Vibhrama, Vibhramā: 27 definitions
Introduction:
Vibhrama means something in Hinduism, Sanskrit, Jainism, Prakrit, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Purana and Itihasa (epic history)
Vibhrama (विभ्रम) refers to the “bewilderment” or the “excitement (of excessive infatuation)” (due to seeing a lovely woman), according to the Śivapurāṇa 2.5.26 (“The Vanishing of Viṣṇu’s delusion”).—Accordingly, “[After three plants were born of the seeds sown by the Gods]: [...] O sage, on seeing the plants in the forms of ladies Viṣṇu stood up with excitement of infatuation over them (rāgātiśaya-vibhrama). On seeing them he was deluded and his mind became overwhelmed by lust. The two plants—the holy basil and Myrobalan looked at him lovingly. The womanlike plant born out of the seed by the Śakti of Lakṣmī became jealous of him. [...]”;
Vibhrama (विभ्रम).—A Brahmavādin.*
- * Vāyu-purāṇa 59. 103.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
1) Vibhrama (विभ्रम, “confusion”) refers to one of the ten “natural graces” of women (svābhāvikā), according to the Nāṭyaśāstra chapter 24. These natural graces, also known as svabhāvaja or sahaja, represent one of the three aspects of graces (alaṃkāra) which forms which forms the support of sentiments (rasa) in drama. The natural graces (such as vibhrama) are defined according to the science of sāmānyābhinaya, or “harmonious representation”.
According to the Nāṭyaśāstra, “inversion of various items such as words, gestures, dresses, and make-up and sattva due to intoxication, passion and joy, is called ‘confusion’ (vibhrama)”.
2) Vibhramā (विभ्रमा) is the name of a meter described in the Nāṭyaśāstra chapter 32:—“the metre which has in its feet of fourteen syllables the ninth, the twelfth, the thirteenth and the last long, is vibhramā”.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaivism (Shaiva philosophy)
Vibhramā (विभ्रमा) is the name of one of the thirty-two Yakṣiṇīs mentioned in the Kakṣapuṭatantra. In the yakṣiṇī-sādhana, the Yakṣiṇī is regarded as the guardian spirit who provides worldly benefits to the practitioner. The Yakṣiṇī (e.g., Vibhramā) provides, inter alia, daily food, clothing and money, tells the future, and bestows a long life, but she seldom becomes a partner in sexual practices.
Vibhrama (विभ्रम) refers to “restless”, according to the 13th-century Matsyendrasaṃhitā: a Kubjikā-Tripurā oriented Tantric Yoga text of the Ṣaḍanvayaśāmbhava tradition from South India.—Accordingly, “[Visualisation of Śakti]:—[...] Her feet are embellished with anklets. She wears divine garlands and [has been anointed] with divine ointments. She is delighted by the wine she is enjoying. Her body is filled with passion. She is restless with wantonness (vilāsa-vibhramā). [This is how the Yogin] should visualise his lover as Śakti, O Maheśvarī”.
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Chandas (prosody, study of Sanskrit metres)
Vibhrama (विभ्रम) is the name of a catuṣpadi metre (as popularly employed by the Apabhraṃśa bards), as discussed in books such as the Chandonuśāsana, Kavidarpaṇa, Vṛttajātisamuccaya and Svayambhūchandas.—The only catuṣpadi with 18 mātrās in its line is the Vibhrama; it is really a varṇa-vṛtta (TA, RA, YA, IS), but according to Hemacandra, it was used vastly in the Apabhraṃśa language.
Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.
