Parvati, aka: Pārvatī; 19 Definition(s)
Parvati means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)
One of the Deva-vibhāvana (hands that indicate the forms which accord with the character and actions of Brahmā and other Devas).—Pārvatī: Ardha-candra with both hands, the left upward, the right downward, making Abhaya and Varada (Fear not, and Charity).Source: archive.org: The mirror of gesture (abhinaya-darpana)
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Pārvatī (पार्वती) is a gentle benevolent goddess, daughter of the axial mountain — the Himalaya, from which the earth energy radiates into space. The mountain (parvata) or Himavat (“the snow-capped-one”) is a symbol of ether — Ākāśa.
The peaks of the mountains are regarded as the places from which the earth energy flows into the ether. No dwellings are built on top of mountains and hills and only places of worship may be built there.
The mother of Pārvatī is Menakā, who represents intellect (buddhi). Born of Ether and Intellect, Pārvatī is the omnipresent conscious substance of the universe. Pārvatī is also the matron of all the elemental spirits — the bhūtas and gaṇas (‘categories’) that wander about the earth.Source: Red Zambala: Hindu Icons and Symbols | Devi
Pārvatī is the name of a deity depicted in the Aruṇācaleśvar or Arunachaleswara Temple in Thiruvannamalai (Tiruvaṇṇāmalai) which is one of the Pañcasabhā or “five halls where Śiva is said to have danced”.—Pārvatī is found to stand to the left of Śiva. She is found with two hands where the right hand holds kaṭaka-hasta and the left hand is in dolā.Source: Shodhganga: The significance of the mūla-beras (śilpa)
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Shaktism (Shakta philosophy)
Pārvatī (पार्वती, “Daughter of the Mountain”).—One of the names of the Goddess, Devī, who is regarded as the female principle of the divine; the embodiement of the energies of the Gods.Source: Wisdom Library: Śāktism
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)
Pārvatī (पार्वती).—Wife of Śiva.
Pārvatī is known under different names and worshipped in different forms. Amarakośa (Sanskrit lexicon) gives the following synonyms for Pārvatī: (See full article at Story of Pārvatī from the Puranic encyclopaedia by Vettam Mani)Source: archive.org: Puranic Encyclopaedia
Pārvatī (पार्वती) is the wife of Śiva, as mentioned in the Śivapurāṇa-māhātmya chapter 5.—In the Pauranic Mythology, Pārvatī is the daughter of Himālaya and the wife of Śiva. In the cult of Śakti and Tantras, she has been identified with Prakṛti itself. Almost all the Purāṇas speak of her as Prakṛti and her three Guṇas: sattva, rajas and tamas are the three Gods: Brahmā, Viṣṇu and Śiva.
Accordingly, as Cañculā spoke in praise of Umā Pārvatī: “O mother of Skanda, daughter of mountain, Thou art always served by men. O beloved of Śiva, the bestower of all pleasures, having the form of Supreme Brahman, Thou art worthy of being served by Viṣṇu, Brahmā and others. Thou art both endowed with and devoid of attributes. Thou art the subtle primordial Prakṛti, with Existence, Knowledge and Bliss for thy forms. Thou createst, maintainest and annihilatest. Thou hast the three Guṇas. Thou art the refuge of the three types of divine beings. Thou sustainest Brahmā, Viṣṇu and Maheśa”.Source: archive.org: Siva Purana - English Translation
1a) Pārvatī (पार्वती).—Umā, wife of Śiva, attained half body of Śiva by virtue of the 108 names of the Devī;1 (Ambā), the family deity of the Vidarbhas; present when Śiva gave his missile to Arjuna;2 conceived true love even as a girl;3 went with Śiva to have a look at the Mohinī form of Viṣṇu;4 once when she was sitting unclad on the lap of Śiva there came some sages to see the Lord; ashamed she got herself clothed; to please her Śiva said that any male who entered that place thereafter would become a female;5 presented Pṛthu with a sword Śatacandra;6 prayed to by Rukminī to get Kṛṣṇa for her husband; to her shrine Rukminī went by foot and offered worship for the hand of Kṛṣṇa;7 Vṛka's aim to take her after killing Śiva;8 prevented the enraged Śiva from killing Bhṛgu;9 saw Mārkaṇḍeya engaged in tapas.10 A Śakti;11 felt for Vināyaka losing his teeth through Paraśurāma and appealed to Śiva who remembered Kṛṣṇa. The latter came with Rādhā and consoled her by addressing on Gaṇeśa's greatness.
