Mahabala, aka: Mahābalā, Mahābala, Maha-bala; 14 Definition(s)

Introduction

Mahabala means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Rasashastra (chemistry and alchemy)

Mahābalā (महाबला):—One of the sixty-seven Mahauṣadhi, as per Rasaśāstra texts (rasa literature). These drugs are useful for processing mercury (rasa), such as the alchemical processes known as sūta-bandhana and māraṇa.

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Rasashastra (रसशास्त्र, rasaśāstra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.

Shaivism (Shaiva philosophy)

Mahābalā (महाबला):—Sanskrit name of one of the thirty-two female deities of the Somamaṇḍala (second maṇḍala of the Khecarīcakra) according to the kubjikāmata-tantra. She is also known as Mahāmbikā according to the Ṣaṭsāhasra-saṃhitā. These goddesses are situated on a ring of sixteen petals and represent the thirty-two syllables of the Aghoramantra. Each deity (including Mahābalā) is small, plump and large-bellied. They can assume any form at will, have sixteen arms each, and are all mounted on a different animal.

Mahābala (महाबल) is the Sanskrit name of a deity presiding over Gokarṇa, one of the sixty-eight places hosting a svāyambhuvaliṅga, which is one of the most sacred of liṅgas according to the Śaivāgamas. The list of sixty-eight svāyambhuvaliṅgas and presiding deities (eg., Mahābala) is found in the commentary on the Jirṇoddhāra-daśaka by Nigamajñānadeva. The word liṅga refers to a symbol used in the worship of Śiva and is used thoughout Śaiva literature, such as the sacred Āgamas.

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Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.

Natyashastra (theatrics and dramaturgy)

Mahābala (महाबल) is a Sanskrit word referring to a Nāga king. Acording to the Nāṭyaśāstra 1.82-88, when Brahmā, Indra and all other gods went to inspect the playhouse (nāṭyamaṇḍapa) designed by Viśvakarmā, he assigned different deities for the protection of the playhouse itself, as well as for the objects relating to dramatic performance (prayoga).

As such, Brahmā assigned Mahābala and Nāgamukhya to the two blades of the door (door-shafts, dvārapatra). The protection of the playhouse was enacted because of the jealous Vighnas (malevolent spirits), who began to create terror for the actors.

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Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).

Purana

1) Mahābala (महाबल).—Minister of Śrīdatta (See under the word Śrīdatta).

2) Mahābala (महाबल).—A follower of Lord Subrahmaṇya. (Mahābhārata Śalya Parva, Chapter 45, Verse 71).

1a) Mahābala (महाबल).—An attendant on Hari.^*

• * Bhāgavata-purāṇa XI. 27. 28.

1b) A son of Danu.^*

• * Matsya-purāṇa 6. 16; Vāyu-purāṇa 68. 7.

1c) One of the ten sons of Hṛdīka.^*

• * Matsya-purāṇa 44. 82.

1d) An Asura in the sabhā of Hiraṇyakaśipu.^*

• * Matsya-purāṇa 161. 80.

1e) A Kinnara gaṇa, horse-faced.^*

• * Vāyu-purāṇa 69. 32.

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The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Katha (narrative stories)

Mahābala (महाबल) is the name of a minister and friend of Śrīdatta, a Brāhman whose story is told in the “story of Śrīdatta and Mṛgāṅkavatī”, according to the Kathāsaritsāgara, chapter 10. Śrīdatta was the son of Kālanemi, who was the son of Yajñasoma, a Brāhman from the country of Mālava

The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Mahābala, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.

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Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.

Jyotisha (astronomy and astrology)

Mahābalā (महाबला) or Mahābalatithi is the name of the eighth of fifteen tithis (cycle of time) according to both the Gārgīyajyotiṣa and the Śārdūlakarṇāvadāna. The associated deity for Mahābalā according to the Bṛhatsaṃhitā is Vasavaḥ (the Vasus). A tithi was defined as one thirtieth of a synodic month (c. 29.5 days), resulting in an average tithi being slightly less than a day.

Accordingly, “(25) The eighth tithi is called Mahābalā. One should make army armors, appoint officials, and [produce] military machines and bows. (26) He should make fortification, as well as underground passages and ditches in the city. He should employ elephants and horses. The Vasus are the gods on this tithi”.

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Jyotiṣa (ज्योतिष, jyotisha or jyotish) basically refers to ‘astronomy’ or “Vedic astrology” and represents one of the six additional sciences to be studied along with the Vedas. Jyotiṣa concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.

Itihasa (narrative history)

Mahābala (महाबल) is a name mentioned in the Mahābhārata (cf. IX.44.40, IX.44.104) and represents one of the many proper names used for people and places. Note: The Mahābhārata (mentioning Mahābala) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.

Mahābalā also refers to the name of a Lady mentioned in the Mahābhārata (cf. IX.45.9).

Shaktism (Shakta philosophy)

Mahābala (महाबल) is author of the Muktiphala and great-grandfather of Lakṣmaṇadeśika, according to his 11th-century Śaradātilaka verse 25.83-84.—“(83) I bow to that Mahābala, who is cooled by the embrace of the creeper of knowledge, by whom the ripe “fruit of liberation” (Muktiphala) has been offered from the branches of the Veda [tree] to those who approach [him]. (84) From that [Mahābala] was born the most excellent elephant among all teachers, who habitually sported playfully in the ocean of the six rites (of magic) (ṣaṭkarmasāgara), whose victorious title Ācārya-Paṇḍita, spread out over the triple world, good people proclaim”.

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Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.

In Buddhism

(Vajrayana or tantric Buddhism)

Mahābalā (महाबला) is the goddess presiding over one of the six petals of the southern lotus of the vārāhyabhyudaya-maṇḍala, according to the Vārāhyabhyudayatantra. These six petals are presided over by a kuleśvarī (presiding lady) named Pāṇḍaravāsinī. The central deity of the vārāhyabhyudaya-maṇḍala is the twelve-armed Vajravarāhī.

Mahābalā is associated with the sacred site (pīṭha) named Sindhu. All the goddess of the southern lotus petals are to be visualised as dancing naked and being half-male / half-female (ardhanarīśvarī) with their two sides being yellow and red. In their four arms they brandish a bowl and staff, with a ḍamaru and their familial attribute.

The Vārāhyabhyudayatantra is an explanatory tantra on the Laghuśaṃvara, but its verses are largerly extracted from the 10th century Abhidhānottaratantra, a scriputre describing various sādhanas (path towards spiritual realization).

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Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.

General definition (in Buddhism)

Mahābala (महाबल) refers to the seventh of the “ten wrathful ones” (daśakrodha) as defined in the Dharma-saṃgraha (section 11). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (eg., daśa-krodha and Mahābala). The work is attributed to Nagarguna who lived around the 2nd century A.D.

Mahābala (महाबल) is the forty-fifth of sixty digits (decimal place) in an special enumeration system mentioned by Vasubandhu in his Abhidharmakośa (“treasury of knowledge”). The explanations of the measure of years, eons, and so forth must be comprehended through calculation based on a numerical system. Enumeration begins from one and increases by a factor of ten for each shift in decimal place. The sixtieth number in this series is called “countless”.

Among these decimal positions (eg., mahābala), the first nine positions from one to one hundred million are called ‘single set enumeration’. From a billion up to, but not including countless is “the enumeration of the great companion” and is called the ‘recurring enumeration’.

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