Ayurveda (science of life)
Toxicology (Study and Treatment of poison)
Vibhrāma (विभ्राम) refers to “hallucination” and is a symptom of a (venemous) bite caused by the Meghanāda rats, according to the Kāśyapa Saṃhitā: an ancient Sanskrit text from the Pāñcarātra tradition dealing with both Tantra and Viṣacikitsā, which represents the Ayurvedic study on Toxicology (Viṣavidyā or Sarpavidyā).—[Cf. vibhrāmo dantaviśleṣaḥ karañjīmūlam ājyayuk]
Unclassified Ayurveda definitions
Vibhrama (विभ्रम):—[vibhramaṃ] Preverted, Perplexed
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Shaktism (Shakta philosophy)
1) Vibhrama (विभ्रम) refers to “apparitions”, according to the Śrīmatottara-tantra, an expansion of the Kubjikāmatatantra: the earliest popular and most authoritative Tantra of the Kubjikā cult.—Accordingly, “Covered for the full extent of (its) area with many sacred bathing sites on rivers, great and small. It is illumined by many jewels and apparitions (vibhrama) of many forms and full, beautiful (sacrificial) jars that (shine) like divine gold. There that (sacred seat) is completely full with the rays of the (goddess’s) divine body (filled in this way) by (her) mere arrival there and so it is called Pūrṇagiri (the Full Mountain)”
2) Vibhramā (विभ्रमा) refers to “she who is whirling about”, according to the Śrīmatottara-tantra, an expansion of the Kubjikāmatatantra: the earliest popular and most authoritative Tantra of the Kubjikā cult.—Accordingly, “The rays in the great lotus of sixteen spokes are the rays which are the energies. The supreme goddess is in the End of the Sixteen and she is the supreme seventeenth (energy). The goddess in the End of the Twelve (dvādaśānta) is Mālinī in the form of the Point. She stands in front in the form of the spread tail of a peacock (mayūracandrikā). She always stands before the eyes and (in the form of) many desires she is whirling about (vibhramā). In a moment, time and again, she generates desire in the form of the Point”.
3) Vibhrama (विभ्रम) is the “divine counterpart” of Kalpeśa—one of the Sixteen Siddhas according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—These sixteen spiritual teachers represent the disciples of the Nine Nāthas who propagated the Western Transmission noted in the Kubjikā Tantras.—Kalpeśa is the Caryā name of this Nātha (i.e., the public name the Siddha uses when living as a wandering renouncer). His “divine counterpart” is Vibhrama. These omniscient, all-pervasive and immortal counterparts to the Sixteen Siddhas are said to be rays of divine light (raśmirūpa) and resemble the sixteen supports of the universe.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Kavya (poetry)
Vibhrama (विभ्रम) refers to the “apparel (of a woman)”, according to Bāṇa’s Kādambarī (p. 225-226).—Accordingly, while describing the shire of the Goddess Caṇḍikā, “[Then follows the image of the Goddess Caṇḍikā, which matches the conception of Kālarātri in the passage from the Mahābhārata:] [...] she bore the coquettish apparel (veṣa-vibhrama) of a woman going out to meet Mahākāla at night, with a vine-like body furnished with a raiment reddened with saffron-dye, with a face with red eyes, whose brows were furrowed into a frown, whose lip was crimsoned with betel that was blood, whose cheeks were reddened by the light shed from ear-ornaments of pomegranate flowers, with a forehead on which there was a tilaka dot of vermillion made by a Śabara beauty, covered by a magnificent gold turban. She was worshipped by goats... mice... antelope and black serpents... She was praised on all sides by flocks of old crows; [...]”.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
Yoga (school of philosophy)
Vibhrama (विभ्रम) refers to a “delusion (of the mind)”, according to the Amanaska Yoga treatise dealing with meditation, absorption, yogic powers and liberation.—Accordingly, as Īśvara says to Vāmadeva: “[...] The conquest of the breath can be achieved by means of [reciting] the three types of Om and by various [Haṭhayogic] mudrās, as well as meditation on a fiery light [or meditation] on a supporting object [like] the empty sky [which are done] in the lotus of the inner space [of the heart]. [However,] having abandoned all this [because it is] situated in the body [and therefore limited], and having thought it to be a delusion of the mind (manas-vibhrama), the wise should practise the no-mind state, which is unique, beyond the body and indescribable. [...]”.
Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as āsanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
Vedanta (school of philosophy)
Vibhrama (विभ्रम) refers to “erroneous” (e.g, false silver—which ignorant persons do not realize), according to the Aṣṭāvakragītā (5th century BC), an ancient text on spirituality dealing with Advaita-Vedānta topics.—Accordingly, [as Aṣṭavakra says to Janaka]: “Knowing yourself as truly one and indestructible, how could a wise man possessing self-knowledge like you feel any pleasure in acquiring wealth? Truly, when one does not know oneself, one takes pleasure in the objects of mistaken perception, just as greed arises for the mistaken silver (rajata-vibhrama) in one who does not know mother of pearl for what it is [śukterajñānato lobho yathā rajatavibhrame]. All this wells up like waves in the sea. Recognizing, ‘I am That’, why run around like someone in need? [...]”
