Kaumari, Kaumārī: 11 definitions
Kaumari means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Shaktism (Shakta philosophy)Source: Wisdom Library: Śāktism
1) Kaumārī (कौमारी) refers to the fifth of the eight Aṣṭamātṛkā (mother Goddesses) of Kathmandu city, locally known as Lumadhi Ajimā. Her location is Bhadrakālī.
2) Kaumārī (कौमारी) refers to “juvenile, childhood, youtful” and represents one of the sixty-four mātṛs to be worshipped during Āvaraṇapūjā (“Worship of the Circuit of Goddesses”, or “Durgā’s Retinue”), according to the Durgāpūjātattva. They should be worshipped with either the five upācāras or perfume and flowers.
Her mantra is as follows:
Source: Sreenivasarao's blog: Saptamatrka (part 4)
ॐ कौमार्यै नमः
oṃ kaumāryai namaḥ.
Kaumari refers to one of the seven mother-like goddesses (Matrika).—The Matrikas emerge as shaktis from out of the bodies of the gods: Kaumari from Skanda. The order of the Saptamatrka usually begins with Brahmi symbolizing creation. Then, Vaishnavi and Maheshvari. Then, Kaumari, Guru-guha, the intimate guide in the cave of one’s heart, inspires aspirations to develop and evolve. Kaumari is also known as Kumari, Karttikeyani and Ambika.
The Bhavanopanishad (9) recognizes Matrikas as eight types of un-favourable dispositions, such as: desire, anger, greed, delusion, pride, jealousy, demerit and merit. Tantra-raja-tantra (36; 15-16) expands on that and identifies Kaumari with youthful longings to enjoy (lobha).
According to Khadgamala (vamachara) tradition of Sri Vidya, the eight Matrkas are located along the wall (four at the doors and four at the corners) guarding the city (Tripura) on all eight directions: Kaumari on the East.Source: Kamakoti Mandali: The Yoginis of Narasimha Vyuha
Kaumārī (कौमारी) is the name of a Mātṛkā-Śakti created by Mahārudra in order to control the plague of demons created by Andhakāsura.—Accordingly, Andhaka-Asura tried to kidnap Umā (Devī Pārvatī), and was fiercely attacked by Mahārudra who shot arrows at him from his mahāpināka. when the arrows pierced the body of Andhakāsura, drops of blood fell to earth and from those drops, thousands of Andhakas arose. To control this plague of demons, Mahārudra created Mātṛkā-Śaktis [viz., Kaumārī] and ordered them to drink the blood of the demons and drain them dry.Source: Kamakoti Mandali: Nrisimha matrika-mandala
Kaumārī (कौमारी) refers to one of the various Mātṛkā-Śaktis created by Rudra in order to destroy the clones that spawned from Andhaka’s body.—Accordingly, [...] Andhakāsura attempted to abduct Girājanandinī (Pārvatī) and thus ensued a fierce battle between Andhakāsura and the great Rudra, the Lord of Umā. Like raktabīja, every drop of blood that fell from the body of Andhaka created another Asura like him and in no time, the entire world was filled with Andhakas. To destroy the growing number of Andhakas, Rudra created innumerable Mātṛkā-Śaktis [viz., Kaumārī]. These Śaktis of immense power at once began to drink every drop of blood that flowed from the body of Andhaka, but they could still not effectively contain the emergence of more and more demons.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)Source: Wisdom Library: The Matsya-purāṇa
Kaumārī (कौमारी) is the name of a mind-born ‘divine mother’ (mātṛ), created for the purpose of drinking the blood of the Andhaka demons, according to the Matsya-purāṇa 179.8. The Andhaka demons spawned out of every drop of blood spilled from the original Andhakāsura (Andhaka-demon). According to the Matsya-purāṇa 179.35, “Most terrible they (e.g., Kaumārī) all drank the blood of those Andhakas and become exceedingly satiated.”
The Matsyapurāṇa is categorised as a Mahāpurāṇa, and was originally composed of 20,000 metrical verses, dating from the 1st-millennium BCE. The narrator is Matsya, one of the ten major avatars of Viṣṇu.Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
1a) Kaumārī (कौमारी).—A śaktī.*
- * Brahmāṇḍa-purāṇa IV. 19. 7; 36. 58; 44. 111.
