Tumburu; 5 Definition(s)
Tumburu means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Tumburu (तुम्बुरु) is depicted as part of a Naṭarāja sculpture on the third pillar of the southern half of the maṇḍapa of the temple of Lokeśvara.—Śiva dancing with his consort Umā is very well carved in the semi-circular medallion. By the side of Śiva is a figure with feet in the pose of vīrāsana, but the body and the head turned in ninety degrees towards Śiva. His head looks like that of a horse. We identify him with horse-headed Tumburu.(Source): Archaeological Survey of India: Śaiva monuments at Paṭṭadakal (śilpa)
Śilpaśāstra (शिल्पशास्त्र, shilpa-shastra) represents the ancient Indian science of creative arts such as sculpture, iconography and painting. Closely related to Vāstuśāstra (architecture), they often share the same literature.
1a) Tumburu (तुम्बुरु).—An expert in divine music; had two daughters Manovatī and Sukeśā;1 a friend of Candrodaka dundubhī.2 A Gandharva disciple of Nārada, came with the sage to see Yudhiṣṭhira, and returned to heaven with him;3 sang with Nārada the glories of Ananta;4 praised Hiraṇyakaśipu when he became the overlord of all worlds.5 Sang the praise of Kṛṣṇa when he held the Govardhana;6 presiding over the months of Madhu and Mādhava.7 His two daughters were celebrated as Pañcacūḍas;8 residing in the Sun's chariot in the months of Caitra and Madhu.9
- 1) Vāyu-purāṇa 69. 47, 49.
- 2) Ib. 96. 117.
- 3) Bhāgavata-purāṇa I. 13. 37 and 59.
- 4) Ib. V. 25. 8.
- 5) Ib. VII. 4. 14.
- 6) Ib. X. 25. 32; 27. 24.
- 7) Ib. XII. 11. 33; Brahmāṇḍa-purāṇa II. 23. 4.
- 8) Ib. III. 7. 9; IV. 20. 50 and 101.
- 9) Vāyu-purāṇa 52. 3; 36. 47; Viṣṇu-purāṇa II. 10. 3.
1b) A friend of Anu, son of Kapotaroma.*
- * Bhāgavata-purāṇa IX. 24. 20.
1c) A friend of Andhaka.*
- * Brahmāṇḍa-purāṇa III. 71. 118.
The Purāṇas (पुराण, purana) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahāpurāṇas total over 400,000 ślokas (metrical couplets) and date to at least several centuries BCE.
Itihāsa (narrative history)
Tumburu (तुम्बुरु) was a gandharva (demi god) who, owing to a curse, became a demon (yakṣa). Tumburu, in the service of Kubera, lord of treasures, happens to see Rambhā, one of the celestial nymphs and falls in love with her. He tries his luck on her. Being not happy with the attitude of Tumburu, Vaiśravaṇa, another name of Kubera, curses him to become a terrific demon. On realising his mistake Tumburu begs to Kubera to put a term to the curse. Vaiśravaṇa that is Kubera tells him that he Tumburu (or Virādha) will have an encounter with Rāma and when the latter cuts off his (Virādha’s) arms, he will be relieved from his curse. Till then he will wander in the forest under the name of Virādha.(Source): Archaeological Survey of India: Śaiva monuments at Paṭṭadakal (rāmāyaṇa)
Itihāsa (इतिहास) refers to ‘epic history’ and represents a branch of Sanskrit literature which popularly includes 1) the eighteen major Purāṇas, 2) the Mahābhārata and 3) the Rāmāyaṇa. It is a branch of Vedic Hinduism categorised as smṛti literature (‘that which is remembered’) as opposed to śruti literature (‘that which is transmitted verbally’).
Nāṭyaśāstra (theatrics and dramaturgy)
Tumburu (तुम्बुरु) is the name of an author of Sanskrit works dealing with music.—Some writers think on the basis of the occurrence of the expression ‘Tumburu-nāṭaka’ in Locana’s Rāga-taraṅgiṇī (12th century) that Tumburu wrote a play. But this tumburu-nāṭaka seems to have meant a kind of dance-drama originating with Tumburu.(Source): archive.org: Natya Shastra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
General definition (in Hinduism)
Tumburu is one of the prominent Gandharvas. He is well know for his skill in music, and has a very intimate relationship with the Apsara Rambha.(Source): Apam Napat: Indian Mythology
Search found 29 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Virādha (विराध).—A fierce Rākṣasa (giant) whom Rāma and Lakṣmaṇa killed in the Daṇḍaka forest. ...
Ananta (अनन्त) refers to one of the various Vibhava manifestations according to the Īśvarasaṃhi...
1) Anu (अनु).—(See ANUDRUHYU).2) Anu (अनु).—The Prince named Aṇu was the son-in-law of Śuka Bra...
Apsaras (अप्सरस्).—* An Apsaras is a nymph (devastrī). These apsarā women were born at the chur...
Gandharva (गन्धर्व) refers to “divine artists” accompanying the gods according to the Mahāprajñ...
1) Kapota (कपोत, “pigeon”).—According to a note on the Mahāprajñāpāramitāśāstra (chapter XIX), ...
Śruti (श्रुति).—Sacred texts ascribed to divine revelation, such as the Vedas; (lit., hearing)....
Kaṃsa (कंस) or Kaṃsatāla or Kāṃsya refers to the “sounds of cymbals” and represents one of the ...
Andhaka (अन्धक) is a name mentioned in the Mahābhārata (cf. I.221, II.48.42, III.48.18, VI.20....
Vasanta (वसन्त).—[vas-jhac Uṇ.3.128]1) The spring, vernal season (comprising the two months cai...
Niṣāda (निषाद).—According to Nārada 12.103-113.—“The son called Niṣāda springs from the union o...
Niṣedha (निषेध).—1) Prohibition, warding or keeping off, stopping, prevention.2) Negation, deni...
1) Viśvavasu (विश्ववसु).—A brother of Paraśurāma, who had four brothers named Rumaṇvān, Suhotra...
Devakī (देवकी).—Mother of Śrī Kṛṣṇa. Genealogy. Descended from Viṣṇu thus:—Brahmā -Atri—Candra—...
1) Ugrasena (उग्रसेन).—King Ugrasena, father of Kaṃsa. Genealogy. Descended from Viṣṇu thus: Br...
Search found 24 books and stories containing Tumburu. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Shiva Purana (by J. L. Shastri)
Chapter 5 - Binduga’s salvation < [Śivapurāṇa-māhātmya]
Chapter 40 - Journey of the sages of Naimiṣa < [Section 7.2 - Vāyavīya-saṃhitā (2)]
Chapter 40 - The Marriage Procession of Śiva < [Section 2.3 - Rudra-saṃhitā (3): Pārvatī-khaṇḍa]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 22: Sumatinātha’s messenger-deities (śāsanadevatās) < [Chapter III - Sumatināthacaritra]
Part 19: The Vyantaras < [Chapter III - The initiation and omniscience of Ajita]
Part 20: Sanatkumāra’s installation as Cakravartin < [Chapter VII - Sanatkumāracakricaritra]
The Markandeya Purana (by Frederick Eden Pargiter)
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
The Natyashastra (by Bharata-muni)
Part 3 - Literature on Ancient Indian Music < [Introduction, Part 2]
Part 5 - Literature on the Ancient Indian Drama < [Introduction, part 1]
Part 7 - Data of India’s Cultural History in the Nāṭyaśāstra < [Introduction, part 1]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
- Was this explanation helpful? Leave a comment:
Make this page a better place for research and define the term yourself in your own words.