Shringara, aka: Śṛṅgāra; 5 Definition(s)
Shringara means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Śṛṅgāra can be transliterated into English as Srngara or Shringara, using the IAST transliteration scheme (?).
Nāṭyaśāstra (theatrics and dramaturgy)
Śṛṅgāra (शृङ्गार) refers to the “erotic” sentiment (rasa). It is one of the eight rasas mentioned in the Nāṭyaśāstra 6.15. The color associated with the śṛṅgāra is light green (śyāma), and the presiding deity of of the erotic (śṛṅgāra) sentiment is Viṣṇu.
According to the Nāṭyaśāstra, “The Erotic (śṛṅgāra) Sentiment proceeds from the Durable Psychological State of love (rati), and it has as its basis (lit. soul) a bright attire; for whatever in this world is white, pure, bright and beautiful is appreciated in terms of the Durable Psychological State of love.”.Source: Wisdom Library: Nāṭya-śāstra
Śṛṅgāra (शृङ्गार).—A type of glance (or facial expression): śṛṅgāra (love): born of great joy, in the toils of love—raising the eyebrows and looking out of the corners of the eyes. Usage: mutual glances of those who are fast bound by amorous desires.Source: archive.org: The mirror of gesture (abhinaya-darpana)
Śṛṅgāra (शृङ्गार).—The union of man and woman which finds them sexually united is known as an “erotic affair” (śṛṅgāra). This benefits the two, and brings them happiness. In this world people always desire happiness of which women are indeed the source. These women are of various nature.Source: archive.org: Natya Shastra
Śṛṅgāra (शृङ्गार).—In Sanskrit literary theory, śṛṅgāra is described as existing in two modes, vipralambha-śṛṅgāra (aestheticized love-in-separation) and saṃbhoga-śṛṅgāra (aestheticized love-in-union). Godā sings extensively in both modes in her Nācciyār Tirumoli.Source: Pearls at Random Strung: Godā Stuti (natya-shastra)
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Search found 23 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Śṛṅgārarasa (शृङ्गाररस) refers to the “erotic sentiment” used in dramatic perfor...
Vipralambhaśṛṅgāra (विप्रलम्भशृङ्गार) is depicted as a sculpture on the tenth pillar of the sou...
Rasa (रस, “taste”) refers to the object of rasana (tasting), which represents one of the “five ...
śama (शम).—m (S) Stilling, subduing, reducing to nullity or into inoperativeness (of the passio...
Vīrā (वीरा).—A type of glance (dṛṣṭi) expressing sentiment (rasa);—The Glance which is bright, ...
Raudra (रौद्र) or Raudri refers to the fifty-fourth saṃvatsara (“jovian year)” in Vedic astrolo...
catura (चतुर).—a (S) Shrewd, sagacious, intelligent, ingenious, clever.--- OR --- cātura (चातुर...
bhayānaka (भयानक).—a Frightful, terrible.
In the history of the Indian grammatical tradition, Bhartṛhari (about fifth century C.E.) is...
havā (हवा).—f ( A) Air or wind. 2 Air as considered with respect to its temperature or medicina...
hāsya (हास्य).—n (S) Laughter: also delight or pleasurable emotion. This is one of the nine ras...
carī (चरी).—f A small ditch, trench, gutter, or channel.--- OR --- cārī (चारी).—f The inclined ...
Utkṣipta (उत्क्षिप्त) refers to a specific ‘movement of the head’ (śiras), according to the ...
Singara (or, Siṅgāra) refers to one of the 84 castes (gaccha) in the Jain community according t...
1) Avahitthā (अवहित्था, “dissimulation”) is the concealment of appearance. It is...
Search found books containing Shringara or Śṛṅgāra. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 4.8.13 < [Part 8 - Compatible & Incompatible Mellows (maitrī-vaira-sthiti)]
Verse 2.1.267 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.332 < [Part 1 - Ecstatic Excitants (vibhāva)]
Devi Bhagavata Purana (by Swami Vijñanananda)
Chapter 12 - On the description of Maṇi Dvīpa < [Book 12]
Chapter 50 - On the Glory of Śakti < [Book 9]
Brihad Bhagavatamrita (by Śrīla Sanātana Gosvāmī)
Preceptors of Advaita (by T. M. P. Mahadevan)
The Natyashastra (by Bharata-muni)
Śrī Śrī Rādhikā Aṣṭottara-Śata-Nāma-Stotraṃ (by Śrīla Raghunātha Dāsa Gosvāmi)
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