Vedanta (वेदान्त, vedānta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).
In Jainism
General definition (in Jainism)
Vibhrama (विभ्रम) participated in the war between Rāma and Rāvaṇa, on the side of the latter, as mentioned in Svayambhūdeva’s Paumacariu (Padmacarita, Paumacariya or Rāmāyaṇapurāṇa) chapter 57ff. Svayambhū or Svayambhūdeva (8th or 9th century) was a Jain householder who probably lived in Karnataka. His work recounts the popular Rāma story as known from the older work Rāmāyaṇa (written by Vālmīki). Various chapters [mentioning Vibhrama] are dedicated to the humongous battle whose armies (known as akṣauhiṇīs) consisted of millions of soldiers, horses and elephants, etc.
1) Vibhrama (विभ्रम) refers to “unsteadiness”, according to the 11th century Jñānārṇava, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by Śubhacandra.—Accordingly, “After [the meditator] whose unsteadiness has disappeared (prakṣīṇa-vibhrama) has a mind that has become fixed on the form [of the Jina], then he commences to meditate on what is formless, imperceptible [and] existing from all eternity”.
2) Vibhrama (विभ्रम) refers to “confusion”, according to the Jñānārṇava.—Accordingly, “When I, for whom confusion has gone (vīta-vibhrama), am the one who has attained solitariness, then certainly the bondage of life is destroyed merely of its own accord”.
Synonyms: Avidyā, Ajñāna, Tamas.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Marathi-English dictionary
vibhrama (विभ्रम).—m S Error. 2 Whirling. 3 One of the classes of feminine actions proceeding from the passion of love,--caprice or whim. See under bhāva.
vibhrama (विभ्रम).—m Error, mistake.
--- OR ---
vibhrama (विभ्रम).—m Error; whirling.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Vibhrama (विभ्रम).—1 Roaming or wandering about.
2) Whirling or going round, rolling about; निवृत्तसर्वेन्द्रियवृत्तिविभ्रमः (nivṛttasarvendriyavṛttivibhramaḥ) Bhāgavata 1.9.31.
3) Error, mistake, blunder.
4) Hury, confusion, flurry, perturbation; especially, the flurry, of mind caused by love; चित्तवृत्त्यनवस्थानं शृङ्गाराद्विभ्रमो भवेत् (cittavṛttyanavasthānaṃ śṛṅgārādvibhramo bhavet).
5) (Hence) Putting on ornaments &c. in wrong places through flurry; विभ्रमस्त्वरयाऽकाले भूषास्थानविपर्ययः (vibhramastvarayā'kāle bhūṣāsthānaviparyayaḥ); यश्चाप्सरोविभ्रममण्डनानां संपादयित्रीं शिखरैर्बिभर्ति (yaścāpsarovibhramamaṇḍanānāṃ saṃpādayitrīṃ śikharairbibharti) Kumārasambhava 1.4; (see Malli. thereon).
6) Any amorous or sportive action, amorous paly or movement; Mālatīmādhava (Bombay) 1.26; नवप्रणयविभ्रमा- कुलितमालतीदृष्टयः (navapraṇayavibhramā- kulitamālatīdṛṣṭayaḥ) 9.38.
7) Beauty, grace, charm; तदा तद- ङ्गस्य बिभर्ति विभ्रमम् (tadā tada- ṅgasya bibharti vibhramam) N.15.25; Uttararāmacarita 1.2,34;6.4; Śiśupālavadha 6.46; 7.15;16.64; Mālatīmādhava (Bombay) 7; क्रोधं स्मितं च कुसुमाभरणादि याच्ञा तद्वर्जनं च सहसैव विमण्डनं च । आक्षिप्य कान्तवचनं लपनं सखीभि- र्निष्कारणोत्थितगतं वद विभ्रमं तत् (krodhaṃ smitaṃ ca kusumābharaṇādi yācñā tadvarjanaṃ ca sahasaiva vimaṇḍanaṃ ca | ākṣipya kāntavacanaṃ lapanaṃ sakhībhi- rniṣkāraṇotthitagataṃ vada vibhramaṃ tat) ||
8) Doubt, apprehension; आमुक्तमिव पाखण्डं योऽधर्मे धर्मविभ्रमः (āmuktamiva pākhaṇḍaṃ yo'dharme dharmavibhramaḥ) Bhāgavata 4.19.12.