- 1) Matsya-purāṇa 12. 9; 13. 51 and 60; 85. 6; 183. 14; 187. 44; Vāyu-purāṇa 54. 20; 108. 51; 112. 35; Viṣṇu-purāṇa V. 32. 11-15.
- 2) Bhāgavata-purāṇa I. 15. 12; X. 52. 42.
- 3) Ib. X. 60. 47.
- 4) Ib. VIII. 12. 2 and 25.
- 5) Ib. IX. 1. 29-32.
- 6) Ib. IV. 15. 17; VI. 17. 11-12.
- 7) Ib. X. 53. 25, 39-40 and 44-49.
- 8) Ib. X. 88. 23.
- 9) Ib. X. 89. 7.
- 10) Ib. XII. 10. 3 and 35.
- 11) Brahmāṇḍa-purāṇa II. 25. 23; III. 41. 38, 50; 42. 7, 17; 44. 28; IV. 6. 8, 30, 38; 10. 41, 42.
1b) A name of the R. Nandā.*
- * Vāyu-purāṇa 49. 92.
1c) (alias vijayā); wife of Sahādeva and mother of Suhotra.*
- * Bhāgavata-purāṇa IX. 22. 31.
Pārvatī (पार्वती) is a name mentioned in the Mahābhārata (cf. IX.44.47) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Pārvatī) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.Source: JatLand: List of Mahabharata people and places
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Katha (narrative stories)
Pārvatī (पार्वती) is the beloved of Maheśvara, who is mentioned as the “chief of things animate and inanimate”. Their dwelling place is the mountain-peak Kailāsa, located within Himavat, according to the Kathāsaritsāgara, chapter 1. Accordingly, “There (Kailāsa) dwells Maheśvara the beloved of Pārvatī, the chief of things animate and inanimate, attended upon by Gaṇas, Vidyādharas and Siddhas. In the upstanding yellow tufts of his matted hair the new moon enjoys the delight of touching the eastern mountain yellow in the evening twilight.”
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Pārvatī, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.Source: Wisdom Library: Kathāsaritsāgara
Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.
Pārvatī (पार्वती).—Sculptures of Pārvatī, called by different names locally, are available in good numbers. These are all cult objects enshrined in the Amman shrines of the different Śiva temples of the region (southern India). They are all sculptures, carved in the round, with or with out a prabhāvali. They are carved either in sthānaka or in the āsīna postures. The standing sculptures are all in samabhaṅga or tribhaṅga postures. They are always four handed holding in their upper hands pāśa and aṅkuśa and the lower hands are disposed in abhaya and varada mudras. The decorations are all conventional and traditional.Source: Shodhganga: Temples of Salem region Up to 1336 AD
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Shaivism (Shaiva philosophy)
Pārvatī (पार्वती) or Pārvatyāgama refers to one of upāgamas (supplementary scriptures) of the Ajitāgama which is one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing upāgamas (eg., Pārvatī Āgama) is to explain more elaborately than that of mūlāgamas (eg., Ajita-āgama) and to include any new idea if not dealt in mūlāgamas.Source: Shodhganga: Iconographical representations of Śiva
Pārvatī (पार्वती) refers to the wife of Śiva. There are many avatāra images of Śakti (or Pārvatī), namely Śrī Mīnākṣī, Kāmākṣi, Durgā, Mahiṣāsuramardinī, Bhairavī, Kāntimati Ampāl, Candikeśvarī and many more. Each manifestation of Pārvatī has a special attribute of its own. Each avatāra was taken for a special purpose but ultimately it was for the benefit and salvation of the devotees.Source: Shodhganga: The significance of the mūla-beras (shaivism)
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
General definition (in Hinduism)
Parvati is the wife of Shiva. She is also known as Ambika or Shakti. In her aspect as Parvati she is a benevolent goddess, granting the boons of her worshippers. However, in her aspect as Kali, she is a fierce goddess, the destroyer of her foes and has a terrible visage.
