Camara, aka: Cāmara; 13 Definition(s)
Camara means something in Hinduism, Sanskrit, Jainism, Prakrit, Buddhism, Pali, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Chamara.
Ayurveda (science of life)
Camara (चमर) is a Sanskrit word referring to the animal “yak”. The meat of this animal is part of the māṃsavarga (‘group of flesh’), which is used throughout Āyurvedic literature. The animal Camara is part of the sub-group named Ānupamṛga, refering to animals “who live in marshy land”. It was classified by Caraka in his Carakasaṃhitā sūtrasthāna (chapter 27), a classical Āyurvedic work. Caraka defined such groups (vargas) based on the dietic properties of the substance.(Source): Wisdom Library: Āyurveda and botany
Camara (चमर) or Chamara (छमर)—Sanskrit word for the animal “yak”. This animal is from the group called Kūlacara (‘shore-dwellers’). Kūlacara itself is a sub-group of the group of animals known as Ānupa (those that frequent marshy places).
The flesh of the Chamara is demulcent, cures an attack of cough, is sweet in taste and digestion and subdues the deranged Vāyu and Pittam.(Source): archive.org: Sushruta samhita, Volume I
Āyurveda (आयुर्वेद, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Āyurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Cāmara (Fly-whisk) - The obedience to the law and in particular to the highest principle of Dharma — Ahimsa. Also represents the following of the teacher and the tradition.(Source): Red Zambala: Hindu Icons and Symbols | Introduction
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Natyashastra (theatrics and dramaturgy)
Cāmara (चामर) refers to a “chowrie” (a whisk to keep off flies), which is an accessories used in a dramatic play, according to Nāṭyaśāstra chapter 23. Such accessories and weapons should be made by experts using proper measurements and given to persons in their respective conditions. It forms a component of āhāryābhinaya (extraneous representation).(Source): Wisdom Library: Nāṭya-śāstra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Chandas (prosody, study of Sanskrit metres)
Cāmara (चामर) refers to one of the 130 varṇavṛttas (syllabo-quantitative verse) dealt with in the second chapter of the Vṛttamuktāvalī, ascribed to Durgādatta (19th century), author of eight Sanskrit work and patronised by Hindupati: an ancient king of the Bundela tribe (presently Bundelkhand of Uttar Pradesh). A Varṇavṛtta (eg., cāmara) refers to a type of classical Sanskrit metre depending on syllable count where the light-heavy patterns are fixed.(Source): Shodhganga: a concise history of Sanskrit Chanda literature
Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.
1) Camara (चमर).—(CAMARĪ). An animal whose tail is its most important and valued organ. In the course of its movements in the forest if the tail gets entangled anywhere it is supposed to lie down there till the tail is freed by itself. About the origin of Camara, the following story is told in the Vālmīki Rāmāyaṇa. Krodhavaśā, daughter of Dakṣaprajāpati and wife of Kaśyapa had ten daughters, viz. Mṛgī, Mṛgamadā, Hari, Bhadramadā, Mātaṅgī, Śārdūlī, Śvetī, Surasā, Surabhi and Kadrū. To Mṛgamadā the Sṛmaras and Camaras owe their origin. (Vālmīki Rāmāyaṇa, Araṇya Kāṇḍa, Canto 14).