9) Caprice, whim.
1) Disturbance, perturbation; ऊर्मिव्यतिकरविभ्रमप्रचण्डः (ūrmivyatikaravibhramapracaṇḍaḥ) Mv.6.26.
11) Pride; दीर्घमायुः स मे प्रादात्ततो मां विभ्रमोऽस्पृशत् (dīrghamāyuḥ sa me prādāttato māṃ vibhramo'spṛśat) Rām.3.71.9.
Derivable forms: vibhramaḥ (विभ्रमः).
--- OR ---
Vibhramā (विभ्रमा).—Old age.
Vibhrama (विभ्रम).—m.
(-maḥ) 1. One of the classes of feminine actions proceeding from the passion of love, flurry, confusion. 2. Error, mistake blunder. 3. Hurry, flurry. 4. Doubt, apprehension. 5. Beauty. 6. Whirling, going round. 7. Wandering. 8. Whim, caprice. 9. Amorous gesture. f.
(-mā) Old age. E. vi before bhram to err, aff. ghañ .
Vibhrama (विभ्रम).—[vi-bhram + a], m. 1. Whirling, [Hitopadeśa] iii. [distich] 140; going round, [Kathāsaritsāgara, (ed. Brockhaus.)] 20, 226 (agitation); motion, [Mālatīmādhava, (ed. Calc.)] 15, 12. 2. Error, [Uttara Rāmacarita, 2. ed. Calc., 1862.] 23, 3 (hāra-, adj. Producing the error of a necklace, i. e. like a necklace); [Rājataraṅgiṇī] 5, 332 (babhruḥ
— saṭā-pāṭala-vibhramam, Could be mistaken for [i. e. were like] a Bignonia-like mane). 3. Erroneous use, [Mānavadharmaśāstra] 7, 24. 4. Doubt. 5. Play (of the eyes), [Śākuntala, (ed. Böhtlingk.)] [distich] 23. 6. Amorous actions, [Pañcatantra] i. [distich] 151; flurry, confusion, perturbation, [Bhagavadgītā, (ed. Schlegel.)] 2, 63. 7. Enrapture, [Mālatīmādhava, (ed. Calc.)] 155, 7. 8. Beauty, [Pañcatantra] v. [distich] 3; grace, [Uttara Rāmacarita, 2. ed. Calc., 1862.] 14, 6.
Vibhrama (विभ्रम).—[masculine] unsteady motion, flurry, going to and fro, [especially] of the eyes; coquetry, grace, beauty; confusion, agitation, error, mistake; erroneous application of ([genetive]); mistaking for, phantom or mere semblance of (—°).
1) Vibhrama (विभ्रम):—[=vi-bhrama] [from vi-bhram] m. (ifc. f(ā). ) moving to and fro, rolling or whirling about, restlessness, unsteadiness, [Kāvya literature; Varāha-mihira’s Bṛhat-saṃhitā; Rājataraṅgiṇī]
2) [v.s. ...] violence, excess, intensity, high degree (also [plural]), [Kāvya literature; Kathāsaritsāgara] etc.
3) [v.s. ...] hurry, rapture, agitation, disturbance, perturbation, confusion, flurry, [Mahābhārata; Kāvya literature] etc.
4) [v.s. ...] doubt, error, mistake, blunder (with daṇḍasya, ‘erroneous application of punishment’), [Manu-smṛti; Mahābhārata] etc.
5) [v.s. ...] illusion, illusive appearance or mere semblance of anything, [Kāvya literature; Kathāsaritsāgara] etc. (cf. -bhāṣita)
6) [v.s. ...] beauty, grace, [Kālidāsa; Mālatīmādhava]
7) [v.s. ...] feminine coquetry, amorous gestures or action of any kind ([especially] play of the eyes), perturbation, flurry (as when a woman in her confusion puts her ornaments in the wrong places), [Bharata-nāṭya-śāstra; Daśarūpa; Sāhitya-darpaṇa]
8) [v.s. ...] caprice, whim, [Monier-Williams’ Sanskrit-English Dictionary]
9) Vibhramā (विभ्रमा):—[=vi-bhramā] [from vi-bhrama > vi-bhram] f. old age, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
Vibhrama (विभ्रम):—[vi-bhrama] (maḥ) 1. m. Youthful caprice; error, doubt; beauty; flurry; whirling. f. Old age.
