Bhasha, aka: Bhāsā, Bhāṣā, Bhāsa, Bhasa, Bhaṣa; 15 Definition(s)
Bhasha means something in Hinduism, Sanskrit, Buddhism, Pali, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms Bhāṣā and Bhaṣa can be transliterated into English as Bhasa or Bhasha, using the IAST transliteration scheme (?).
Ayurveda (science of life)
Bhāsa (भास) is a Sanskrit word referring to the animal “beared vulture”. The meat of this animal is part of the māṃsavarga (‘group of flesh’), which is used throughout Āyurvedic literature. The animal Bhāsa is part of the sub-group named prasaha, refering to animals “who take their food by snatching”. It was classified by Caraka in his Carakasaṃhitā sūtrasthāna (chapter 27), a classical Āyurvedic work. Caraka defined such groups (vargas) based on the dietic properties of the substance.(Source): Wisdom Library: Āyurveda and botany
Bhāsa (भास)—Sanskrit word for a bird corresponding to “lammergeier” (the bearded vulture, or, Gypaetus barbatus). This animal is from the group called Prasaha (‘carnivorous birds’). Prasaha itself is a sub-group of the group of animals known as Jāṅghala (living in high ground and in a jungle).(Source): archive.org: Sushruta samhita, Volume I
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Bhāsa (भास).—A very prominent dramatist in Sanskrit. As Bāṇa and Kālidāsa have noticed him in their works, it may safely be assumed that Bhāsa lived in an earlier period. Since Pratimā nāṭaka and Abhiṣeka nāṭaka, which are universally admitted to have been composed by Bhāsa, depend for their themes on the Vālmīki Rāmāyaṇa, it is clear that Bhāsa lived after Vālmīki. Kālidāsa’s period has not yet been fixed beyond doubt. It is almost settled that Bāṇa lived sometime between the sixth and seventh centuries A.D. Prof. Keith has been of the view that Vālmīki lived before the 4th century B.C. In the light of all such factors it could be presumed that Bhāsa lived in the period between the 4th century B.C. and 6th century A.D.
Though Bhāsa has so many glories to his credit he does not fully match Kālidāsa, and this might have been the reason why Indians did almost forget Bhāsa with the advent of Kālidāsa on the literary arena. (See full article at Story of Bhāsa from the Puranic encyclopaedia by Vettam Mani)(Source): archive.org: Puranic Encyclopaedia
1a) Bhāsa (भास).—A Vānara chief.*
- * Brahmāṇḍa-purāṇa III. 7. 242.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
Bhāṣā (भाषा, “language”).—There are four types of languages occurring in dramatic plays (nāṭya), according to Nāṭyaśāstra chapter 18.
They are as follows:
- atibhāṣā (the Super-human Language),
- āryabhāṣā (the Noble Language),
- jātibhāṣā (the Common Language),
- yonyantarībhāṣā (the Language of Other Animals).
Bhāṣā can also refer to “major dialects” of language, of which there are seven defined:
- Āvantī (Avantijā),
- Śaurasenī (Śūrasenī),
The minor dialects of language are known as Vibhāṣā.(Source): Wisdom Library: Nāṭya-śāstra
Bhāṣā (भाषा).—There are four kinds of bhāṣā defined according to Mataṅga in his 9th century Bṛhaddeśī:
These are established in grāma-rāgas. Mataṅga says that the grāmarāgas are derived from the 2 grāmas, and from the grāmarāgas are derived bhāṣās. From these vibhāṣās originate, and from them, antarabhāṣās.(Source): archive.org: The Ragas Of Karnatic Music
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Katha (narrative stories)
1) Bhāsa (भास) is the son of one of the ministers of king Candraprabha, appointed to his son, Sūryaprabha, according to the Kathāsaritsāgara, chapter 44. Accordingly, as Vajraprabha said to Naravāhanadatta: “... and then, when he [Sūryaprabha] was sixteen years old, and captivated the subjects by his virtues, his father, Candraprabha, appointed him Crown Prince, and he gave him the sons of his own ministers, many in number, Bhāsa, Prabhāsa, Siddhārtha, Prahasta and others”.
In chapter 45, Bhāsa is said to be an incarnation of Viṣaparvan. Accordingly, as Kaśyapa said to Maya, Sunītha and Sūryaprabha: “... and the other Asuras, who were your companions, have been born as his friends; for instance,... this Bhāsa, his minister, is an incarnation of a Daitya by name Viṣaparvan”.
In chapter 47, Bhāsa is considered a chief of a host of great warriors (mahāratha) in Sunītha and Sūryaprabha’s army. Accordingly, as the Asura Maya explained the arrangement of warriors in Sunītha’s army: “... Viśvaruci, and Bhāsa and Siddhārtha, these three ministers of Sūryaprabha, are chiefs of hosts of great warriors”.
