org: The Jaina IconographyCaturmukha (चतुर्मुख) or Ṣaṇmukha is the name of the Yakṣa accompanying Vimalanātha: the thirteenth of twenty-four Tīrthaṃkaras or Jinas, commonly depicted in Jaina iconography.—Jaina liturgical treatises attribute to Vimalanātha, the thirteenth Jina, the Lāñchana or symbol of the boar. The particular attendant spirits attached to him are named as Ṣaṇmukha and Vairoṭi (Śvetāmbara: Viditā). The King to stand for his fanner is called Svayaṃbhu-Vāsudeva. His Kevala tree is Jambu (Black-berry).
Ṣaṇmukha is known by the name of Caturmukha, to the Digambaras and Ṣaṇmukha to the Śvetāmbaras. Both sects, however, concurrenily assign to him the vehicle of a peacock. Caturmukha has twelve arms acem ding to one version and eight arms according to another. The arms hold such objects as—an axe, scimitar (Kaukṣeyaka), Akṣamaṇi (?) shield, staff etc. The Yakṣa Ṣaṇmukha has twelve hands holding a fruit, disc, arrow, sword, noose, rosary, mongoose, discus, bond, fruit, goad and Abhaya.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryCaturmukha (चतुर्मुख).—an epithet of Brahmā; इतरतापशतानि यथेच्छया वितर तानि सहे चतुरानन (itaratāpaśatāni yathecchayā vitara tāni sahe caturānana) Udb.
Derivable forms: caturmukhaḥ (चतुर्मुखः).
Caturmukha is a Sanskrit compound consisting of the terms catur and mukha (मुख). See also (synonyms): caturānana.
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Caturmukha (चतुर्मुख).—having four faces.
-khaḥ an epithet of Brahmā; त्वत्तः सर्वं चतु- र्मुखात् (tvattaḥ sarvaṃ catu- rmukhāt) R.1.22. (-kham) 1. four faces; Ku.2.17.
Caturmukha is a Sanskrit compound consisting of the terms catur and mukha (मुख).
Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryCaturmukha (चतुर्मुख).—m.
(-khaḥ) 1. The deity Brahma. 2. A preparation of mercury. E. catur and mukha a face.
Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryCaturmukha (चतुर्मुख).—(n.) I. four faces, [Kumārasaṃbhava, (ed. Stenzler.)] 2, 17. Ii. adj. 1. having four faces, epithet of Brahman, [Rāmāyaṇa] 1, 2, 26; Viṣṇu, [Raghuvaṃśa, (ed. Stenzler.)] 10, 23; Śiva, [Sundopasundopākhyāna] 3, 28; and a Dānava, [Harivaṃśa, (ed. Calc.)] 12934. 2. having four points, [Harivaṃśa, (ed. Calc.)] 10630. Jaya
Caturmukha is a Sanskrit compound consisting of the terms catur and mukha (मुख).
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryCaturmukha (चतुर्मुख).—(°—) four faces; [adjective] four-faced, [masculine] [Epithet] of [several] gods.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Caturmukha (चतुर्मुख):—[=catur-mukha] [from catur > catasṛ] (in [compound]) 4 faces, [Kumāra-sambhava ii, 17]
2) [v.s. ...] mfn. ‘four-faced’, in [compound]
3) [v.s. ...] four-pointed (an arrow), [Harivaṃśa 10630]
4) [v.s. ...] m. Name of Brahmā, [Mahābhārata iii; Rāmāyaṇa i; Bhāgavata-purāṇa iii, 8, 16; Kathāsaritsāgara xx]
5) [v.s. ...] of Viṣṇu, [Harivaṃśa 12344; Raghuvaṃśa x, 23]
6) [v.s. ...] of Śiva (cf. -tva), [Mahābhārata xiii, 6393]
7) [v.s. ...] of a Dānava, [Harivaṃśa 12934]
8) [v.s. ...] (in music) a kind of measure
Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryCaturmukha (चतुर्मुख):—[catur-mukha] (khaḥ) 1. m. The deity Brahmā; a preparation of mercury.
