Manovati, aka: Manas-vati, Manovatī; 5 Definition(s)

Introduction

Manovati means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Purana and Itihasa (epic history)

Manovati in Purana glossary... « previous · [M] · next »

Manovatī (मनोवती).—The city of Brahmā. This city is situated in the centre of the nine cities on the top of the mountain Mahāmeru. Around it are the cities of the Aṣṭadikpālakas. (8th Skandha, Devī Bhāgavata).

Source: archive.org: Puranic Encyclopaedia

1a) Manovatī (मनोवती).—The sabhā of Brahmā on the first innerslope of Meru in which reside Īśāna and Indra besides sages and seers.*

  • * Vāyu-purāṇa 34. 72-7.

1b) A daughter of Tumburu.*

  • * Vāyu-purāṇa 69. 49.
Source: Cologne Digital Sanskrit Dictionaries: The Purana Index
Purana book cover
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The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

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Vaishnavism (Vaishava dharma)

Manovatī (मनोवती).—According to Śrīmad Bhāgavatam 5.16.29, “Brahmā’s township is known as Manovatī, and those of his assistants such as Indra and Agni are known as Amarāvatī, Tejovatī, Saṃyamanī, Kṛṣṇāṅganā, Śraddhāvatī, Gandhavatī, Mahodayā and Yaśovatī. Brahmapurī is situated in the middle, and the other eight purīs surround it in all directions”.

Source: VedaBase: Śrīmad Bhāgavatam
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Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu’).

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Katha (narrative stories)

Manovati in Katha glossary... « previous · [M] · next »

1) Manovatī (मनोवती) is the daughter of Citrāṅgada: a Vidyādhara who had transformed into a lion because of curse spoken by Nārada, according to the Kathāsaritsāgara, chapter 22. Manovatī, was married to Vasudatta, a previous human incarnation of Jīmūtavāhana. The tale of his previous incarnation was told by Jīmūtavāhana to Mitrāvasu (son of Viśvāvasu) for the sake of his curiosity.

2) Manovatī (मनोवती) is the daughter of the Asura king Tantukaccha, and was given to Sūryaprabha in marriage according to the Kathāsaritsāgara, chapter 45. Accordingly, “... and the next day Tantukaccha invited and conducted him, surrounded with his companions, headed by Prahlāda, to his palace in the seventh underworld. There that king of the Asuras gave him his daughter Manovatī, adorned with splendid jewels, bright as molten gold. There Sūryaprabha spent a highly agreeable day, and passed the night in the society of Manovatī”.

The story of Manovatī and Durāroha was narrated by the Vidyādhara king Vajraprabha to prince Naravāhanadatta in order to relate how “Sūryaprabha, being a man, obtain of old time the sovereignty over the Vidyādharas”.

The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Manovatī, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.

Source: Wisdom Library: Kathāsaritsāgara
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Katha (कथा, kathā) refers to narrative Sanskrit literature often inspired from epic legendry (itihasa) and poetry (mahākāvya). Some Kathas reflect socio-political instructions for the King while others remind the reader of important historical event and exploits of the Gods, Heroes and Sages.

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Chandas (prosody, study of Sanskrit metres)

Manovati in Chandas glossary... « previous · [M] · next »

Manovatī (मनोवती) is the name of a Sanskrit metre (chandas) defined by Bharata, to which Hemacandra (1088-1173 C.E.) assigned the alternative name of Nandinī in his auto-commentary on the second chapter of the Chandonuśāsana. Manovatī also corresponds to Kanakaprabhā, Jayā, Sumaṅgalī. Hemacandra gives these alternative names for the metres by other authorities (like Bharata), even though the number of gaṇas or letters do not differ.

Source: Shodhganga: a concise history of Sanskrit Chanda literature
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Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.

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