Vitata, Vi-tanu-ta, Vi-thara-ta, Vi-the-ta, Vitatā, Vitātā, Vitthata, Vitthaṭa, Vitthayita, Vitthāyita: 30 definitions
Introduction:
Vitata means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi, Hindi, Tamil. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Vitat.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Vitata (वितत, “spread-up”) refers to one of the five types of flower-garlands (mālya), according to Nāṭyaśāstra chapter 23. Mālya represents one of the four types of alaṃkāra, or “decorations”, which in turn is a category of nepathya, or “costumes and make-up”, the perfection of which forms the main concern of the Āhāryābhinaya, or “extraneous representation”, a critical component for a successful dramatic play.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaktism (Shakta philosophy)
Vitatā (वितता) is the name of a Mātṛkā-Śakti created by Mahārudra in order to control the plague of demons created by Andhakāsura.—Accordingly, Andhaka-Asura tried to kidnap Umā (Devī Pārvatī), and was fiercely attacked by Mahārudra who shot arrows at him from his mahāpināka. when the arrows pierced the body of Andhakāsura, drops of blood fell to earth and from those drops, thousands of Andhakas arose. To control this plague of demons, Mahārudra created Mātṛkā-Śaktis [viz., Vitatā] and ordered them to drink the blood of the demons and drain them dry.
1) Vitatā (वितता) refers to one of the various Mātṛkā-Śaktis created by Rudra in order to destroy the clones that spawned from Andhaka’s body.—Accordingly, [...] Andhakāsura attempted to abduct Girājanandinī (Pārvatī) and thus ensued a fierce battle between Andhakāsura and the great Rudra, the Lord of Umā. Like raktabīja, every drop of blood that fell from the body of Andhaka created another Asura like him and in no time, the entire world was filled with Andhakas. To destroy the growing number of Andhakas, Rudra created innumerable Mātṛkā-Śaktis [viz., Vitatā]. These Śaktis of immense power at once began to drink every drop of blood that flowed from the body of Andhaka, but they could still not effectively contain the emergence of more and more demons.
2) Vitatā (वितता) refers to one of the various Mātṛkā-Śaktis created by Rudra in order to destroy the clones that spawned from Andhaka’s body.—Accordingly, [...] Andhakāsura attempted to abduct Girājanandinī (Pārvatī) and thus ensued a fierce battle between Andhakāsura and the great Rudra, the Lord of Umā. Like raktabīja, every drop of blood that fell from the body of Andhaka created another Asura like him and in no time, the entire world was filled with Andhakas. To destroy the growing number of Andhakas, Rudra created innumerable Mātṛkā-Śaktis [viz., Vitatā]. These Śaktis of immense power at once began to drink every drop of blood that flowed from the body of Andhaka, but they could still not effectively contain the emergence of more and more demons.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Shaiva philosophy
Vitata (वितत) refers to “extended”, according to Utpaladeva’s Vivṛti on Īśvarapratyabhijñākārikā 1.5.6.—Accordingly, “[...] If, on the other hand, external objects are only atoms that are partless [and] aggregated, even so, a pot, which appears in a [spatially] extended form (vitata-rūpatva), necessarily appears as having [different] parts [respectively located in the] east, west, etc.; and [this spatial extendedness] is not possible if [this pot] is thus made of atoms[, since by definition an atom cannot have different parts] [...]”.
Shaiva philosophy is a spritiual tradition within Hinduism that includes theories such as the relationship between the Atman (individual soul) and Siva, the nature of liberation (moksha), and the concepts of maya (illusion) and shakti (divine energy). Saiva philosophy teaches that union with Shiva can be achieved through knowledge, devotion, and spiritual practice. It encompasses major branches like Shaiva Siddhanta and Kashmir Shaivism.
Yoga (school of philosophy)
Vitata (वितत) refers to “spreading out” (one’s gaze), according to the Amanaska Yoga treatise dealing with meditation, absorption, yogic powers and liberation.—Accordingly, as Īśvara says to Vāmadeva: “[...] The gaze [which is initially] spread out (vitata) in all directions very gradually becomes inward. [Then, the yogin] sees himself through himself in the spotless mirror of the highest reality. At first, the gaze goes forth [and] is fixed on anything. Having become steady on that very [thing], it gradually disappears. [...]”.
Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as āsanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
Gitashastra (science of music)
Vitata (वितत) refers to a classification of “musical instruments” (vādya) according to Haripāla.—Also see Abhinavabharatasārasaṅgraha of Mummaḍi Cikkabhūpāla.
Gitashastra (गीतशास्त्र, gītaśāstra) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Vitata (वितत) refers to the “casting (of the cord)”, according to the Bhūśalyasūtrapātananimittavidhi section of Jagaddarpaṇa’s Ācāryakriyāsamuccaya, a text within Tantric Buddhism dealing with construction manual for monasteries etc.—Accordingly, “[...] If [some other man] who stands beside the donor announces a [creature’s] name while a cord is being cast (sūtra-vitata), then there is an impure substance, i.e. a bone of the creature of the name beneath the site on which the donor is standing. [...]”.
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Mahayana (major branch of Buddhism)
Vitata (वितत) refers to “overspread (by a canopy)” (suitable for performing rituals), according to the 2nd-century Meghasūtra (“Cloud Sutra”) in those passages which contain ritual instructions.—Accordingly, “He who desires a mighty rain must perform this rite ‘the great-cloud-circle’ in an open space, overspread by a blue canopy (nīla-vitāna-vitata), shaded by a blue banner, on a clear spot of earth; [being] a prophet of the Law, seated on a blue seat, fasting according to the aṣṭāṅga, with well-washed limbs, clad in pure raiment, anointed with fragrant odour, wearing the three white stripes, he must recite it for a day and night continuously facing the east; [...]”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
In Jainism
General definition (in Jainism)
Vitata (वितत) refers to one of the four types of contrived sound (prāyogika) according to the 2nd-century Tattvārthasūtra 5.24.—What is the meaning of vitata sound? It is the sound produced by stringed musical instruments e.g. violin, vīṇā etc.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance’) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Pali-English dictionary
vitata : (pp. of vitanoti) stretched; extended; diffused.
vitthata : (pp. of vittharati) extended; wide; spread out.
Vitata, (pp. of vitanoti) stretched, extended, diffused S. I, 207; Sn. 272, 669 (v. l. vitthata); J. I, 356 (tanta° where the strings were stretched); Miln. 102, 307; Mhvs 17, 31 (vallīhi v.) — nt. vitata a drum (with leather on both sides) VvA. 37. (Page 620)