Vibhrama (विभ्रम):—(von bhram mit vi)
1) m. am Ende eines adj. comp. f. ā . a) das Hinundhergehen, das sich-hinundher-Bewegen, unstätes Wesen: uttrastamattakalahaṃsa [MĀLATĪM. 15, 12.] mattabhramara adj. (bindusaras) [Bhāgavatapurāṇa 3, 21, 41.] pavanodbrāntavīci [Spr. 2036.] akṛtrimavibhramaiḥ aṅgakaiḥ [UTTARAR. 10, 8 (14, 6).] madavibhramalocana adj. [Varāhamihira’s Bṛhajjātaka S. 58, 36.] calitāpāṅgavibhramaiḥ [Rājataraṅgiṇī 5, 360.] bhrūlatā [Meghadūta 48.] [Ṛtusaṃhāra 3, 17.] savibhrama (vīkṣaṇa) [1, 12.] taḍittaralavibhramāḥ saṃpadaḥ [Rājataraṅgiṇī 8, 1898.] ghanasamayataḍidvibhramāḥ bhogapūgāḥ [Spr. (II) 993.] vātābhravibhramamidaṃ vasudhādhipatyam [(I) 2775.] — b) (das Toben) Heftigkeit, Intensität, hoher Grad: rati [Caurapañcāśikā 13.] [Chandomañjarī 55.] bhūyo pi mā kṛthā hāsyavibhramam [Kathāsaritsāgara 43, 103.] nivṛttasarvendriyavṛtti [Bhāgavatapurāṇa 1, 9, 31.] roṣa [9, 10, 13.] śauryavibhramabharaṃ bibhrati (rājani) Inschr. in [Journ. of the Am. Or. S. 6, 504,] [Śloka 12.] (kīrtiḥ) viśvavandyavibhramā [Chandomañjarī 38.] karmakriyāvibhramāḥ so v. a. buntes Gewirre [Spr. (II) 1721.] saundarya [(I) 4791. 1265.] gandha [Chandomañjarī 143.] dānavibhramāḥ überaus grosse Schenkungen [Rājataraṅgiṇī 8, 72.] — c) Coquetterie, Buhlkunst: strīṇāmādyaṃ praṇayavacanaṃ vibhramo hi priyeṣu [Meghadūta 29. 72.] [Raghuvaṃśa 8, 58. 79.] [Spr. (II) 855.] [Kathāsaritsāgara 47, 110.] [Bhāgavatapurāṇa 4, 27, 1. 9, 23, 8.] vilāsasmitavibhramaiḥ [Rājataraṅgiṇī 5, 365.] [Sāhityadarpana 113.] savibhramā [Spr. 951. 3003.] [Ṛtusaṃhāra 6, 23.] — d) Verwirrung, Unordnung, Störung: pavanādīnām [Suśruta 1, 70, 19.] snehādīnām [253, 2.] ākāra [Sāhityadarpana 38, 19.] smṛti [Bhagavadgītā 2, 63.] [Spr. 5112.] [DAM̃PATĪŚ. 31, 8 v. u.] vibhramādiviyuktatā vācaḥ [Hemacandra’s Abhidhānacintāmaṇi 69.] rājya [Rāmāyaṇa 2, 23, 28.] mantrasya [Mahābhārata 12, 2157.] daṇḍasya so v. a. falsche Anwendung der Strafe [Manu’s Gesetzbuch 7, 24.] daṇḍanīteḥ [KĀM. NĪTIS. 2, 8.] — e) Aufregung: lokasya [Varāhamihira’s Bṛhajjātaka S. 33, 11.] na yasya cittaṃ bahirarthavibhramam [Bhāgavatapurāṇa 4, 24, 59.] manasyarthavibhrame [7, 13, 43.] sa kārṣṇī rūḍhayauvanaḥ . janayāmāsa nārīṇāṃ vīkṣantīnāṃ ca vibhramam [10, 55, 9.] tatrāśrauṣaṃ putrāṇāṃ tava vibhramam [Mahābhārata 3, 358.] a kaltes Blut, Besonnenheit [4, 1887.] duḥkha über, in Folge von [14, 321.] rājya [5, 1163.] — f) Verwirrung des Geistes [PAÑCAR. 