Asamyuta, Asaṃyuta: 7 definitions
Asamyuta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Asaṃyuta (असंयुत) refers to “single hand”, according to the Nāṭyaśāstra chapter 9. It is one of the three classes of ‘gestures and movements of hands’. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
There are twenty-four ‘gestures of single hands’ defined:
- sūcyāsya or sūcīmukha,
- alapadma or alapallava,
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)Source: Shodhganga: Vaisnava Agamas And Visnu Images
Asaṃyuta (असंयुत) refers to “hand gestures using one hand”, as defined in treatises such as the Pāñcarātra, Pādmasaṃhitā and Vaikhānasa-āgamas, extensively dealing with the technical features of temple art, iconography and architecture in Vaishnavism.—The Vaiṣṇava Agamic treatises refer to two types of hastas or mudrās viz. saṃtyuta (combined) i.e. using both the hands and asaṃyuta i.e. using one hand. One can find a number of hand gestures in these texts out of the well-known thirty-two major hand poses, twelve hand movements and twenty-four combined hand poses.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Languages of India and abroad
Sanskrit dictionarySource: DDSA: The practical Sanskrit-English dictionary
Asaṃyuta (असंयुत).—a. Unblended, ununited.
-taḥ An epithet of Viṣṇu.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Asaṃyuta (असंयुत):—[=a-saṃyuta] mfn. not combined, unmixed, [Bhāgavata-purāṇa]
2) [v.s. ...] not put together (as the hands), [Purāṇa-sarvasva]
3) [v.s. ...] m. a Name of Viṣṇu, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionarySource: Alar: Kannada-English corpus
Asaṃyuta (ಅಸಂಯುತ):—[noun] (dance.) any of the single-handed gestures in dancing.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Asamyutahasta.
Ends with: Alamkarasamyuta, Amalasamyuta, Anandasamyuta, Bhrishasamyuta, Dalasamyuta, Doshasamyuta, Dravyasamyuta, Ganasamyuta, Gunasamyuta, Kantakasamyuta, Parivarasamyuta, Praishyasamyuta, Pramattasamyuta, Saubhagyasamyuta, Shadgunyasamyuta, Shubhasamyuta, Upekshasamyuta, Yavakasamyuta.
Full-text (+13): Katakamukha, Mushti, Kangula, Mrigashirsha, Shikhara, Kapittha, Shukatunda, Sarpashiras, Ardhacandra, Padmakosha, Hamsapaksha, Kartarimukha, Arala, Tripataka, Sandamsha, Tamracuda, Alapallava, Alapadma, Alapadmaka, Mukula.
Search found 2 books and stories containing Asamyuta, Asaṃyuta, A-samyuta, A-saṃyuta; (plurals include: Asamyutas, Asaṃyutas, samyutas, saṃyutas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Natyashastra (English) (by Bharata-muni)
Part 4 - The Ancient Indian Drama in Practice < [Introduction, part 1]
Gati in Theory and Practice (by G. Srinivasu)