Ardhacandra, aka: Ardha-candra; 11 Definition(s)
Introduction
Ardhacandra means something in Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Ardhachandra.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Ardhacandra (अर्धचन्द्र, “crescent moon”) refers to a gesture (āṅgika) made with a ‘single hand’ (asaṃyuta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
Source: Wisdom Library: Nāṭya-śāstraOne of the Twenty-eight Single Hands (hasta):—Ardha-candra (half-moon): the thumb of the Patāka hand isstretched out. Usage: the moon on the eighth day of the dark fortnight, a hand seizing the throat, a spear, consecrating animage, a platter, origin, waist, anxiety, one’s self, meditation,prayer, touching the limbs, greeting common people.
Note: This hand often replaces the Patāka, e.g., in the Abhaya-mudrā.
According to another book: same definition. This hand originatesfrom the desire of Śiva for ornaments, of which the moonis one. Its sage is Atri, its race Vaiṣya, its colour smoky, itspatron deity Mahādeva. Usage: bangle, wrist, mirror, astonishment, effort, intemperance, entirety, beating time, tying up the hair, supporting the cheek in grief, the ear of an elephant, expelling evil-doers, wiping sweat from the brow, adolescence, ability, moon, greeting common people, consecration, eyebrow, cloth, bow, preëminence, tightening the girdle, making a vessel, the body, movement of the feet, carrying a child, the back, white colour, Vaiṣya caste.
Source: archive.org: The mirror of gesture (abhinaya-darpana)Ardhacandra (अर्धचन्द्र, “crescent moon”).—A type of gesture (āṅgika) made with a single hand (asaṃyuta-hasta);—(Instructions): The fingers and the thumb so bent as to make a curve like a bow.
(Uses): With this should be represented young trees, crescent moon, conch shell, jar (kalaśa), bracelet, forcible opening, exertion, thinness and drinking. With this [very] Ardhacandra hand women should represent girdle, hip waist, face, Tālapatra and earring.
Source: archive.org: Natya Shastra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Rasashastra (chemistry and alchemy)
Ardhacandrā (अर्धचन्द्रा):—One of the sixty-eight Rasauṣadhi, very powerful drugs known to be useful in alchemical processes related to mercury (rasa), according to Rasaprakāśa-sudhākara (chapter 9).
Source: Wisdom Library: Rasa-śāstra
Rasashastra (रसशास्त्र, rasaśāstra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.
Shilpashastra (iconography)
Ardhacandra (अर्धचन्द्र) or Ardhacandrahasta refers to “half moon” and represents one of the twenty-four gestures with a single hand, as defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—Accordingly, pratimā-lakṣaṇa (body postures of the icons) is comprised of hand gestures (hasta, mudrā or kai-amaiti), stances/poses (āsanas) and inflexions of the body (bhaṅgas). There are thirty-two types of hands [viz., ardhacandra-hasta] classified into two major groups known as tolirkai (functional and expressive gestures) and elirkai (graceful posture of the hand).
Source: Shodhganga: The significance of the mūla-beras (śilpa)
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
India history and geogprahy
Ardha-candra.—(SITI), literally, ‘half-moon’; a part of the tiruvāśi; a variety of ornament. (SII 2), the arch of an aureola. Note: ardha-candra is defined in the “Indian epigraphical glossary” as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
Source: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
ardhacandra (अर्धचंद्र).—m (S) The moon in her half increase or decrease, half-moon. 2 fig. The hand curved semicircularly, as for the purpose of clutching. 3 A clutch by the neck and push. v dē 4 A semicircular object or appearance gen.
Source: DDSA: The Molesworth Marathi and English Dictionaryardhacandra (अर्धचंद्र).—m The half-moon, crescent moon. The hand bent into a semi-circle, for the purpose of seizing or clutching anything. ardhacandra dēṇēṃ To seize by the neck and turn out.
Source: DDSA: The Aryabhusan school dictionary, Marathi-EnglishMarathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionary
Ardhacandra (अर्धचन्द्र).—a. crescent-shaped.
-ndraḥ
Ardhacandra is a Sanskrit compound consisting of the terms ardha and candra (चन्द्र).
