Senapati, Senāpati, Shenapati, Sena-pati: 16 definitions
Senapati means something in Hinduism, Sanskrit, Jainism, Prakrit, Buddhism, Pali, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Shilpashastra (iconography)Source: Wisdom Library: Elements of Hindu Iconograpy
Senāpati (one of the aspects of Subrahmaṇya, according to the Kumāra-tantra). This aspect should have the brilliance of the sun and should possess six faces and twelve eyes. One of the arms of Senāpati should pass round the waist of his devī, who should be seated upon his left lap; the corresponding right hand should keep a lotus. The other hands should hold the following objects in them: śūla, kheṭaka, vajra, dhanus, gadā, ghaṇṭā, kukkuṭa and abhaya.
Under the name Devasenāpati, the Śrītatvanidhi gives the following description: He should have one face, two eyes and four arms: two fo the hands should be held in the abhaya and varada poses respectively and the remaining two should carry the śaṅkha and the chakra; the colour of this aspect of Subrahmaṇya is said to be black. He should be adorned with all ornaments, and should have a white yajñopavīta and his body should have a coating of finely smelling sandal paste. The face must be very pretty and a smile must be playing about his lips.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Dharmashastra (religious law)Source: Wisdom Library: Dharma-śāstra
Senāpati (सेनापति) refers to the “officer”, as in, the officer in an army. It is used throughout Dharmaśāstra literature such as the Manusmṛti and the Baudhāyana-dharmasūtra.
Dharmashastra (धर्मशास्त्र, dharmaśāstra) contains the instructions (shastra) regarding religious conduct of livelihood (dharma), ceremonies, jurisprudence (study of law) and more. It is categorized as smriti, an important and authoritative selection of books dealing with the Hindu lifestyle.
Purana and Itihasa (epic history)Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
1) Senāpati (सेनापति) refers to the “army-leader”, who should be represented with an ardhamukuṭa (small crown), according to Nāṭyaśāstra chapter 23. Providing masks is a component of nepathya (costumes and make-up) and is to be done in accordance with the science of āhāryābhinaya (extraneous representation).
2) Senāpati (सेनापति) refers to the “leader of the army” and represents a classification of persons who “move about in public”, according to the Nāṭyaśāstra chapter 34. Accordingly, “one who possesses a good character and truthfulness, and is always active (lit. has given up idleness), sweet-tongued, knows the rules regarding weakness of the enemy, and proper time for marching against him, has a knowledge of the Arthaśāstra and of everything about wealth, is devoted to the king, honoured in his own clan, and has a knowledge about time and place, should be made a leader of the army (senāpati), for these qualities of him”.
According to the Nāṭyaśāstra chapter 35, the role (bhūmikā) of actors playing senāpatis (army-leaders) is defined as, “Persons who have well-formed limbs, distinct speech, are neither tall nor fat, are heroic, have reasoning positive and negative, are brave, and eloquent and have presence of mind, should be employed to take up the role of army-leaders (senāpati) and secretaries (amātya)”.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Arthashastra (politics and welfare)Source: Shodhganga: Kakati Ganapatideva and his times (artha)
Senāpati (सेनापति, “commander”) is an official title designating one of the seventy-two officers (niyoga) of the Bāhattaraniyogādhipati circle, according to the Inscriptional glossary of Andhra Pradesh (Śāsana-śabdakośāmu). The bāhattaraniyoga-adhipati is the highest executive officer of this circle (including a Senāpati). For example: During the reign of Gaṇapatideva, the area extending between Pānagal to Mārjavāḍi was entrusted to Gaṇḍapeṇḍāru Gangayasāhiṇi as Bāhattaraniyogādhipati. Later on, this office was entrusted to Kāyastha Jannigadeva.
Arthashastra (अर्थशास्त्र, arthaśāstra) literature concerns itself with the teachings (shastra) of economic prosperity (artha) statecraft, politics and military tactics. The term arthashastra refers to both the name of these scientific teachings, as well as the name of a Sanskrit work included in such literature. This book was written (3rd century BCE) by by Kautilya, who flourished in the 4th century BCE.
