Bimba, Vimbā, Vimba: 36 definitions
Introduction:
Bimba means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India, Marathi, Hindi, biology. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Binb.
In Hinduism
Pancaratra (worship of Nārāyaṇa)
Source: archive.org: Catalogue of Pancaratra Agama TextsBimba (बिम्ब) refers to an “image of the Lord”, as discussed in chapter 4 of the Śrīpraśnasaṃhitā: a Pāñcarātra text comprising 5500 Sanskrit verses covering a number of subjects ranging from selecting a temple site through building and furnishing it to sanctifying and maintaining worship in the sacred complex.— Description of the chapter [ācāryavaraṇapūrvakabhūmisaṃgrahaṇa]: Śrī remarks that the way of Yogic discipline is both extremely difficult and full of dangers. This prompts her to ask—Is there a less demanding but no less sure way to salvation? Bhagavān replies that there is an easier way—by installing in a temple [mandira] or in a home an arcāmūrti-image of the Lord and there worshipping it along with Śrī herself with devotion. He says He will enter into that bimba-image and thus bestow all wishes (1-11). [...]
Source: SriMatham: Vaiṣṇava Iconology based on Pañcarātra Āgamabimba–(reflection or prototype) the original or model after which a thing is copied (the Original Being of course is God). This is a Sanskrit term used in hindu iconology (e.g. the Āgamas).
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Shilpashastra (iconography)
Source: archive.org: Catalogue of Pancaratra Agama Texts (shilpa)1) Bimba (बिम्ब) refers to “divine images”, as discussed in chapter 16 of the Viṣṇusaṃhitā: a Sanskrit text written in 2600 verses which covers typical Pāñcarātra topics through a narrative dialogue between Aupagāyana and Siddha Sumati.—Description of the chapter [bimba-śuddhi]:
There are two kinds of bimbas:
- sthāvara and
- jaṅgama.
The former kind being the regular, stationary pratimā-icon, the latter being the Ācārya-teacher. Both are to be worshipped at the time of pratiṣṭhā; indeed the pūjā to God is only acceptable when one has also worshipped the Ācārya (1-4). Then after the qualifications of an Ācārya are given (5-8a), the step-by-step pūjā-offered to the Ācārya as an essential (preliminary) part of the pratiṣṭhā-ceremonies is outlined, ending up with the payment given to him for his services (8b-26). [...]
2) Bimba (बिम्ब) refers to “icons” (of Gods and Goddesses, etc.) is the name of chapter 20 (Kriyāpāda) of the Padmasaṃhitā: the most widely followed of Saṃhitā covering the entire range of concerns of Pāñcarātra doctrine and practice (i.e., the four-fold formulation of subject matter—jñāna, yoga, kriyā and caryā) consisting of roughly 9000 verses.—Description of the chapter [bimba-lakṣaṇa]: Rules of iconometry continue to be given, with details offered first for the icon (bimba) of Śrī and other Goddesses (1-90a). One general rule to follow is that whatever measure is used for the main idol of the Lord, a smaller measure should be used for the other deities—they should never be made of the same measure as the Lord.
3) Bimba (बिम्ब) refers to the “icons”, as discussed in chapter 22 of the Viśvāmitrasaṃhitā: a Pāñcarātra text comprising some 2600 Sanskrit verses covering topics such as initiation (dīkṣā) and the construction, decoration and consecration of temples and icons, as well as routines of regular and special worship cycles.—Description of the chapter [bimba-māna]: Viśvāmitra undertakes here to speak about the construction of icons, turning first to the selection and collection of the gems, metal or stone from which icons will be made (1-20). He then speaks of the proportionate measurements of temple and icon (bimba), with some specific recommendations for icons, their pedestals, and other subsidiary icons (21-67).
4) Bimba (बिम्ब) refers to “icons”, the creation of which is discussed in chapters 11-14 of the Śrīpraśnasaṃhitā: a Pāñcarātra text comprising 5500 Sanskrit verses covering a number of subjects ranging from selecting a temple site through building and furnishing it to sanctifying and maintaining worship in the sacred complex.—Description of the chapter 13 [bimba-nirmāṇa]: The size and posture of the image [pratimā] determine the size and shape of the chamber that is to enshrine it (1-5). General iconographic considerations are given for each of the six styles of the icons mentioned in the previous chapter (6-58).