The Devi Bhagavata is the collection of stories involving her, and details many of her incarnations. She is also said to possess overlordship of the Navagrahas (nine planets).Source: Apam Napat: Indian Mythology
Parvati (पार्वती, Pārvatī) is another form of Shakti, the wife of Shiva and the gentle aspect of Maha Devi or Durga, the Great Goddess. Parvati is considered to be a complete incarnation of Adi Parashakti or Goddess Durga, with all other Goddesses being her incarnations or manifestations.
Parvati, when depicted alongside Shiva, generally appears with two arms, but when alone, she is depicted having four, eight or ten arms, and is astride on a tiger or lion.
Parvata is one of the Sanskrit words for "mountain"; "Parvati" translates to "She of the mountains" and refers to Parvati being born the daughter of Himavan, lord of the mountains and the personification of the Himalayas.Source: WikiPedia: Hinduism
Pārvatī, the constant consort of Lord Śiva, who is referred to in the dhyāna of Mṛtyuṅjaya as the daughter of Himāvat, the Himalayan king-god.Source: Sanjay Rath: Maha Mrtyunjaya Mantra
According to the Bhaviṣya Purāṇa (3.14.22ff.), when the gods approached Śiva requesting him to marry Pārvatī in order to beget a son equal to the task of slaying Tāraka, Śiva protested his inability to comply on account of his chastity vow, and on account of the Goddess being the universal mother. For the sake of the gods, however, he was willing to devolve his vīrya to Agni, which would do the needful on his behalf.Source: Academia.edu: Tejas Transactions in the Itihāsa-Purāṇa
Languages of India and abroad
pārvatī (पार्वती).—f (S) Parvati, the name of the wife of Shiva.Source: DDSA: The Molesworth Marathi and English Dictionary
pārvatī (पार्वती).—f The name of the wife of Shiva.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Parvati (पर्वति).—f. (Ved.) A rock, stone.
Derivable forms: parvatiḥ (पर्वतिः).
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Pārvatī (पार्वती).—[parvatasyāpatyaṃ strī aṇ]
1) Name of Durgā, born as the daughter of the Himālaya mountain (she was Satī in her former birth; cf Ku.1.21); तां पार्वतीत्याभि- जनेन नाम्ना बन्धुप्रियां बन्धुजनो जुहाव (tāṃ pārvatītyābhi- janena nāmnā bandhupriyāṃ bandhujano juhāva) Ku.1.26.
2) A female cowherd.
3) An epithet of Draupadī.
4) A mountain stream.
5) A kind of fragrant earth.Source: DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 57 books and stories containing Parvati, Pārvatī; (plurals include: Parvatis, Pārvatīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 17 - Mother Parvati Curses Citraketu < [Canto VI - Prescribed Duties for Mankind]
Chapter 1 - King Sudyumna Becomes a Woman < [Canto IX - Liberation]
Chapter 79 - Lord Balarama Goes on Pilgrimage < [Canto X - The Summum Bonum]
Early Chola Temples (by S. R. Balasubrahmanyam)
Temples in Kuttalam < [Chapter VIII - Temples of Uttama Chola’s Time]
Muktesvaram < [Chapter XIV - Conclusion]
Temples in Mayuram (Tiru-Mayiladuturai) < [Chapter VIII - Temples of Uttama Chola’s Time]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 5: Description of Vaitāḍhya < [Chapter III]
Part 10: Description of a samavasaraṇa < [Chapter III]
Part 3: Story of Jamadagni and Paraśurāma < [Chapter IV - Subhūmacakravartīcaritra]
The Shiva Purana (by J. L. Shastri)