1) Vitthata, 2 (pp. of vitthāyati (?). A difficult form!) perplexed, confused, hesitating Miln. 36 (bhīta+). Ed. Müller, P. Gr. 102 considers it as pp. of vi+tras to tremble, together with vitthāyati & vitthāyi. (Page 621)
2) Vitthata, 1 (pp. of vi+stṛ) 1. extended, spread out, wide M. I. 178; Vin. I, 297; J. V, 319; Miln. 311; SnA 214; PvA. 68 (doubtful!).—2. wide, spacious (of a robe) Vin. III, 259.—3. flat SnA 301. (Page 621)
1) vitata (ဝိတတ) [(ti) (တိ)]—
[vi+tanu+ta．vitata+ṇa．vitata+sarīra．]
[ဝိ+တနု+တ။ ဝိတတ+ဏ။ ဝိတတ+သရီရ။]
2) vitata (ဝိတတ) [(ti) (တိ)]—
[vi+tanu+ta．visesena saddaṃ tanotīti vitataṃ．ṭī．141．vitata-saṃ,prā．vitata,vitayaaddhamāgadhī．]
[ဝိ+တနု+တ။ ဝိသေသေန သဒ္ဒံ တနောတီတိ ဝိတတံ။ ဓာန်၊ဋီ။၁၄၁။ ဝိတတ-သံ၊ပြာ။ ဝိတတ၊ ဝိတယအဒ္ဓမာဂဓီ။]
3) vitthata (ဝိတ္ထတ) [(ti) (တိ)]—
[vi+tanu+ta．ṭī．745-6．- vi+thara+ta．nirutti．vitthaṭa-．]
[ဝိ+တနု+တ။ ဓာန်၊ဋီ။၇၄၅-၆။ တစ်နည်း- ဝိ+ထရ+တ။ နိရုတ္တိ။ ဝိတ္ထဋ-ကြည့်။]
1) vitthata (ဝိတ္ထတ) [(ti) (တိ)]—
[vi+the+ta．mahāvisaya cī．]
[ဝိ+ထေ+တ။ မဟာဝိသယသုတ်ဖြင့် စီရင်။]
2) vitthaṭa (ဝိတ္ထဋ) [(ti) (တိ)]—
[vi+thara+ta．vistata-saṃ．vitthaḍa,vitthaya-prā,addhamāgadhī．]
[ဝိ+ထရ+တ။ ဝိသ္တတ-သံ။ ဝိတ္ထဍ၊ ဝိတ္ထယ-ပြာ၊ အဒ္ဓမာဂဓီ။]
3) vitthāyita (ဝိတ္ထာယိတ) [(ti) (တိ)]—
[vi+the+ta．nīti,dhātu．2va9．vi+thā+ta．nirutti．385-nhā．vitthāya (nāma)+ta．]
[ဝိ+ထေ+တ။ နီတိ၊ဓာတု။၂ဝ၉။ ဝိ+ထာ+တ။ နိရုတ္တိ။၃၈၅-နှာ။ ဝိတ္ထာယ (နာမဓာတ်)+တ။]
[Pali to Burmese]
1) vitata—
(Burmese text): (၁) အောက်,အထက်ဖြန့်လျက် နွယ်ယှက်သော။ (၂) ဖြန့်စီအပ်သော။ (၃) ပြွမ်းသော။ (၄) (ကြော့ကွင်း) ထောင်အပ်သော။ (၅) ကျယ်ပြန့်သော။ (၆) တွန့်လိပ်သော။ (န) (၇) ဝိတတစည်၊ နှစ်ဖက်ပိတ်စည်၊ မျက်နှာဝ-မျက်နှာပြင်-နှစ်ဖက်ရှိသော စည်။ (၈) ဖောက်ပြန်-ချွတ်ယွင်း-သော။
(Auto-Translation): (1) Spread below and above, scattered. (2) Distributed. (3) Broadened. (4) (Surrounding) Confined. (5) Wide. (6) Dense. (7) Double-faced, two-sided, having a surface on both sides. (8) Irregular, deviating.
2) vitata—
(Burmese text): ကျယ်ပြန့်-ကြီး-သော၊ ကြီးသော ကိုယ်ရှိသော။
(Auto-Translation): Broad, large, and having a large body.
1) vitthata—
(Burmese text): (၁) ကျယ်ပြန့်သော။ (၂) ပျံ့နှံ့သော။ (၃) ပြန့်သော။ (၄) ကြီးသော။ (၅) အနံအပြန့်။ (န) (၆) ဝိတ္ထတသုတ် ၂-သုတ်။ (၇) ဝိတ္ထတဓနသုတ်။ (၈) ပြန့်ရာ။ (ထီ) (၉) ဝိတ္ထတာမည်သော မြစ်။ (၈) ဝိတ္ထတဋ္ဌာန-ကြည့်။
(Auto-Translation): (1) Wide. (2) Spread. (3) Expansive. (4) Large. (5) Wide in range. (6) Two channels of vibrations. (7) Vibrational frequency. (8) Expanding. (9) The river that will vibrate. (10) Vibrational department - view.