[Sanskrit to German] (Deutsch Wörterbuch)
Source: Cologne Digital Sanskrit Dictionaries: Böhtlingk and Roth Grosses Petersburger WörterbuchCaturmukha (चतुर्मुख):—(ca + mukha)
1) im comp. vier Antlitze [Kumārasaṃbhava 2, 17.] —
2) adj. a) vierantlitzig, Beiwort oder Beiname α) Brahman's [Hemacandra’s Abhidhānacintāmaṇi 212.] [Śabdaratnāvalī im Śabdakalpadruma] [Mahābhārata 3, 13560. 16547.] [Rāmāyaṇa 1, 2, 26.] [Bhāgavatapurāṇa 3, 8, 16] (woher). [Kathāsaritsāgara 20, 64.] — β) Viṣṇu’s [Harivaṃśa 12344.] [Raghuvaṃśa 10, 23.] — γ) Śiva’s [Sundopasundopākhyāna 3, 28.] [Mahābhārata 13, 6393.] [Śivanāmasahasra] caturmukhatvamīśasya [Varāhamihira’s Bṛhajjātaka S. 73, 20.] — δ) eines Dānava [Harivaṃśa 12934.] — b) vierspitzig: vāṇa [Harivaṃśa 10630.]
Source: Cologne Digital Sanskrit Dictionaries: Sanskrit-Wörterbuch in kürzerer FassungCaturmukha (चतुर्मुख):—1. vier Antlitze.
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Caturmukha (चतुर्मुख):—2. —
1) Adj. — a) vierantlitzig. Nom.abstr. tva n. — b) vierspitzig (Pfeil). —
2) m. — a) Beiname — α) ) Branman's. — β) Viṣṇu's. — γ) Śiva's. — b) Nomen proprium eines Dānava. — c) ein best. Tact [Saṃgitasārasaṃgraha 165,212,233.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Mukha, Catur.
Starts with: Caturmukha-bimba, Caturmukhalinga, Caturmukharasa, Caturmukhatirtha, Caturmukhatva.
Ends with: Cintamanicaturmukha.
Full-text (+12): Caturmukhatirtha, Caturmukharasa, Caturmukhatva, Cintamanicaturmukha, Caturmukha-bimba, Caturvaktra, Bhamandala, Caumukha, Caturanana, Brahma, Vairaja, Pancamukha, Mudganna, Nigudha, Shanmukha, Chaillu, Jinasu, Mauradevu, Viaddhu, Dhanadevu.
Relevant text
Search found 15 books and stories containing Caturmukha, Catur-mukha; (plurals include: Caturmukhas, mukhas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Brihad Bhagavatamrita (commentary) (by Śrī Śrīmad Bhaktivedānta Nārāyana Gosvāmī Mahārāja)
Verse 2.2.142 < [Chapter 2 - Jñāna (knowledge)]
Verse 2.2.128 < [Chapter 2 - Jñāna (knowledge)]
The Skanda Purana (by G. V. Tagare)
Chapter 309 - Greatness of Four-Faced Vināyaka < [Section 1 - Prabhāsa-kṣetra-māhātmya]
Chapter 310 - Greatness of Kalaṃbeśvara (Kalaṃba-īśvara) < [Section 1 - Prabhāsa-kṣetra-māhātmya]
Chapter 53 - Śiva’s Attendants Go to Vārāṇasī < [Section 2 - Uttarārdha]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)
Text 21 < [Chapter 6 - Ṣaṣṭha-yāma-sādhana (Sāyaṃ-kālīya-bhajana–bhāva)]
Text 15 < [Chapter 3 - Tṛtīya-yāma-sādhana (Pūrvāhna-kālīya-bhajana–niṣṭhā-bhajana)]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 5: The fifth spoke < [Chapter XIII - Śrī Mahāvīra’s nirvāṇa]
Prashna Upanishad (Madhva commentary) (by Srisa Chandra Vasu)
Manasara (English translation) (by Prasanna Kumar Acharya)