1b) A mind-born mother; image of; the chief implements and adornment follow that of Kumāra; the peacock for the riding animal, clad in red robes and wielding śūla and śakti.*
- * Matsya-purāṇa 179. 9, 22; 261. 27.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shilpashastra (iconography)Source: Sreenivasarao's blog: Saptamatrka (part 4) (shilpa)
Kaumari refers to the fourth Matrka and is the shakthi of Kumara or Skanda (the war-god). Her depictions resemble that of Kumara. She is ever youthful, representing aspirations in life. Kaumari is also regarded as Guru-Guha the intimate guide who resides in the cave of one’s heart. She is shown seated under a fig tree (Oudumbara) riding a peacock, which is also her emblem. Her complexion is golden yellow; and is dressed in red garments. She wears garland of red flowers. Kaumari has four hands; and carries shakti and kukkuta (cockerel) or ankusha (goad). The other two hands gesture Abhaya and Varada mudras. She is adorned with a makuta said to be bound with vasika or vachika. She embodies ideas of valour and courage. (Purvakaranagama and Devi Purana).
According to the Vishnudharmottara, Kaumari should be shown with six faces and twelve arms; two of her hands gesturing Abhaya and Varada mudras. In her other hands she carries the shakti, dhvaja, danda, dhanus, bana, ghanta, padma, patra and parasu. Each of her heads has three eyes; and is adorned with karanda-makuta.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: Wisdom Library: Tibetan Buddhism
Kaumārī (कौमारी) refers to one of the various Mātṛs and Mahāmātṛs mentioned as attending the teachings in the 6th century Mañjuśrīmūlakalpa: one of the largest Kriyā Tantras devoted to Mañjuśrī (the Bodhisattva of wisdom) representing an encyclopedia of knowledge primarily concerned with ritualistic elements in Buddhism. The teachings in this text originate from Mañjuśrī and were taught to and by Buddha Śākyamuni in the presence of a large audience (including Kaumārī).Source: Google Books: An Esoteric Exposition of the Bardo Thodol Part A
Kaumārī (कौमारी):—One of the six Īśvarī performing the rites of pacification.—The counterpart of this pair is Indrāṇī..Source: academia.edu: The Structure and Meanings of the Heruka Maṇḍala
Kaumārī (कौमारी) refers to the Ḍākinī of the western gate in the Medinīcakra, according to the 10th century Ḍākārṇava chapter 15. Accordingly, the medinīcakra refers to one of the three divisions of the dharma-puṭa (‘dharma layer’), situated in the Herukamaṇḍala. The four gate Ḍākinīs [viz., Kaumārī] each has the same physical feature as the four Ḍākinīs starting with Lāmā.
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
Sanskrit dictionarySource: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Kaumārī (कौमारी):—[from kaumāra] f. one of the seven Mātṛs or personified energies of the gods, Śakti of Kumāra or Kārttikeya (the god of war), [Brahma-purāṇa] [Devī-bhāgavata-purāṇa]
2) [v.s. ...] a kind of bulbous root (= vārāhī-kanda), [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
3) [v.s. ...] (in music) Name of a Rāgiṇī
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Full-text (+6): Ashtamatrika, Matri, Saptamatri, Indrani, Karttikeyani, Ambika, Kumari, Kaumari shanti, Matrika, Shakri, Mahendri, Krikavaku, Aindri, Vajri, Kaumara, Saptamatrika, Carcika, Camundi, Jambunada, Apraticakra.
Search found 14 books and stories containing Kaumari, Kaumārī; (plurals include: Kaumaris, Kaumārīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Puranic encyclopaedia (by Vettam Mani)
The Garuda Purana (by Manmatha Nath Dutt)
Chapter CXXXIV - Maha Kausika Vratas etc < [Brihaspati (Nitisara) Samhita]
Chapter XXIV - The worship of Ganapati < [Agastya Samhita]
Chapter CCXXIII - The Tripura Vidya < [Dhanvantari Samhita]
Manasara (English translation) (by Prasanna Kumar Acharya)
Part 5 - General survey (summary of contents) < [Preface]
Early Chola Temples (by S. R. Balasubrahmanyam)
The Skanda Purana (by G. V. Tagare)
Chapter 37 - The Importance of Aṅgārikī Caturthī < [Section 1 - Avantīkṣetra-māhātmya]
Chapter 169 - The Abduction of Kāmamohinī < [Section 3 - Revā-khaṇḍa]
Chapter 19 - Demon Mahiṣa Slain by Durgā < [Section 3b - Arunācala-khaṇḍa (Uttarārdha)]
Bhagavad-gita Mahatmya (by N.A. Deshpande)