Source: Red Zambala: Hindu Icons and Symbols | IntroductionBimba (बिम्ब).—reflection or prototype;—the original or model after which a thing is copied (the Original Being of course is God).
Source: Shodhganga: The significance of the mūla-beras (śilpa)Bimba (बिम्ब) refers to an “image made of metal”.—The term “image” finds its close parallel in Sanskrit words like pratikṛti, pratimā, bimba, and so on. The word bimba means imitation and it is very frequently used in the sense of the images of divinities. An image made of metal is called bimba, and one that is carved by hand is known as pratimā. In general, all the icons are called paḍima.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Purana and Itihasa (epic history)
Source: Cologne Digital Sanskrit Dictionaries: The Purana IndexBimba (बिम्ब).—A son of Vasudeva and Bhadrā.*
- * Brahmāṇḍa-purāṇa III. 71. 173; Vāyu-purāṇa 96. 171.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Chandas (prosody, study of Sanskrit metres)
Source: Shodhganga: a concise history of Sanskrit Chanda literatureBimba (बिम्ब) refers to one of the 130 varṇavṛttas (syllabo-quantitative verse) dealt with in the second chapter of the Vṛttamuktāvalī, ascribed to Durgādatta (19th century), author of eight Sanskrit work and patronised by Hindupati: an ancient king of the Bundela tribe (presently Bundelkhand of Uttar Pradesh). A Varṇavṛtta (e.g., bimba) refers to a type of classical Sanskrit metre depending on syllable count where the light-heavy patterns are fixed.
Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.
Jyotisha (astronomy and astrology)
Source: Wisdom Library: Brihat Samhita by VarahamihiraBimba (बिम्ब) refers to the “disc” (of the sun), according to the Bṛhatsaṃhitā (chapter 3), an encyclopedic Sanskrit work written by Varāhamihira mainly focusing on the science of ancient Indian astronomy astronomy (Jyotiṣa).—Accordingly, “The dark spots, also known as ketus, the sons of Rāhu are Tāmasa, Kīlaka and the like, and are 33 in number. How they affect the earth depends upon their color, position and shape. [...] If there should appear on the solar disc [i.e., sūrya-bimba] ketus other than the thirty-three already mentioned, or spots pike like in shape the effects of these and of solar eclipses are the same as those assigned to them in the Chapters (V and XI) on Rāhucāra and Ketucāra. The princes of the countries in which the spots are visible will be afflicted with miseries”.
Source: Wikibooks (hi): Sanskrit Technical TermsBimba (बिम्ब).—Disc or orb of a planet. Note: Bimba is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry.
Jyotisha (ज्योतिष, jyotiṣa or jyotish) refers to ‘astronomy’ or “Vedic astrology” and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Shaivism (Shaiva philosophy)
Source: Shodhganga: Iconographical representations of ŚivaBimba (बिम्ब) or Bimbāgama refers to one of the twenty-eight Siddhāntāgama: a classification of the Śaiva division of Śaivāgamas. The Śaivāgamas represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The Śaivāgamas are divided into four groups viz. Śaiva, Pāśupata, Soma and Lākula. Śaiva is further divided in to Dakṣiṇa, Vāma and Siddhānta (e.g., bimba).
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Shaktism (Shakta philosophy)
Source: Google Books: Manthanabhairavatantram1) Bimba (बिम्ब) refers to “original form”, according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—Accordingly, “I praise (the goddess) in the bright lunar fortnight who is called the Full (Moon) (pūrṇā) and is nectar. Her form (spherical as) the bud of a Kadamba tree, she is present at the end of the sixteen (lunar digits). I praise the goddess New Moon (amā) whose form is moonlight (candrikākāra) in the midst of that (Full Moon), she who is the lioness of the nectar of union (utsaṅgāmṛta-kesarī) and the original form (bimba) of (the goddess) Kālikā”.
