Mridanga, Mṛdaṅga: 14 definitions
Mridanga means something in Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Mṛdaṅga can be transliterated into English as Mrdanga or Mridanga, using the IAST transliteration scheme (?).
Purana and Itihasa (epic history)Source: Google Books: Cultural History from the Vāyu Purāna
Mṛdaṅga (मृदङ्ग): a Musical Instrument.—It is not mentioned in the Ṛgveda. The Jātakas mention Mūtiṅgā probably the same as Mṛdaṅga. But Kauṭilya knows it well. The Rāmāyaṇa mentions Mṛdaṅga as also the Mahābhārata. In later literature we find the origin of this instrument atributed to Brahmā made to serve as an accompaniment to the dance of Śiva in honour of his victory over the three cities and that Gaṇeśa first played upon it.
The Vāyu-purāṇa associates this instrument with the Kurus who used it in their sports for entertainment. The information occurs not in the genealogical accounts but in the chapters on geography. Of the late story of its origin the Vāyu knows nothing. The Rāmāyaṇa tells us that it was also used in war but there is no such reference in the Vāyu.Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Mṛdaṅga (मृदङ्ग).—A musical instrument.*
- * Vāyu-purāṇa 45. 40.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vaishnavism (Vaishava dharma)Source: ISKCON Press: Glossary
Mṛdaṅga (मृदङ्ग).—A two-headed clay drum used for kīrtana performances and congregational chanting.
Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Mṛdaṅga (मृदङ्ग) refers to one of the major types of drums (puṣkara) according to the Nāṭyaśāstra chapter 33. Accordingly, “When the playing of Mṛdaṅgas follow a performance, it is Anuvādya. When the Mṛdaṅgas are played simultaneously with a performance, it is Samavādita”. Mṛdaṅga is a kind of earthen drum still in use in Bengal among the singers of Vaiṣṇava kīrtana.
According to verse 33.242-244.—“Three are the shapes of mṛdaṅgas. In shape they are like myrobalan, barley and cow’s tail. The mṛdaṅga and the āṅkika should be three tālas and a half long, and their face should be twelve fingers in diametre”.
And according to verse 33.272-274, “Mṛdaṅgas are so called because of being made of mṛt (earth)”
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shaivism (Shaiva philosophy)Source: academia.edu: The Yoga of the Mālinīvijayottaratantra
Mṛdaṅga (मृदङ्ग) refers to one of the ten kinds of sounds (śabda) according to the Haṃsa-upaniṣad.
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Shilpashastra (iconography)Source: Shodhganga: The significance of the mūla-beras (śilpa)
Mṛdaṅga refers to a type of “drum”, representing one of the several “attributes” (āyudha) or “accessories” of a detiy commonly seen depicted in Hindu iconography, defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The śilpa texts have classified the various accessories under the broad heading of āyudha or karuvi (implement), including even flowers, animals, and musical instruments. The musical instruments held in the hands of deities are, for example, Mṛdaṅga.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
India history and geogprahySource: What is India: Inscriptions of the Vākāṭakas
Mṛdaṅga (मृदङ्ग) refers to the “tabor” which was commonly seen during the reign of the Vākāṭakas (mid-3rd century CE).—Ajaṇṭā paintings give us a clear idea of the costume and jewellery worn by men and women in Vidarbha in the age of the Vākāṭakas. [...] Among musical instruments are noticed tabors (mṛdaṅgas), conches, symbals, flutes and lutes with one or more strings. The tabor, while being played upon, was suspended from the neck.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
mṛdaṅga (मृदंग).—m (S) A sort of tabor. Pr. mṛdaṅgāsa māra dōhōkaḍūna.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
mṛdaṅga (मृदंग).—m A sort of tabor.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
Mṛdaṅga (मृदङ्ग).—[mṛd-aṅgac kiñca]
1) A kind of drum or tabor; वीणावेणुमृदङ्गानि पुरं प्रविशति प्रभौ (vīṇāveṇumṛdaṅgāni puraṃ praviśati prabhau) Bhāg.1.5.38.
2) A bamboo-cane.
Derivable forms: mṛdaṅgaḥ (मृदङ्गः).Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-ṅgaḥ) 1. A tobour, a small drum. 2. A double drum. 3. A sound, a noise. 4. A bamboo-cane. E. mṛd to be trampled on, to be beat, Unadi aff. aṅgac; also with kan added mṛdaṅgaka .Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Mṛdaṅga (मृदङ्ग).—probably mṛd + a + m-ga, m. 1. A tabour, [Uttara Rāmacarita, 2. ed. Calc., 1862.] 154, 9; a small drum, [Pañcatantra] 20, 8. 2. A sound. 3. Bambu.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Ends with: Mangalyamridanga.
Full-text (+132): Mridangi, Gumatha, Mridangaphala, Ghadavashi, Chinnaviddha, Avakirna, Anuviddha, Dushkarakarana, Mahalu, Ekapudi, Muradanga, Dhumaca Puda, Viddha, Pushkara, Shaica Puda, Marddangika, Parikshipta, Bungabunga, Tipudi, Mridangaphalini.
Search found 21 books and stories containing Mridanga, Mṛdaṅga, Mrdanga; (plurals include: Mridangas, Mṛdaṅgas, Mrdangas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Natyashastra (by Bharata-muni)
Part 2 - The Ancient Indian Theory and Practice of Music < [Introduction, Part 2]
Śrī Hari-bhakti-kalpa-latikā (by Sarasvati Thkura)
Chapter 3 - Lord Krishna journeys to Indraprastha City < [Sabha Parva]
Chapter 2 - King Yudhisthira Prepares for a Rajasuya Sacrifice < [Sabha Parva]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Notes on the maṇi-jewl < [Notes]
Part 16: The eight karmas < [Chapter III - The initiation and omniscience of Ajita]
Part 22: Bharata resumes normal life < [Chapter VI]
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 71 - The Lord Travels to Indraprastha < [Canto X - The Summum Bonum]
Chapter 10 - Departure of Lord Krishna for Dvaraka < [Canto I - The Creation]
Chapter 15 - Bali Maharaja Conquers the Heavenly Planets < [Canto VIII - Withdrawal of the Cosmic Creations]
The Mahabharata (English) (by Kisari Mohan Ganguli)