General definition (in Jainism)Source: Google Books: Jainism: An Indian Religion of Salvation
Senāpati (सेनापति, “commander”).—One of the fourteen gems (ratna) serving the Cakravartin;—The senāpati is the commander of a Cakravartī. He is a reliable and an uncorruptible servant of his master, alert and far-sighted, commanding the language of the Yavanas (Greeks) and the Mlecchas (barbarians) in word and script, well-versed in politics and art of life, a powerful figter and a clever strategist.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geogprahySource: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary
Senāpati.—(IE 8-3), leader of forces; mentioned separately along with Bal-ādhyakṣa; probably, a subordinate of the latter; the military governor of a district, according to some (HD); commander-in-chief (ASLV), also called Sarva-sainy- ādhikārin and Dalavāya, i. e. the chief officer in charge of the military department. See Bṛhaspati quoted by Viśvarūpa on Yājñavalkyasmṛti, I. 307; Ind. Ant., Vol. XV, p. 187. Puṣya- mitra, the founder of the Śuṅga dynasty, was called Senāpati even after his accession to the Maurya throne. See Sena-adhipa, etc.; cf. also Anusenāpati (EI 18). (IE 8-3), sometimes called Mahāpradhāna, Bāhattara- niyogādhiṣṭhāyaka, Paṭṭa-sāhana-adhipati, etc., additionally. Note: senāpati is defined in the “Indian epigraphical glossary” as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Pali-English dictionarySource: BuddhaSasana: Concise Pali-English Dictionary
senāpati : (m.) a general.Source: Sutta: The Pali Text Society's Pali-English Dictionary
Senāpati refers to: a general Vin. I, 233 sq.; Sn. 556; A. III, 38; IV, 79; J. I, 133; IV, 43; dhamma-° a general of the Dhamma Miln. 343; DhA. III, 305.
Note: senāpati is a Pali compound consisting of the words senā and pati.
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
sēnāpati (सेनापति).—m (S) The commander of an army; the generalissimo or general.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
śēṇapāṭī (शेणपाटी).—f A basket for the removal of cowdung.
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sēnāpati (सेनापति).—m The commander of an army.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
1) a general.
2) Name of Śiva.
3) Name of Kārtikeya.
4) A leader of ten पत्ति (patti) divisions; see पत्ति (patti).
Derivable forms: senāpatiḥ (सेनापतिः).
Senāpati is a Sanskrit compound consisting of the terms senā and pati (पति).Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-tiḥ) 1. A general, the commander of an army. 2. Kartikeya. E. senā an army and pati master.Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Senāpati (सेनापति).—m. 1. the general of an army, [Śākuntala, (ed. Böhtlingk.)] 24, 6. 2. Kārttikeya.
Senāpati is a Sanskrit compound consisting of the terms senā and pati (पति).Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Senāpati (सेनापति).—[masculine] chief of an army, general.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Senāpati (सेनापति):—[=senā-pati] [from senā] m. the general of an a°, [Aitareya-brāhmaṇa] etc. etc.
2) [v.s. ...] Name of Kārttikeya, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
3) [v.s. ...] of Śiva, [Mahābhārata]
4) [v.s. ...] of a son of Dhṛta-rāṣṭra, [ib.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Ends with: Adhisenapati, Anusenapati, Bhumisenapati, Devasenapati, Dhammasenapati, Girvanasenapati, Mahasenapati, Mahayakshasenapati, Mulanagasenapati, Sakkasenapati, Sarvasenapati, Surasenapati, Yakkhasenapati.
Full-text (+73): Sainapatya, Senapatitva, Senapatipati, Senani, Sarvasenapati, Senasenapati-parivena, Sainadhipatya, Devasenapati, Mahayakshasenapati, Viduragga, Pilayamara, Potthasata, Adhisenapati, Angamu, Girvanasenapati, Kassapasena, Senapati-pperuvilai, Sainyapati, Badalatthala, Senagama.
Search found 21 books and stories containing Senapati, Senāpati, Sēnāpati, Shenapati, Śēṇapāṭī, Śeṇapāṭī, Sena-pati, Senā-pati; (plurals include: Senapatis, Senāpatis, Sēnāpatis, Shenapatis, Śēṇapāṭīs, Śeṇapāṭīs, patis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Skanda Purana (by G. V. Tagare)
Chapter 28 - Preparations of Devas and Daityas for War < [Section 1 - Kedāra-khaṇḍa]
Kautilya Arthashastra (by R. Shamasastry)
The history of Andhra country (1000 AD - 1500 AD) (by Yashoda Devi)
Part 30 - Singaraja and Pratapa Kurmaraja (A.D. 1440-1461) < [Chapter XIII - The Dynasties in South Kalinga]
Part 24 - Khanderaya (A.D. 1254) < [Chapter XII - The Pallavas]
Part 6 - Kannara Choda (A.D. 1115-1137) < [Chapter XX - The Telugu Cholas (Chodas)]
Later Chola Temples (by S. R. Balasubrahmanyam)
Temples in Manimangalam < [Chapter XIX - Supplement]
Temples in Kadagodi < [Chapter XIX - Supplement]
Temples in Madhurantakam (Kadapperi) < [Chapter II - Temples of Kulottunga I’s Time]
Middle Chola Temples (by S. R. Balasubrahmanyam)
Individual Donors < [Tanjavur/Thanjavur (Rajarajesvaram temple)]
Temples in Dadapuram < [Chapter II - Temples of Rajaraja I’s Time]
4. Icons set up By Rajaraja I’s Officers and others < [Tanjavur/Thanjavur (Rajarajesvaram temple)]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Vetāla 24: The Father that married the Daughter and the Son that married the Mother < [Appendix 6.1 - The Twenty-five Tales of a Vetāla]