2) Bimba (बिम्ब) refers to the “(lunar) orb”, according to the Manthānabhairavatantra.—Accordingly, “By churning the (lunar) orb (bimba), it is split apart and the deity of Kula is fashioned (thereby). Manmatha (the god of love), split apart, arises (in the form of the) Point at the End of the Twelve. By splitting (it apart) and rubbing (one feels) content (from which) one infers (and thereby experiences one's own innate) bliss. (Thus) the division of the churning (of consciousness) has been explained and the Wheel of the Point has been revealed”.
3) Bimba (बिम्ब) is the name of a sacred place classified as a Saṃdoha, according to the Manthānabhairavatantra.—The eight seats are the main group of eight groups [i.e., Bimba] of eight types of sacred sites. The figure sixty-four is a common ideal number as it is often configured into eight groups of eight.
Source: Addaiyan Journal of Arts, Humanities and Social Sciences: Tantra Literature of Kerala- Special Reference to MātṛsadbhāvaBimba (बिम्ब) or Pratimā refers to “figures”, “statues” or “icons”, according to the Mātṛsadbhāva, one of the earliest Śākta Tantras from Kerala.—Mātṛsadbhāva is a Kerala Tantric ritual manual dealing with the worship of Goddess Bhadrakālī (also known as Rurujit) along with sapta-mātṛs or Seven mothers. [...] There are many descriptions about the flora and fauna in Mātṛssadbhāva. [...] In the fourth chapter the author discussed about different types of trees can be used to make pratimā or bimba.
The following can be used to make bimba:
- madūka (Indian butter tree),
- candana (sandal tree),
- śrīvṛkṣa (common flag),
- śamīdruma (fabaceae),
- mahīruha (teak),
- sarala (a type pine tree),
- badarī (Indian jujube),
- khadira (cutch tree),
- śiṃśapā ( aśoka),
- bakula (cherry),
- tinduka (gaub tree),
- raktacandana (red sandal tree) and
- panasa (jackfruit tree).
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Vastushastra (architecture)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (vastu)Bimba (बिम्ब) (juice) is used as an ingredient of a mixture of Vajralepa (“a special kind of hard cement”) which was used in the construction of a Temple and as a binding agent for joining bricks, according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy. In the Viṣṇudharmottarapurāṇa, five procedures of preparing the vajralepa are suggested.—The third variety of vajralepa was the mixture of the horns of bull and buffalo, skin of goat, milk of buffalo, juice of bimba and kapittha.
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
General definition (in Hinduism)
Source: archive.org: Vedic index of Names and SubjectsBimba (बिम्ब) appears in one passage of the Jaiminīya Upaniṣad Brāhmaṇa (iii. 5, 6) to denote the plant Momordica monadelpha.
In Buddhism
Mahayana (major branch of Buddhism)
Source: Wisdom Library: Maha Prajnaparamita SastraBimba (बिम्ब, “reflection”) refers to one of the ten comparisons (upamāna) according to the 2nd century Mahāprajñāpāramitāśāstra chapter 11. These upamānas represent a quality of the Bodhisattvas accompanying the Buddha at Rājagṛha on the Gṛdhrakūṭaparvata. They accepted that dharmas are like a reflection (bimba). The reflection (bimba) in the mirror is not produced by the mirror (ādarśa), nor by the face (vaktra), nor by the person holding the mirror (ādarśa-dhara), nor by itself (svataḥ); but it is not without causes and conditions (hetupratyaya). It is the same for the dharmas: they are not produced by themselves (svataḥ), nor by another (parataḥ), nor by both together (ubhayataḥ); but they are not without causes and conditions.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
In Jainism
General definition (in Jainism)
Source: archive.org: TrisastisalakapurusacaritraBimba (Bimba) refers to the plant Cephalandra indica and its fruit is scarlet when ripe, and is commonly used as a synonym for unsurpassable redness.—(cf. ‘The Commercial Products of India (Watt)’, Dict. Vol. II, p. 252.).