2) vitthata—
(Burmese text): ဖောက်ပြန်သော အားဖြင့်-ကြမ်း-ကြမ်းတမ်း-ခက်ထန်-ခိုင်မာ-သော ကိုယ်ရှိ-ကိုယ်ခက်ထရောရှိ-ကြက်သေသေ-ယို့ယီးယို့တို့ရှိ-ရွံ့ရှာ-ကြောက်ရွံ့-ရှိုးတိုးရှန့်တန့်ဖြစ်-သော။
(Auto-Translation): With a rebellious strength - tough - harsh - hard - strong - with difficulty - experiencing hardship - feeling terrified - having a feeling of unease - showing discomfort - becoming uneasy.
3) vitthaṭa—
(Burmese text): ပျံ့နှံ့-ပြန့်ပြော-ကြီးကျယ်-သော။
(Auto-Translation): Widespread and widely spoken.
4) vitthāyita—
(Burmese text): (၁) (က) (ကိုယ်,လက်) ခက်ထရော်-တောင့်တင်း-ခိုင်မာ-သော၊ သူ။ (ခ) ကြောက်ရွံ့-ထိတ်လန့်-ရွံ့ရှာ-သော၊ ရွံ့ထီး ရွံ့တွံရှိသော၊ သူ။ (န) (၂) ရွံ့တီး ရွံ့တွံ့-ရှိုးတိုးရှန့်တန့်-ဖြစ်ခြင်း၊ ကြောက်ရွံ့ခြင်း။
(Auto-Translation): (1) (a) (Body, hand) strong, firm, resilient, he. (b) Fearful, frightened, distressed, he who has fear and anxiety. (n) (2) The state of being distressed and anxious, feeling fear.
Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionary
vitata (वितत).—p S Stretched, spread, expanded, extended.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Vitata (वितत).—p. p.
1) Spread out, extended, stretched; अमुं यज्ञं विततमेयाय (amuṃ yajñaṃ vitatameyāya) Ch. Up.1.1.7.
2) Elongated, large, long, broad; विततवपुषा महाहिना (vitatavapuṣā mahāhinā) Kirātārjunīya 12.22; भवति वितत- श्वासोन्नाहप्रणुन्नपयोधरम् (bhavati vitata- śvāsonnāhapraṇunnapayodharam) Mālatīmādhava (Bombay) 1.15.
3) Performed, accomplished, effected; विततयज्ञः (vitatayajñaḥ) Ś.7.34.
4) Covered.
5) Diffused.
6) Gone away; शब्दवेध्यं च विततम् (śabdavedhyaṃ ca vitatam) Rām 1.5. 2.
7) Drawn (as a bow string).
8) Bent (as a bow); (see tan with vi).
-tam 1 Any stringed instrument, such as a lute &c.
2) A shoot, tendril (pratāna); विचिताश्च महागुल्मा लताविततसंतताः (vicitāśca mahāgulmā latāvitatasaṃtatāḥ) Rām.4.47.12.
Vitata (वितत).—mfn.
(-taḥ-tā-taṃ) 1. Stretched, spread, expanded. 2. Pervaded, diffused. 3. Lengthened. 4. Large, broad. 5. Covered. 6. Performed. n.
(-taṃ) Any stringed instrument. E. vi before, tata stretched.
Vitata (वितत).—[adjective] spread out, extended, covered with ([instrumental] or —°); extensive, broad, wide, [neuter] [adverb]; [abstract] tva† [neuter] extent.
1) Vitata (वितत):—[=vi-tata] a etc. See below.
2) [=vi-tata] [from vi-tan] b mfn. spread out, extended etc.
3) [v.s. ...] diffused, drawn (as a bow-string), [Ṛg-veda]
4) [v.s. ...] bent (as a bow), [Rāmāyaṇa]
5) [v.s. ...] covered, filled, [Harivaṃśa]
6) [v.s. ...] prepared (as a road), [Atharva-veda]
7) [v.s. ...] extensive, far-spreading, broad, wide (am ind.), [Vājasaneyi-saṃhitā] etc. etc.
8) [v.s. ...] n. any stringed instrument (such as a lute etc.), [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
Vitata (वितत):—[(taḥ-tā-taṃ) a.] Stretched; pervaded; lengthened. n. Any stringed instrument.