3, 13, 22.] Irrthum, Wahn; = bhrama [Trikāṇḍaśeṣa 3, 3, 303.] = bhrānti [Medinīkoṣa Manu’s Gesetzbuch 52.] [Vaijayantī] bei [Mallinātha] zu [Kirātārjunīya 4, 3] und [Śiśupālavadha 15, 94.] pravṛttavijñānavidhūta [Bhāgavatapurāṇa 1, 10, 3.] Zweifel [Hemacandra’s Anekārthasaṃgraha 3, 473. fg.] [Halāyudha 4, 6.] [Vaijayantī a. a. O.] — g) Trugbild, blosser Schein: svapnadarśana [] zu [Bṛhadāranyakopaniṣad] [S. 248.] svapna [Kathāsaritsāgara 28, 15.] mithyaiva vibhramo dṛṣṭastvayā [63, 143.] gate rātrivibhrame [70, 77.] yo gharme dharmavibhramaḥ [Bhāgavatapurāṇa 4, 19, 12. 17, 29.] lālāpānamivāṅguṣṭhe bālānāṃ stanyavibhramaḥ [Spr. (II) 2067.] abhṛta drutavātapātavanavibhramaṃ sadaḥ [Śiśupālavadha 15, 94.] babhāra rakṣāsarṣapavibhramam [Rājataraṅgiṇī 3, 338. 5, 332.] bhramadbhramaravibhramabhṛt [Spr. 988.] gaṅgāmbhovibhramaṃ dadhuḥ [Rājataraṅgiṇī 3, 365.] vidyutāṃ vibhramaṃ dadhuḥ [Oxforder Handschriften 117,a,41.] vitanvānaḥ pratipadaṃ pravātārambhavibhramam [Kathāsaritsāgara 20, 223.] karo titāmro rāmāṇāṃ tantrītāḍanavibhramam . karoti [kāvyādarśa 3, 21.] kurvannakāṇḍanirmeghavarṣāsamayavibhramam [Kathāsaritsāgara 19, 65.] vakṣojau karikumbhavibhramakarīmatyunnatiṃ gacchataḥ [Sāhityadarpana 41, 13.] pradīptānekavivāhavahnivibhramaśālin [Kathāsaritsāgara 35, 155.] [UTTARAR. 16, 16 (23, 3).] mukhaiḥ vyomagaṅgāntarotphullahemāmburuhavibhramaiḥ [Kathāsaritsāgara 14, 19. 29, 59.] [Śiśupālavadha 6, 46. 7, 47.] [Rājataraṅgiṇī 4, 172.] vilāsinīvibhramadantapattras ketakabarhamanyaḥ pāṭayāmāsa so v. a. als wäre es ein Ohrring [Raghuvaṃśa 6, 17.] [Kumārasaṃbhava 1, 4.] vibhramābharaṇaṃ bhuvaḥ [Rājataraṅgiṇī 2, 14.] avibhramaḥ kopaḥ so v. a. nicht erkünstelt [Śākuntala 69, 2, v. l.] — h) Anmuth, Schönheit [Hemacandra’s Abhidhānacintāmaṇi 1512.] [Hemacandra’s Anekārthasaṃgraha] [Halāyudha 5, 27.] [Vaijayantī a. a. O.] einer Person [Spr. 2185.] navapraṇaya [MĀLATĪM. 155, 8.] [Prabodhacandrodaja 41, 1.] gati [Raghuvaṃśa 8, 57.] [Kumārasaṃbhava 1, 34.] vakṣojāvibhakumbhavibhramaharau [Spr. 2696.] hṛtapriyādṛṣṭivilāsa [Kirātārjunīya 4, 3.] kusumakṛtasmitacāruvibhramā mālatī [Chandomañjarī 52.] [Bhāgavatapurāṇa 3, 13, 40.] savibhramāṅgavalanā [Spr. 3235.] — i) in der Erotik die Zerstreutheit eines verliebten Frauenzimmers, insbes. in Bezug auf die Toilette: cittavṛttyanavasthānaṃ śṛṅgārādvibhramo mataḥ [BHARATA] beim Schol. zu [NALOD. 2, 55.] vibhramastvarayā kāle bhūṣāsthānaviparyayaḥ [DAŚAR.2,36.] [Sāhityadarpana 143.] [PRATĀPAR. 55,b,9.] [Hemacandra’s Abhidhānacintāmaṇi 508.] = hāva [Amarakoṣa 1, 1, 7, 31.] [Trikāṇḍaśeṣa] [Hemacandra’s Anekārthasaṃgraha] [Medinīkoṣa] [Halāyudha 1, 89.] —
2) f. ā hohes Alter [Śabdaratnāvalī im Śabdakalpadruma] — Vgl. citta, dṛṣṭi, pāna (auch [Suśruta 2, 478, 11. 479, 8.] [Śārṅgadhara SAṂH. 1, 7, 27]), mati (auch [DAŚAR.1,5.] [Oxforder Handschriften 81,a,25]).