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geography
Source: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical GlossaryBimba.—(IA 3; HA), same as pratimā; an image. Note: bimba is defined in the “Indian epigraphical glossary” as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Biology (plants and animals)
Source: Google Books: CRC World Dictionary (Regional names)1) Bimba in Central African Republic is the name of a plant defined with Lecaniodiscus cupanioides in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices.
2) Bimba in India is also identified with Coccinia grandis It has the synonym Turia moghadd J.F. Gmel. (etc.).
Example references for further research on medicinal uses or toxicity (see latin names for full list):
· Beitrag zur Flora Aethiopiens (1867)
· Niger flora, or ‘An enumeration of the plants of western tropical Africa’. (1849)
· Proceedings of the Indian Science Congress Association (1982)
· Cytologia (1991)
· Journal of Ethnopharmacology (1992)
· Proceedings of the Indian Science Congress Association (1981)
If you are looking for specific details regarding Bimba, for example side effects, health benefits, extract dosage, pregnancy safety, diet and recipes, chemical composition, have a look at these references.
This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.
Languages of India and abroad
Pali-English dictionary
Source: BuddhaSasana: Concise Pali-English Dictionarybimba : (nt.) an image; figure; the disk (of the sun or moon). || bimbā (f.) name of the Prince Siddharth's wife.
Source: Sutta: The Pali Text Society's Pali-English Dictionary1) Bimba, (nt.) (cp. Class. Sk. bimba) 1. shape, image (=paṭimā VvA. 168) S. I, 134 (trsl. “puppet”); V, 217 (vimba); J. V, 452. In phrase cittakataṃ bimbaṃ it refers to the human body (“the tricked-out puppet-shape” Brethren 303): M. II, 64 = Th. 1, 769 = Dh. 147=VvA. 47, cp. DhA. III, 109 (=attabhāva).—2. the red fruit of Momordica monadelpha, a species of Amaranth (cp. Sk. bimba & bimbī, a kind of gourd) J. III, 478; VI, 457, 591; Vv 366 (kañcana°-vaṇṇa of the colour of the golden Bimba Dhp. at VvA. 168 takes it as bimba1=paṭimā; DhA. I, 387 (°phala, with ref. to red lips). bimboṭṭha (f. °ī) (having) red lips J. III, 477; VI, 590 (nigrodhapatta-bimb’oṭṭhī) ThA. 133 (Ap. V, 57). The Sk. vimbī according to Halāyudha 2, 48 is equal to oṣṭhī, a plant (Bryonia grandis?).—oṭṭhi see above 2.—ohana (second part either= *ūhana vāhana “carrying,” or contracted form of odahana fr. ava+dhā, i.e. *odhana *ohana “putting down,” or still more likely for ūhana as seen in ūhanati2 2 fr. ud+hṛ raising, lifting up) a pillow Vin. I, 47 (bhisi°); II, 76, 150, 208, 200, 218; III, 90, 119 (bhisi°); IV, 279; S. II, 268; A. III, 240; VbhA. 365; Vism. 79. See also bhisi1.—jāla (BR. bimbajā?) the Bimba tree, Momordica monadelpha (lit. net of b. fruits) J. I, 39; VI, 497 (cp. p. 498 ratt’aṅkura-rukkhaṃ probably with v. l. to be read ratta-kuravaka°, see bimbi-jāla); Bu XVI, 19. (Page 487)
2) Vimba, is another spelling for bimba at S. V, 217. Cp. BSk. vimbaka (form of face) Divy 172, 525. (Page 632)
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionary
Source: DDSA: The Molesworth Marathi and English Dictionarybimba (बिंब).—n (S) The disk of the sun or a planet. 2 (As opp. to pratibimba Image reflected, shadow.) The body which casts the reflection, the substance. 3 A term for a personage or thing considered as that by which splendor or honor is cast or conferred upon the persons or things serving subordinately. Ex. saradāralōka jāūna laḍhāī dētīla parantu rājācā putra ugīñca bimba mhaṇūna barōbara ghyāvā. 4 In poetical or elaborate composition. The subject to be elaborated (by arguments, illustrations &c.) 5 A fruit of Bryonia grandis. Linn., or Momordica monadelphia. Rox. 6 A short (four-inch) triangular reed, growing in rice-fields and wet places. 7 f S Popularly nāgaramōthā.