2) Cāmara (चामर).—A rod (handle) with a large tuft of hair, fibre or feathers at the end. A symbol used by kings and brahmins. Cāmara of the king should have a golden handle, and it should be made of the wings of the swan, the pea cock, the Balākā bird etc. But, the wings of different birds shall not be intermixed. Circular in shape, the Cāmara should have on its handle 3, 4, 5, 6, 7, or 8 sandhis (joints, knots). (Agnipurāṇa, Chapter 245).(Source): archive.org: Puranic Encyclopaedia
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
General definition (in Jainism)
Camara (चमर) refers to one of the two Indras (lords) of the Asurakumāra (fiendish youths) class of “residential celestial beings” (bhavanavāsin), itself a main division of devas (celestial beings) according to the 2nd-century Tattvārthasūtra 4.3. The Asurakumāras go down to the third ‘earth’ of the lower world and encourage the infernal beings there to fight amongst themselves to cause misery to them. As they enjoy and indulge in violence, they are called fiendish youths. Camara and Vairocana are the two lords in the Fiendish-youths residential celestial beings.(Source): Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geogprahy
Camara (known as Puhar or Kāveripaṭṭinam in Tamil literature) is the name of a port city mentioned in the 1st century Periplus Maris Erythraei in connection with overseas trading in ancient India.—Ports thus dotted the Indian coast, and many of them were listed in Greek and Roman texts, such as the Periplus Maris Erythraei or “Voyage around the Erythrean Sea”, an anonymous Greek travelogue of the 1st century CE, ‘Erythrean’ referring to the Arabian Sea together with the Red Sea and the Persian Gulf. It named ports such as Camara, among many others.(Source): Knowledge Traditions & Practices of India: Trade: A Survey
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
camara : (m.) the yak ox (in the Himalayan regions). || cāmara (nt.) a chowrie; the tail of the yak used as a whisk.(Source): BuddhaSasana: Concise Pali-English Dictionary
Cāmara, (nt.) (from camara) a chowrie, the tail of bos grunniens used as a whisk Sn. 688; Vv 643; J. VI, 510; VvA. 271, 276. Cpd. cāmarī-gāhaka J. VI, 218 (aṅka) a hook holding the whisk. (Page 264)
— or —
Camara, (Deriv. unknown, probably non-Aryan. Sk. camara) 1. the Yak ox (Bos grunniens) J. I, 149; III, 18, 375; V, 416; Miln. 365.—f. —ī J. I, 20; Sdhp. 621.—In cpds. camari° J. IV, 256.—2. a kind of antelope (-ī) J. VI, 537.
—vījanī (f.) a chowry (the bushy tail of the Yak made into a brush to drive away flies) Vin. II, 130. This is one of the royal ensigns (see kakudhabhaṇḍa & cp. vāla-vījanī). (Page 262)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
cāmara (चामर).—n (S) A chowrie; the tail of Bos Grunniens, used to whisk off flies &c. v vāra, ḍhāḷa.(Source): DDSA: The Molesworth Marathi and English Dictionary
cāmara (चामर).—n A chowrie; see cavarī.(Source): DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Camara (चमर).—[cam-arac Uṇ.3.31] A kind of deer.
-raḥ, -ram A chowrie most usually made of the tail of Chamara.
-rī 1 A shoot, sprout (mañjarī).
2) The female Chamara; यस्यार्थयुक्तं गिरिराजशब्दं कुर्वन्ति बालव्यजने- श्चमर्यः (yasyārthayuktaṃ girirājaśabdaṃ kurvanti bālavyajane- ścamaryaḥ) Ku.1.13,48; Śi.4.6; Me.53; केशेषु चमरीं हन्ति सीम्नि पुष्करको हतः (keśeṣu camarīṃ hanti sīmni puṣkarako hataḥ) Udb.; cf. चमरं चामरे स्त्री तु मञ्जरीमृग- भेदयोः (camaraṃ cāmare strī tu mañjarīmṛga- bhedayoḥ) Medinī.
Derivable forms: camaraḥ (चमरः).
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Cāmara (चामर).—[camaryāḥ vikāraḥ tatpucchanirmitatvāt] also
-rā -rī sometimes.
1) A chowrie or bushy tail of the Chamara (Bos Grunniens) used as a fly-flap or fan, and reckoned as one of the insignia of royalty (and sometimes used as a sort of streamer on the heads of horses); व्याधूयन्ते निचुलतरुभिर्मञ्जरीचामराणि (vyādhūyante niculatarubhirmañjarīcāmarāṇi) V.4.4; अदेय- मासीत् त्रयमेव भूपतेः शशिप्रभं छत्रमुभे च चामरे (adeya- māsīt trayameva bhūpateḥ śaśiprabhaṃ chatramubhe ca cāmare) R.3.16; Ku.7.42; H.2.29; Me.35; चित्रन्यस्तमिवाचलं हयशिर- स्यायामवच्चामरम् (citranyastamivācalaṃ hayaśira- syāyāmavaccāmaram) V.1.4; Ś.1.8.