--- OR ---
Vibhrama (विभ्रम):—
1) g) füge täuschendes Aussehen und [Spr. (II) 4459] hinzu. bhāṣitāni was den Anschein von Sprache hat [7415.]
Vibhrama (विभ्रम) in the Sanskrit language is related to the Prakrit word: Vibbhasa.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Vibhrama (विभ्रम) [Also spelled vibhram]:—(nm) delusion, confusion, flurry; restlessness, unsteadiness; amorous gestures or action of any kind.
...
Kannada-English dictionary
Vibhrama (ವಿಭ್ರಮ):—
1) [noun] the act, fact or an instance of wandering (aimlessly or uselessly).
2) [noun] perception of something objectively existing in such a way as to cause misinterpretation of its actual nature; illusion.
3) [noun] fondness for play or fun; playfulness; friskiness.
4) [noun] beauty; charm.
5) [noun] amorous toying; flirtation; dalliance.
6) [noun] a noticeable imperfection; a blemish; a fault.
7) [noun] (rhet.) the excitement that is aroused in a woman who has fallen in love with a man.
8) [noun] a turning or spinning motion of a body around a centre.
9) [noun] an act of swerving or turning aside from what is right or correct.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
Vibhrama (विभ्रम):—n. 1. illusion; delusion; confusion; hallucination; 2. doubt; apprehension; 3. roaming or wandering about; 4. putting on of ornaments in the wrong places through flurry;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Vibhramabhashita, Vibhramaddhi, Vibhramana, Vibhramarka, Vibhramasutra, Vibhramat, Vibhramatantra, Vibhramati, Vibhramavati, Vibhramavilasa.
Full-text (+56): Cittavibhrama, Smritivibhrama, Mativibhrama, Drishtivibhrama, Dhivibhrama, Vibhramavati, Panavibhrama, Vibhramasutra, Bhruvibhrama, Savibhrama, Avibhrama, Vibhramabhashita, Darshanavibhrama, Savibhramam, Vibhramatantra, Acaravibhrama, Jatavibhrama, Vibhramarka, Vibhram, Skhalitavibhrama.
Relevant text
Search found 56 books and stories containing Vibhrama, Vi-bhrama, Vi-bhramā, Vibhramā; (plurals include: Vibhramas, bhramas, bhramās, Vibhramās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 9.39 [wheel formation] < [Chapter 9 - Ornaments of Sound]
Text 10.164 < [Chapter 10 - Ornaments of Meaning]
Text 10.18 < [Chapter 10 - Ornaments of Meaning]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)
Text 7 < [Chapter 2 - Dvitīya-yāma-sādhana (Prātaḥ-kālīya-bhajana)]
Ayurveda, Yoga and Counseling for Gender Dysphoria and Conduct Disorder < [Volume 10, Issue 6: November-December 2023]
Ayurvedic Management of Disruptive Mood Dysregulation Disorder: Case Report < [Volume 10, Issue 3: May-June 2023]
Ayurvedic management of generalised anxiety disorder - a case report < [Volume 10, Suppl 3: May-June 2023]
International Ayurvedic Medical Journal
Attention deficit hyper activity disorder (adhd) - an ayurvedic perspective with special reference to unmada < [2019, Issue 7, July]
A view of ayurveda on autism spectrum disorders - a conceptual study < [2021, Issue 7, July]
An ayurveda conceptual study on eight domains in the assessment of mind < [2021, Issue 12, December]
International Research Journal of Ayurveda and Yoga
Management of Schizophrenia in Ayurveda- A Case Report < [Vol. 5 No. 2: feb (2022)]
Ayurveda Management of Bipolar Affective Disorder – A Case Report < [Vol. 7 No. 2: Feb (2024)]
Ayurveda Management of Bipolar Affective Disorder – A Case Study < [Vol. 5 No. 1: jan (2022)]