Source: DDSA: The Aryabhusan school dictionary, Marathi-Englishbimba (बिंब).—n The disc of the sun. The body which casts the reflection.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryBimba (बिम्ब).—
1) The disc of the sun or moon; वदनेन निर्जितं तव निलीयते चन्द्रबिम्बमम्बुधरे (vadanena nirjitaṃ tava nilīyate candrabimbamambudhare) Subhāṣ; so सूर्य°, रवि° (sūrya°, ravi°) &c.
2) Any round or disc-like surface; as in नितम्ब- बिम्बः (nitamba- bimbaḥ) &c.
3) An image, shadow, reflection; बिम्बादिवो- त्थितौ बिम्बौ रामदेहात्तथापरौ (bimbādivo- tthitau bimbau rāmadehāttathāparau) Rām.1.4.11; प्रभवति शुचिर्बिम्ब- ग्राहे मणिर्न मृदां चयः (prabhavati śucirbimba- grāhe maṇirna mṛdāṃ cayaḥ) Uttararāmacarita 2.4.
4) A mirror.
5) A jar.
6) An object compared (opp. pratibimba to which it is compared).
7) A statue, figure, idol; हेमबिम्बनिभा सौम्या मायेव मयनिर्मिता (hemabimbanibhā saumyā māyeva mayanirmitā) Rām.6.12.14.
8) A mould, matrix; यथा लोहस्य निःस्यन्दो निषिक्तो बिम्बविग्रहम् (yathā lohasya niḥsyando niṣikto bimbavigraham) (upaiti) Mahābhārata (Bombay) 14.18.9.
-mbaḥ A lizard.
-mbam The fruit of a tree (which, when ripe, is ruddy and to which the lips of young women are often compared); रक्तशोकरुचा विशेषितगुणो बिम्बाधरालक्तकः (raktaśokarucā viśeṣitaguṇo bimbādharālaktakaḥ) M.3. 5; पक्कबिम्बाधरोष्ठी (pakkabimbādharoṣṭhī) Meghadūta 84; cf. N.2.24.
Derivable forms: bimbaḥ (बिम्बः), bimbam (बिम्बम्).
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1) Vimba (विम्ब).—See बिम्ब (bimba).
Derivable forms: vimbaḥ (विम्बः), vimbam (विम्बम्).
2) Vimbā (विम्बा).—f. Name of a creeper.
See also (synonyms): vimbī.
Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryBimba (बिम्ब).—nt., a high number: Mahāvyutpatti 7912, cited from Gaṇḍavyūha; Gaṇḍavyūha 106.16 (not in the list of Gaṇḍavyūha 133).
Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryVimba (विम्ब).—mn.
(-mbaḥ-mbaṃ) 1. The disk of the sun or moon. 2. An image, a picture, a shadow, a reflected or represented form. 3. The gourd of the Momordica monadelpha. nf. (-mbaṃ-mbā or -mbī) A cucurbitaceous plant with red fruit, (Momordica monadelpha.) E. vi to go, to shine, ban Unadi aff., mum aug.; the radical vowel made short.
Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary1) Bimba (बिम्ब).—or vimba, I. m. and n. 1. The disk of the sun or moon, [Pañcatantra] 162, 23. 2. A reflected form, an image, [Meghadūta, (ed. Gildemeister.)] 48. 3. Reflection, [Uttara Rāmacarita, 2. ed. Calc., 1862.] 35, 18. 4. The gourd of the Momordica monadelpha. Ii. n., and f. bā or bī, A cucurbitaceous plant with red fruit, Momordica monadelpha, [Pañcatantra] i. [distich] 225.
2) Vimba (विम्ब).—vimbita vimbita, vimboṣṭha vimboṣṭha, and vimbauṣṭha vimbauṣṭha; see bimbº.
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryBimba (बिम्ब).—[masculine] [neuter] disk (of sun or moon), globe, hemisphere; orb, circle i.[grammar]; mirror, image, picture, shadow.