Vitata (वितत):—s. u. 1. tan mit vi; davon tva n. grosser Umfang: dehasya [Harivaṃśa 12375] [?= Mārkāṇḍeyapurāṇa 47, 10 = Viṣṇupurāṇa bei MUIR, Stenzler IV, 32, 13.]
Vitata (वितत) in the Sanskrit language is related to the Prakrit words: Viaṇiya, Viaya, Vitata.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
Vitata (वितत) [Also spelled vitat]:—(a) spread out, extended; drawn (as a bow-string); hence [vitati] (nf).
...
Prakrit-English dictionary
Vitata (वितत) in the Prakrit language is related to the Sanskrit word: Vitata.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
Kannada-English dictionary
Vitata (ವಿತತ):—
1) [adjective] spread out; extended; diffused.
2) [adjective] good; excellent.
3) [adjective] prepared; readied; made.
--- OR ---
Vitata (ವಿತತ):—[noun] any stringed instrument.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Tamil dictionary
Vitātā (விதாதா) noun < vidhātā nominative singular of vidhātṛ.
1. See விதாதிரு [vithathiru],
1. விதாதாவின் றலை கொண்ட செண்டா [vithathavin ralai konda senda] (தேவாரம் [thevaram] 441, 5).
2. Arhat; அருகன். (சூடாமணிநிகண்டு). [arugan. (sudamaninigandu).]
Tamil is an ancient language of India from the Dravidian family spoken by roughly 250 million people mainly in southern India and Sri Lanka.
Nepali dictionary
Vitata (वितत):—adj. 1. spread out; extended; stretched; 2. elongated; large; broad; 3. covered; 4. diffused; n. any stringed instrument such as a lute;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: The, The, Vi, Luo, Da, Te, Tanu, Tara, Tata, Ta.
Starts with (+8): Vidathari, Vitata-akkacol, Vitatadhanvan, Vitatadhvara, Vitataittal, Vitatajala, Vitatakantan, Vitatam, Vitatama, Vitatana, Vitatanha, Vitatantakam, Vitatantaramsa, Vitatapo, Vitatarai, Vitataram, Vitataran, Vitatarupa, Vitatarupatva, Vitatasarira.
Full-text (+86): Vitatam, Govitata, Vitatatva, Vitthatatara, Vitthatattha, Atatavitata, Vitthata Sutta, Vitatadhanvan, Vitatotsava, Gambhiravitthata, Vitthatatthana, Vitthatappamana, Timsayojanavitthaka, Cattalisahatthavitthata, Vitatasarira, Pancadasayojanavitthata, Ramsijalavitata, Pannasayojanavitthata, Atthusabhavitthata, Cuddasahatthavitthatapallankabhava.
Relevant text
Search found 59 books and stories containing Vitata, Vi-tanu-ta, Vi-tata, Vi-thara-ta, Vi-the-ta, Vidada, Vidhadha, Vitatā, Vitātā, Vithaathaa, Vithatha, Vitthata, Vitthaṭa, Vitthayita, Vitthāyita; (plurals include: Vitatas, tas, tatas, Vidadas, Vidhadhas, Vitatās, Vitātās, Vithaathaas, Vithathas, Vitthatas, Vitthaṭas, Vitthayitas, Vitthāyitas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Rig Veda (translation and commentary) (by H. H. Wilson)
Bhagavad-gita (with Vaishnava commentaries) (by Narayana Gosvami)
Verse 4.32 < [Chapter 4 - Jñāna-Yoga (Yoga through Transcendental Knowledge)]
Manasollasa (study of Arts and Sciences) (by Mahadev Narayanrao Joshi)
6. Music in Somesvara’s Manasollasa < [Chapter 4 - Fine arts in Manasollassa]
Vaishnava Myths in the Puranas (by Kum. Geeta P. Kurandwad)
The Legends and Myth of Sarma < [Chapter 2 - Varieties of Myths]
Architectural data in the Puranas (by Sharda Devi)
Vastu-pada-vinyasa—the plan < [Chapter 2 - What is Vastu]
Kausika Sutra (study) (by V. Gopalan)