2) Bhāsa (भास) is the father of Prabhāsa (the incarnation of Prabala, who in turn is the incarnation of Namuci), according to the Kathāsaritsāgara, chapter 50. Accordingly, as Brahmā said to Indra during the war between Śrutaśarman and Sūryaprabha: “... for that Asura Namuci, who was so hard for the gods to subdue, and who was then born again as Prabala, one entire and perfect jewel, has now been born as the invincible Prabhāsa, son of Bhāsa, and Bhāsa too was in a former birth the great Asura Kālanemi, who afterwards became Hiraṇyakaśipu and then Kapiñjala”.
The stories of Bhāsa was narrated by the Vidyādhara king Vajraprabha to prince Naravāhanadatta in order to relate how “Sūryaprabha, being a man, obtain of old time the sovereignty over the Vidyādharas”.
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Bhāsa, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.(Source): Wisdom Library: Kathāsaritsāgara
Bhāsa (भास).—The Trivedrum plays appear to he the composition of a later poet. They were ascribed to Bhāsa. Kālidāsa in the prologue to Mālavikāgnimitra mentions, “How can there he a great regard for the work of a contemporary poet, leaving aside the composition of Bhāsa, Kaviputra, Saumillaka and others of established fame?”.(Source): Shodhganga: A critical appreciation of soddhalas udayasundarikatha
Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.
Vyakarana (Sanskrit grammar)
Bhāṣā (भाषा).—Spoken language as opposed to the archaic Vedic Language; cf. भाषायां सदवसश्रुवः (bhāṣāyāṃ sadavasaśruvaḥ);P.III2.108;प्रत्यये भाषायां नित्यम् (pratyaye bhāṣāyāṃ nityam) . P. VIII. 4, 45 Vārt. 1 ; cf. also R. T. 96, 212; cf also नेति प्रतिषेधार्थीयो भाषायाम् । उभयमन्वध्यायम् (neti pratiṣedhārthīyo bhāṣāyām | ubhayamanvadhyāyam) Nir. I.4.(Source): Wikisource: A dictionary of Sanskrit grammar
Vyakarana (व्याकरण, vyākaraṇa) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.
Itihasa (narrative history)
Bhāsā (भासा) is a name mentioned in the Mahābhārata (cf. I.90.20) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Bhāsā) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.(Source): JatLand: List of Mahabharata people and places
Itihasa (इतिहास, itihāsa) refers to ‘epic history’ and represents a branch of Sanskrit literature which popularly includes 1) the eighteen major Puranas, 2) the Mahabharata and 3) the Ramayana. It is a branch of Vedic Hinduism categorised as smriti literature (‘that which is remembered’) as opposed to shruti literature (‘that which is transmitted verbally’).
Languages of India and abroad
bhāsā : (f.) language; dialect.(Source): BuddhaSasana: Concise Pali-English Dictionary
Bhāsā, (f.) (cp. Epic Sk. bhāṣā) speech, language, esp. vernacular, dialect J. IV, 279 (manussa° human speech), 392 (caṇḍāla°); KhA 101 (saka-saka°-anurūpa); SnA 397 (Milakkha°); DA. I, 176 (Kirātā-Yavanâdi-Millakkhānaṃ bhāsā); MA. I, 1 (Sīhaḷa°); VbhA. 388 (18 dialects, of which 5 are mentioned; besides the Māgadhabhāsā). (Page 503)
— or —
Bhāsa, (cp. Epic Sk. bhāsa) —sakuṇa a bird of prey, a vulture (Abhp. 645, 1049); as one of the lucky omens enumd (under the so-called maṅgala-kathā) at KhA 118 (with v. l. SS. cāta° & vāca°, BB cāba°)=Nd1 87 (on Sn. 790) (T. reads vāta°; v. l. SS vāpa°, BB chapa°). (Page 503)(Source): Sutta: The Pali Text Society's Pali-English Dictionary
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
bhāṣa (भाष).—f (bhāṣā S) A promise or an assurance. v dē. 2 A mutual assurance; a compact or co-agreement. v dē. bhāṣa satya karaṇēṃ To redeem or make good one's promise.
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bhāṣā (भाषा).—f (S) A speech, language, tongue, dialect.
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bhāsa (भास).—m (S) Impression made on the mind; perception; fancy or view of as actual or probable. Ex. bāhēra kōṇhī ālā asā malā bhāsa jhālā. 2 Semblance, seeming, likeness, appearance. Ex. śarīrānta jvarācā bhāsa hōtō or disatō. 3 Likelihood or verisimilitude. 4 f Manner, fashion, style.(Source): DDSA: The Molesworth Marathi and English Dictionary
bhāṣa (भाष).—f A promise. A mutual assurance. A compact,
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bhāṣā (भाषा).—f A speech, language. Promise.