— [masculine] lizard, chameleon; [feminine] ī a kind of gourd, [neuter] its red fruit.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryBimba (बिम्ब):—mn. (also written vimba, or vimva, of doubtful origin, but cf. [Uṇādi-sūtra iv, 95 [Scholiast or Commentator]]; ifc. f(ā).)
1) the disk of the sun or moon, [Kāvya literature; Purāṇa] etc.
2) any disk, sphere, orb (often applied to the rounded parts of the body), [Kālidāsa; Pañcatantra]
3) a mirror, [Śvetāśvatara-upaniṣad; Kumāra-sambhava]
4) an image, shadow, reflected or represented form, picture, type, [Rāmāyaṇa; Bhāgavata-purāṇa; Rājataraṅgiṇī]
5) (in [rhetoric]) the object compared (as opp. to prati-bimba, ‘the counterpart’ to which it is compared), [Sāhitya-darpaṇa; Pratāparudrīya]
6) m. a lizard, chameleon, [Gautama-dharma-śāstra]
7) Name of a man, [Rājataraṅgiṇī]
8) Bimbā (बिम्बा):—[from bimba] f. Momordica Monadelpha (a plant bearing a bright-red gourd), [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
9) [v.s. ...] Name of 2 metres, [Colebrooke]
10) [v.s. ...] Name of the wife of Bālāditya (king of Kaśmīra), [Rājataraṅgiṇī]
11) Bimba (बिम्ब):—n. the fruit of the Momordica Monadelpha (to which the lips of women are often compared), [Mahābhārata; Kāvya literature etc.]
—— OR ——
Vimba (विम्ब):—etc. See bimba.
Source: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryVimba (विम्ब):—[(mbaḥ-mbaṃ)] 1. m. n. The disk of the sun or moon; image; shadow. f. A red gourd.
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)Bimba (बिम्ब) in the Sanskrit language is related to the Prakrit word: Biṃba.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Source: DDSA: A practical Hindi-English dictionaryBiṃba (बिंब) [Also spelled binb]:—(nm) an image; shadow; reflection; the disc of sun or moon; the plant Memordica mondelpha; ~[phala] the bright red ripened fruit of the plant Memordica mondelpha; -[yojanā] imagery; ~[vāda] imagism; hence ~[vādī] (a, nm); -[vidhāna] imagery.
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Prakrit-English dictionary
Source: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary1) Biṃba (बिंब) in the Prakrit language is related to the Sanskrit word: Bimb.
2) Biṃba (बिंब) also relates to the Sanskrit word: Bimba.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
Kannada-English dictionary
Source: Alar: Kannada-English corpusBiṃba (ಬಿಂಬ):—
1) [noun] a ring of light that seems to encircle the sun, moon, etc.
2) [noun] a plane figure bounded by single curved line, every point of which is equally distant from the centre point; a circle.
3) [noun] a thing made just like another.
4) [noun] a reflecting surface originally of polished metal but now usu. of glass with a silvery, metallic or amalgam backing; a mirror.
5) [noun] an idol (as of a deity).
6) [noun] the vine Coccina cordifolia ( = C. indica, = Bryonia grandis, = Momordica monadelpha) of Cucurbitaceae family.
7) [noun] its edible fruit.
8) [noun] the lizard Calotes veriscolar of Chamaeleontidae family with an angular head, prehensile tail, eyes that move independently of each other, a long, agile tongue for catching prey, the ability to change skin colour rapidly; common chameleon; the garden lizard.
9) [noun] a ray of light.
10) [noun] the sky.
11) [noun] water falling from the clouds; rain.
12) [noun] a bow or arc of prismatic colours appearing in the heavens opposite the sun and caused by the refraction and reflection of the suṇs rays in drops of rain; a rainbow.
13) [noun] a woven fabric.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
Source: unoes: Nepali-English Dictionary1) Bimba (बिम्ब):—n. 1. image; shadow; reflection; 2. disc of the sun or moon; 3. idol; 4. glimpse;
2) Vimba (विम्ब):—n. → बिम्ब [bimba]
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
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