Source: DDSA: The practical Sanskrit-English dictionaryArdhacandra (अर्धचन्द्र).—m. (? or nt.; in Sanskrit half-moon, crescent, etc.), (1) a kind of (presumably crescent-shaped) personal ornament (also °draka, q.v.): LV 201.19; Mv ii.317.7 (here hung on the bodhi-tree); (2) as in Sanskrit acc. to Schmidt, Nachtr., s.v., from Haravijaya, a (crescent-shaped) de- coration on a building (Schmidt Torbogenschmuck): Gv 167.16 °drā(ḥ), n. pl.; 154.4, 202.23 (all prose).
Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryArdhacandra (अर्धचन्द्र) or Arddhacandra.—m.
(-ndraḥ) 1. A crescent or half moon. 2. The hand bent into a semicircle or the shape of a claw, as for the purpose of seizing or clutching any thing. 3. The semicircular marks on a peacock’s tail. 4. An arrow, with a head like a crescent. 5. The semicircular scratch of the finger nail. f.
(-ndrā) A plant, vulgarly Teori, the black kind. E. ardha half, and candra moon, or with kan added ardhacandrakaḥ.
Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionarySanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Relevant definitions
Search found 734 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Candra | Candra (चन्द्र).—m. (-ndraḥ) 1. The moon considered as a planet or a deity. 2. Camphor. 3. Wate... | |
Candrashekhara | Candraśekhara (or Candraśekar) is the name of a deity depicted in the Jambukeswarar Temple in ... | |
Candrakanta | Candrakānta (चन्द्रकान्त).—m. (-ntaḥ) A fabulous gem, the moon-stone, supposed to be formed of ... | |
Candraprabha | Candraprabha (चन्द्रप्रभ).—(1) n. of a former incarnation of Śākyamuni: Divy 315.27 ff., 328.2... | |
Candrabhaga | Candrabhāgā (चन्द्रभागा) (or Candabhāgā in Pali) is the name of a river situated in Uttarāpatha... | |
Candramandala | Candramaṇḍala (चन्द्रमण्डल).—n. (-laṃ) The orb or disc of the moon, the lunar sphere. E. candra... | |
Candravamsha | Candravaṃśa (चन्द्रवंश).—A royal dynasty the kings of which ruled India for a long time. Since ... | |
Ardhanarishvara | Ardhanārīśvara.—(CII 4), a form of Śiva, in which the bodies of Śiva and Pārvatī are combined i... | |
Candrapura | Candrapura (चन्द्रपुर) is the name of an ancient city, as mentioned in the Kathāsaritsāgara, ch... | |
Ramacandra | Rāmacandra (रामचन्द्र) or Rāmacandrāvatāra (also known as Raghurāma) refers to one the “ten inc... | |
Ardha | Ardha (अर्ध).—Half. Note: Ardha is a Sanskrit technical term used in ancient Indian sciences su... | |
Candrashri | Candraśrī (चन्द्रश्री).—n. of a Bodhisattva: Gv 4.3. | |
Candragrahana | Candragrahaṇa (चन्द्रग्रहण) refers to a “lunar eclipse”, according to Śivapurāṇa 1.15. Accordin... | |
Candramauli | Candramauli (चन्द्रमौलि).—m. (-liḥ) A name of Siva. E. candra and mauli a crest; this deity bei... | |
Candrakala | Candrakalā (चन्द्रकला).—1) a digit of the moon; राहोश्चन्द्रकलामिवाननचरीं दैवात्समासाद्य मे (rā... |
Relevant text
Search found 8 books and stories containing Ardhacandra or Ardha-candra. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Chapter 25 - Hands denoting Trees
Chapter 17 - Hands denoting Devas
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.7.30 < [Chapter 7 - Jagad-ānanda: The Bliss of the Worlds]
The Devi Bhagavata Purana (by Swami Vijñanananda)
Chapter 26 - On the killing of Caṇḍa and Muṇḍa < [Book 5]
Chapter 13 - On the killing of Vāskala and Durmukha < [Book 5]
Chapter 5 - On the defeat of the Dānava forces of Mahiṣa < [Book 5]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Sushruta Samhita, volume 4: Cikitsasthana (by Kaviraj Kunja Lal Bhishagratna)
The Natyashastra (by Bharata-muni)