Derivable forms: cāmaraḥ (चामरः), cāmaram (चामरम्).(Source): DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 33 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Pañcacāmara (पञ्चचामर) refers to one of the 135 metres (chandas) mentioned by Nañjuṇḍa (1794-18...
Cāmaragrāha (चामरग्राह).—m. a person who carries a chowrie. Derivable forms: cāmaragrāhaḥ (चामर...
Pāṃsucāmara (पांसुचामर).—1) a heap of dust. 2) a tent. 3) a bank covered with Dūrvā grass. 4) p...
Cāmaragrāhiṇī (चामरग्राहिणी).—a waiting girl who carries in her hand a chowrie and waves it ove...
Cāmarapuṣpaka (चामरपुष्पक).—1) the betel-nut tree. 2) the Ketaka plant. 3) the mango tree.Deriv...
Puṣpacāmara (पुष्पचामर).—a kind of cane. Derivable forms: puṣpacāmaraḥ (पुष्पचामरः).Puṣpacāmara...
Mañjaricāmara (मञ्जरिचामर) or Mañjarīcāmara (मञ्जरीचामर).—a chowrie in the form of a sprout, fa...
Vāricāmara (वारिचामर).—moss. Derivable forms: vāricāmaram (वारिचामरम्).Vāricāmara is a Sanskrit...
Vyajanacāmara (व्यजनचामर).—a chowrie.Derivable forms: vyajanacāmaram (व्यजनचामरम्).Vyajanacāmar...
Cāmaragrāhin (चामरग्राहिन्).—m. a person who carries a chowrie. Cāmaragrāhin is a Sanskrit comp...
Ambucāmara (अम्बुचामर).—an aquatic plant (śaivāla). Derivable forms: ambucāmaram (अम्बुचामरम्)....
Camarapuccha (चमरपुच्छ).—the tail of Chamara used as a fan. -cchaḥ a squirrel.Derivable forms: ...
Cāmarapuṣpa (चामरपुष्प).—1) the betel-nut tree. 2) the Ketaka plant. 3) the mango tree.Derivabl...
Caraṇa (चरण) refers to the “root” of a tree, as mentioned in a list of five synonyms in the sec...
Vibhīṣaṇa (विभीषण) participated in the war between Rāma and Rāvaṇa, on the side of the latter, ...
Search found 25 books and stories containing Camara or Cāmara. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 9: Story of the seven ascetic-brothers < [Chapter VIII - The abandonment of Sītā]
Part 5: Indra Camara’s attack on Śakra < [Chapter IV - Mahāvīra’s second period of more than six years]
Part 7: Śatrughna’s capture of Mathurā < [Chapter VIII - The abandonment of Sītā]
Brihat Samhita (by N. Chidambaram Iyer)
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 1.2.155 < [Part 2 - Devotional Service in Practice (sādhana-bhakti)]
Verse 4.8.22 < [Part 8 - Compatible & Incompatible Mellows (maitrī-vaira-sthiti)]
Verse 3.2.40 < [Part 2 - Affection and Service (dāsya-rasa)]
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Verse 2.5.8 < [Chapter 5 - Prema: Love of God]
Verse 2.4.98 < [Chapter 4 - Vaikuṇṭha: The Spiritual Kingdom]
Verse 2.4.72 < [Chapter 4 - Vaikuṇṭha: The Spiritual Kingdom]
A History of Indian Philosophy Volume 1 (by Surendranath Dasgupta)
Part 4 - Some General Characteristics of the Jains < [Chapter VI - The Jaina Philosophy]