Shmashana, aka: Śmaśāna, Smashana; 7 Definition(s)
Shmashana means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śmaśāna can be transliterated into English as Smasana or Shmashana, using the IAST transliteration scheme (?).
Śmaśāna (श्मशान).—The burning ground; the name of Avimukta; those who regard Benares as such will be deluding themselves; those who die there attain release.*
- * Matsya-purāṇa 184. 5, 19-21, 63.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
General definition (in Hinduism)
Śmaśāna (श्मशान) is the name of the ‘burial mound’ in which the bones of the dead man were laid to rest (cf. Anagniidagdha). It is mentioned in the Atharvaveda, and often later. The Śatapatha-brāhmaṇa (xiii, 8, 1, 1) prescribes a four-cornered mound facing the south-east, on ground inclined to the north, out of sight of the village, in a peaceful spot amid beautiful surroundings, or on barren ground. For an Agni-cit (‘builder of a fire-altar’) a funeral mound like a fire-altar is prescribed. The Easterners (Prācyāḥ) made their mounds round.(Source): archive.org: Vedic index of Names and Subjects
(Vajrayana or tantric Buddhism)
Śmaśāna (श्मशान, “cremation ground”).—The Hevajra-tantra 1.3.16 later finds a convenient etymology (nirukti) of the word śmaśāna from the verbal root “to expire”. The locus classicus for the eight cremation grounds in the Saṃvara tradition is the Saṃvarodaya-tantra (17.36-45). The Saṃvarodaya-tantra ends with a moe generalized description of the terrifying contents of the cremation grounds, and this seems to be the basis for a similar account in the Abhidhānottara-tantra (chapter 9) and Vārāhyabhyudaya-tantra (103-109) that mentions colors, animals, corpses, etc., but no individual features or names.
The cremation grounds (śmaśāna) are home to fearsome creatures, such as crows, owls, vultures, jackals, hawks, lion-faced and tiger-faced beings, lizards, camels, and so on. Gruesome corpses are found impaled on spears, hanging, half-burned, or decapitated; their dismembered parts are scattered about: skulls, knees, large bellies, heads with tusks, and bald heads. Supernatural spirits haunt the grisly place, such as yakṣas, vetālas, rākṣasas, and others roaring with kilikilā laughter. Finally, we find tantric adepts and spiritual beings resident there; siddas with magical powers, vidyādharas, troops of yogins and yoginīs, and so forth.(Source): Google Books: Vajrayogini
Śmaśāna (श्मशान, “cremation ground”).—The cremation ground is used as a visualisation technique according to the Vajravārāhī-sādhana by Umāpatideva as found in te Guhyasamayasādhanamālā. The practicioner of the sādhana is to visualize a suitable dwelling place for the goddess inside the circle of protection which takes the form of eight cremation grounds. Each cremation ground is associated with a tree (vṛkṣa), a protector (dikpati), a serpent (nāga), a cloud (megha), demons (rākṣasa), great adepts (mahāsiddha), funeral monuments (caitya), mountains, fires, lakes (the abode of the nāgas) and rivers.
The eight cremation grounds (śmaśāna) are given in the Saṃvarodaya-tantra (17.36-45):
- Caṇḍogra (east),
- Gahvara (north),
- Karaṅkala or Jvālākula (west),
- Subhīṣaṇa (south),
- Aṭṭaṭṭahāsa (north-east),
- Lakṣmīvana (south-east),
- Ghorāndhakāra (south-west),
- Kilakilārava (north-west)
The Guhyasamayasādhanamālā by Umāptideva is a 12th century ritualistic manual including forty-six Buddhist tantric sādhanas. The term sādhana refers to “rites” for the contemplation of a divinity.(Source): Wisdomlib Libary: Vajrayogini
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
śmaśāna (श्मशान).—n (S śava Corpse, śayana Resting.) śmaśāna- bhūmi f (S) A place where dead bodies are buried or burned, a cemetery &c.
--- OR ---
smaśāna (स्मशान).—&c. Common mis-spellings of śmaśāna &c.(Source): DDSA: The Molesworth Marathi and English Dictionary
śmaśāna (श्मशान).—n śmaśānabhūmi f A cemetery.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Śmaśāna (श्मशान).—[śmānaḥ śavāḥ śerate'tra śī-ānac ḍicca Tv.]
1) A cemetery, a burial or burning ground; राजद्वारे श्मशाने च यस्तिष्ठति स बान्धवः (rājadvāre śmaśāne ca yastiṣṭhati sa bāndhavaḥ) Subhāṣ.
2) An oblation to deceased ancestors.
Derivable forms: śmaśānam (श्मशानम्).(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 94 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Śmaśānavāsin (श्मशानवासिन्).—m. a ghost. Śmaśānavāsin is a Sanskrit compound consisting of the ...
Śmaśānavairāgya (श्मशानवैराग्य).—temporary despondency, momentary renunciation of the world as ...
Śmaśānasādhana (श्मशानसाधन).—performance of magical rites in a cemetery to acquire control over...
Śmaśānaveśman (श्मशानवेश्मन्).—m. 1) an epithet of Śiva. 2) a spirit, ghost. Śmaśānaveśman is a...
Śmaśānavartin (श्मशानवर्तिन्).—m. a ghost. Śmaśānavartin is a Sanskrit compound consisting of t...
Śmaśānālaya (श्मशानालय).—a cemetery. Derivable forms: śmaśānālayaḥ (श्मशानालयः).Śmaśānālaya is ...
Śmaśānagocara (श्मशानगोचर).—a. frequenting burning grounds; श्मशानगोचरं सूते बाह्यानामपि गर्हि...
Śmaśānāgni (श्मशानाग्नि).—the fire of a burning ground. Derivable forms: śmaśānāgniḥ (श्मशानाग्...
Śmaśānavāṭa (श्मशानवाट).—an enclosure of the cemetery; Kau. A.2.4; Māl.5. Derivable forms: śmaś...
Śmaśānanivāsin (श्मशाननिवासिन्).—m. a ghost. Śmaśānanivāsin is a Sanskrit compound consisting o...
Mahāśmaśāna (महाश्मशान).—an epithet of Benares. Derivable forms: mahāśmaśānam (महाश्मशानम्).Mah...
Śmaśānabhāj (श्मशानभाज्).—m. epithets of Śiva. Śmaśānabhāj is a Sanskrit compound consisting of...
1) Vaṭa (वट) is the name of a tree (Baḍa) that is associated with the Nakṣatra (celestial star)...
Padma (पद्म) and Śaṅkha are the two treasures (nidhis) which dharma bears. These are intended t...
Śaṅkha (शङ्ख) participated in the war between Rāma and Rāvaṇa, on the side of the latter, as me...
Search found 10 books and stories containing Shmashana, Śmaśāna or Smashana. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Pāraskara-gṛhya-sūtra (by Pāraskara)
Āśvalāyana-gṛhya-sūtra (by Āśvalāyana)
Satapatha Brahmana (by Julius Eggeling)
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
I. Position of the recollections in the prajñāpāramitā < [Part 1 - Position and results of the recollections]
Part 4 - Disadvantages of immorality < [Chapter XXI - Discipline or Morality]
II. How to meditate on the nine notions (navasaṃjñā) < [Part 1 - The nine notions according to the Abhidharma]
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Yoga Vasistha [English], Volume 1-4 (by Vihari-Lala Mitra)