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bhāsa (भास).—m Perception; semblance; likeli- hood. f Style.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Bhaṣa (भष).—A dog.
Derivable forms: bhaṣaḥ (भषः).
See also (synonyms): bhaṣaka.
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Bhasa (भस).—a. Shining; तनुवारभसो भास्वान् (tanuvārabhaso bhāsvān) Ki.15.23.
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1) Speech, talk; as in चारुभाषः (cārubhāṣaḥ).
2) Language, tongue; सत्या न भाषा भवति यद्यपि स्यात् प्रतिष्ठिता (satyā na bhāṣā bhavati yadyapi syāt pratiṣṭhitā) Ms.8.164.
3) A common or vernacular dialect; (a) the spoken Sanskṛt language (opp. chandas or veda); विभाषा भाषायाम् (vibhāṣā bhāṣāyām) P.VI.1.181; (b) any Prākṛta dialect (opp. saṃskṛta); भाषाश्च विविधा नृणाम् (bhāṣāśca vividhā nṛṇām) Ms.9.332; see प्राकृत (prākṛta).
4) Definition, description; स्थितप्रज्ञस्य का भाषा (sthitaprajñasya kā bhāṣā) Bg.2.54.
5) An epithet of Sarasvatī, the goddess of speech.
6) (In law) The first of the four stages of a law-suit; the plaint, charge or accusation; यदावेदयते राज्ञे तद्भाषेत्यभि- धीयते (yadāvedayate rājñe tadbhāṣetyabhi- dhīyate) Y.
7) (In music) Name of a Rāgiṇī.
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Bhāsa (भास).—[bhās-bhāve ghañ]
1) Brightness, light, lustre.
3) A cock; Mb.12.36.23; Bhāg.8.1.1.
4) A vulture.
5) A cow-shed (goṣṭha).
6) Name of a poet; भासो हासः कविकुलगुरुः कालिदासो विलासः (bhāso hāsaḥ kavikulaguruḥ kālidāso vilāsaḥ) P.R.1.22; M.1.
7) A kind of bird; कृत्रिमं भासमारोप्य वृक्षाग्रे शिल्पिभिः कृतम् (kṛtrimaṃ bhāsamāropya vṛkṣāgre śilpibhiḥ kṛtam) Mb.1.132.68 (com. bhāsaṃ nīlapakṣaṃ pakṣiṇaṃ śakuntamityanye gṛdhramityapare).
Derivable forms: bhāsaḥ (भासः).(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 195 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Bhāṣāntara (भाषान्तर).—1) another dialect or language. 2) translation (?). Derivable forms: bhā...
The Noble language (ārya-bhāṣā) is for the kings and the Super-human Language (ati-bhāṣā) for t...
The Super-human Language (ati-bhāṣā) is for the gods, and the Noble language (ārya-bhāṣā) for t...
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The Language of Other Animals (yonyantarī-bhāṣā) have their origin in animals domestic or wild,...
Piśācabhāṣā (पिशाचभाषा).—'the language of devils', a gibberish or corruption of Sanskrit, one o...
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The Common Language (jātibhāṣā) prescribed for use [on the stage] has various forms. It contain...
Vajrabhāsa (वज्रभास).—Cross-multiplication. Note: Vajra-bhāsa is a Sanskrit technical term used...
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Search found 44 books and stories containing Bhasha, Bhāsā, Bhāṣā, Bhāsa, Bhasa or Bhaṣa. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Natyashastra (by Bharata-muni)
Part 3 - Literature on Ancient Indian Music < [Introduction, Part 2]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Notes on Atiśaya (supernatural powers) < [Notes]
Tattva 6: Saṃvara (methods of impeding karma) < [Appendix 1.4: The nine tattvas]
Part 29: The people in the Manuṣyaloka < [Chapter III - The initiation and omniscience of Ajita]
List of Mahabharata people and places (by Laxman Burdak)
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 11.25 < [Section II - The Brāhmaṇa’s Responsibilities and Privileges regarding Sacrificial Performances]
Verse 8.164 < [Section XXIX - Contracts, when invalid]
Verse 11.135 < [Section XV - Expiation for the killing of Cats and other Animals]
Yoga Vasistha [English], Volume 1-4 (by Vihari-Lala Mitra)
Chapter CXXX - Entering of the stag into the fire < [Book VII - Nirvana prakarana part 2 (nirvana prakarana)]
Chapter LXV - Story of bhasa and vilasa < [Book V - Upasama khanda (upashama khanda)]
Chapter XXXIV - End of the story of dama and vyala < [Book IV - Sthiti prakarana (sthiti prakarana)]
Laghu-yoga-vasistha (by K. Narayanasvami Aiyar)