Matangi, Mataṅgī, Mātaṅgī, Mātangī: 12 definitions
Matangi means something in Hinduism, Sanskrit, Jainism, Prakrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Shaktism (Shakta philosophy)Source: Wisdom Library: Śāktism
Mātaṅgī (मातङ्गी, “the elephant”):—The ninth of the ten Mahāvidyās. She represents the Power of Domination. She appears as reassuring sunlight (after the night), establishing peace, calmness and prosperity. She is associated with “left-overs” and pollution.
The ten Mahāvidyās are the emanations of Mahākālī, the Goddess of time and death. She is depicted as a fearful laughing goddess with four arms entwined with poisonous snakes in her hair. She has three red eyes, a wagging tongue and feaful teeth. Her left foot is standing on a corpseSource: WikiPedia: Shaktism
Matangi is one of the Mahavidyas, ten Tantric goddesses and a ferocious aspect of Devi, the Hindu Divine Mother. She is considered to be the Tantric form of Sarasvati, the goddess of music and learning. Like Sarasvati, Matangi governs speech, music, knowledge and the arts. Her worship is prescribed to acquire supernatural powers, especially gaining control over enemies, attracting people to oneself, acquiring mastery over the arts and gaining supreme knowledge.
Matangi is often associated with pollution, inauspiciousness and the periphery of Hindu society, which is embodied in her most popular form, known as Ucchishta-Chandalini or Ucchishta-Matangini. She is described as an outcaste (Chandalini) and offered left-over or partially eaten food (Ucchishta) with unwashed hands or food after eating, both of which are considered to be impure in classical Hinduism.
Matangi is often represented as emerald green in colour. While Ucchishta-Matangini carries a noose, sword, goad, and club, her other well-known form, Raja-Matangi, plays the veena and is often pictured with a parrot.Source: Red Zambala: The 10 Great Wisdom Goddesses
Mātaṅgī is associated with “left-overs” and indeed prefers pollution. Those who perform sādhana of Mātaṅgī must offer her left-over food and worship her after eating without washing. Even the highly “polluting” menstrual state is said to please this goddess.
After the terror of the night appears the reassuring sunlight. The demons are defeated; Mātaṅgī, the Elephant power, establishes the rule of peace, of calm, of prosperity. The day is, however, a dream, a mirage that appears in the eternal night. As a form of night, Mātaṅgī is therefore the Night-of-Delusion (Moha-Rātri).Source: Kamakoti Mandali: The Yoginis of Narasimha Vyuha
Mātaṅgī (मातङ्गी) is the name of a Mātṛkā-Śakti created by Mahārudra in order to control the plague of demons created by Andhakāsura.—Accordingly, Andhaka-Asura tried to kidnap Umā (Devī Pārvatī), and was fiercely attacked by Mahārudra who shot arrows at him from his mahāpināka. when the arrows pierced the body of Andhakāsura, drops of blood fell to earth and from those drops, thousands of Andhakas arose. To control this plague of demons, Mahārudra created Mātṛkā-Śaktis [viz., Mātaṅgī] and ordered them to drink the blood of the demons and drain them dry.Source: Kamakoti Mandali: Nrisimha matrika-mandala
Mātangī (मातन्गी) refers to one of the various Mātṛkā-Śaktis created by Rudra in order to destroy the clones that spawned from Andhaka’s body.—Accordingly, [...] Andhakāsura attempted to abduct Girājanandinī (Pārvatī) and thus ensued a fierce battle between Andhakāsura and the great Rudra, the Lord of Umā. Like raktabīja, every drop of blood that fell from the body of Andhaka created another Asura like him and in no time, the entire world was filled with Andhakas. To destroy the growing number of Andhakas, Rudra created innumerable Mātṛkā-Śaktis [viz., Mātangī]. These Śaktis of immense power at once began to drink every drop of blood that flowed from the body of Andhaka, but they could still not effectively contain the emergence of more and more demons.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)Source: Wisdom Library: The Matsya-purāṇa
Mātaṅgī (मातङ्गी) is the name of a mind-born ‘divine mother’ (mātṛ), created for the purpose of drinking the blood of the Andhaka demons, according to the Matsya-purāṇa 179.8. The Andhaka demons spawned out of every drop of blood spilled from the original Andhakāsura (Andhaka-demon). According to the Matsya-purāṇa 179.35, “Most terrible they (e.g., Mātaṅgī) all drank the blood of those Andhakas and become exceedingly satiated.”
The Matsyapurāṇa is categorised as a Mahāpurāṇa, and was originally composed of 20,000 metrical verses, dating from the 1st-millennium BCE. The narrator is Matsya, one of the ten major avatars of Viṣṇu.Source: archive.org: Puranic Encyclopedia
Mātaṅgī (मातङ्गी).—The great grandmother of the elephants. Mātaṅgī was the daughter of Krodhavaśā, daughter of Dakṣa and wife of Kaśyapaprajāpati. Mātaṅgī had nine sisters. Elephants were born of Mātaṅgī. (Sarga 14, Araṇya Kāṇḍa; Vālmīki Rāmāyaṇa).Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Mātaṅgī (मातङ्गी).—A mind-born mother; is Laghuśyāmā.*
- * Brahmāṇḍa-purāṇa IV. 19. 80; 31. 104; Matsya-purāṇa 179. 27.
Mātaṅgī (मातङ्गी) refers to the name of a Lady mentioned in the Mahābhārata (cf. ). Note: The Mahābhārata (mentioning Mātaṅgī) is a Sanskrit epic poem consisting of 100,000 ślokas (metrical verses) and is over 2000 years old.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Saṅgītaśiromaṇi
Mātaṅgī (मातङ्गी) refers to a “female elephant” and is the presiding deity of vicitra (‘diverse’), according to the Saṅgītaśiromaṇi 67-84. Vicitra represents one of the sixteen words that together make up the elā musical composition (prabandha). Elā is an important subgenre of song and was regarded as an auspicious and important prabandha (composition) in ancient Indian music (gāndharva). According to nirukta analysis, the etymological meaning of elā can be explained as follows: a represents Viṣṇu, i represents Kāmadeva, la represents Lakṣmī.
Mātaṅgī is one of the sixteen deities presiding over the corresponding sixteen words of the elā-prabandha, all of which are defined in the Saṅgītaśiromaṇi (“crest-jewel of music”): a 15th-century Sanskrit work on Indian musicology (gāndharvaśāstra).
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
General definition (in Hinduism)Source: Wisdom Library: Hinduism
Matangi is the goddess of Speech. Her Bīja mantra is as follows: “oṃ aiṃ hrīṃ śrīṃ mātaṅgyai svāhā”
General definition (in Jainism)Source: archive.org: Trisastisalakapurusacaritra
Mātaṅgī (मातङ्गी) or Mātaṅgīvidyā refers to one of the sixteen Vidyās from which are derived the respective classes of Vidyādharas (in this case, Mātaṅga), according to chapter 1.3 [ādīśvara-caritra] of Hemacandra’s 11th century Triṣaṣṭiśalākāpuruṣacaritra (“lives of the 63 illustrious persons”): a Sanskrit epic poem narrating the history and legends of sixty-three important persons in Jainism.
“[...] After making [the two rows of Vidyādhara-cities], many villages and suburbs, they established communities [viz., the Mātaṅgas] according to the suitability of place. [...] Dharaṇendra instructed them about the law as follows: ‘If any insolent persons show disrespect or do injury to the Jinas, or the Jinas’ shrines, or to those who will attain mokṣa in this birth, or to any ascetics engaged in pratimā, the Vidyās [viz., Mātaṅgīs] will abandon them at once, just as wealth abandons lazy people. Whoever kills a man with his wife, or enjoys women against their will, the Vidyās will abandon him at once’.”
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
See also (Relevant definitions)
Starts with: Matangidandaka, Matangidipadanavidhana, Matangikavaca, Matangikrama, Matangimantrapaddhati, Matangin, Matangini, Matanginipaddhati, Matangirahasya, Matangisahasranamastotra, Matangistotra, Matangitantra.
Ends with: Ucchishtamatangi.
Full-text (+1): Mahavidya, Matanga, Laghushyama, Ucchishtacandalini, Bhadramata, Yogini, Ucchishta, Mrigas, Vidyanushasana, Uttaramnaya, Gandharvi, Natanga, Ana, Vicitra, Mahakali, Airavata, Camara, Vidya, Shyama, Manushya.
Search found 13 books and stories containing Matangi, Mataṅgī, Mātaṅgī, Mātangī; (plurals include: Matangis, Mataṅgīs, Mātaṅgīs, Mātangīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Skanda Purana (by G. V. Tagare)
Chapter 18 - The Story of Mātaṅgī and Karṇāṭaka < [Section 2 - Dharmāraṇya-khaṇḍa]
Chapter 22 - Installation of the Deities < [Section 2 - Dharmāraṇya-khaṇḍa]
Chapter 62 - The Practice of Mahāvidyā < [Section 2 - Kaumārikā-khaṇḍa]
List of Mahabharata people and places (by Laxman Burdak)
The Ramayana of Valmiki (by Hari Prasad Shastri)
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 15: Marriage with the Mātaṅgī, Nīlayaśas < [Chapter II - Marriages of Vasudeva with maidens]
Part 5: Description of Vaitāḍhya < [Chapter III]
Lalitopakhyana (Lalita Mahatmya) (by G.V. Tagare)
The Shiva Purana (by J. L. Shastri)
Chapter 47 - Dhūmralocana, Caṇḍa, Muṇḍa and Raktabīja are slain < [Section 5 - Umā-Saṃhitā]
Chapter 17 - Ten incarnations of Śiva < [Section 3 - Śatarudra-saṃhitā]
Chapter 50 - The incarnation of Śatākṣī etc. < [Section 5 - Umā-Saṃhitā]