Kartari, aka: Kartarī; 5 Definition(s)
Introduction
Kartari means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Kartarī (कर्तरी) refers to one of the five characteristics of the hand (upahasta) according to the Nāṭyaśāstra chapter 33. Accordingly, “the movement of the forefinger and the thumb of the two hands by letting them fall one after another is called Kartarī”.
Source: Wisdom Library: Nāṭya-śāstra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)
Kartari refers to “scissors”, representing one of the several “attributes” (āyudha) or “accessories” of a detiy commonly seen depicted in Hindu iconography, defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The śilpa texts have classified the various accessories under the broad heading of āyudha or karuvi (implement), including even flowers, animals, and musical instruments. Some of the work tools held in the hands of deities are, for example, Kartari.
Source: Shodhganga: The significance of the mūla-beras (śilpa)
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Kartarī (कर्तरी, “chopper”).—The chopper is especially associated with Vajrayoginī in the Guhyasamayasādhanamālā and symbolizes the “choppig off” of defilements. It is mentioned, for example, in the twenty-one-verse stotra (verse 42.8): “Homage to you, Vajrayoginī! You who hold a skull bowl and staff on your left and a chopper on your right; who hold empitness and compassion.”
Source: Wisdomlib Libary: Vajrayogini
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
Marathi-English dictionary
kartarī (कर्तरी).—f Scissors.
Source: DDSA: The Aryabhusan school dictionary, Marathi-EnglishMarathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionary
Kartarī (कर्तरी).—
1) Scissors.
2) A knife.
3) Cutlass, small sword.
4) (kartarī) A kind of dance.
See also (synonyms): kartarikā.
Source: DDSA: The practical Sanskrit-English dictionarySanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Relevant definitions
Search found 109 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
| Kartarimukha | Kartarīmukha (कर्तरीमुख) or Kartarīmukhahasta refers to “scissors-like” and represents one of t... | |
| Kartari-svastika |
One of the saṃyutta-hastāni (Twenty-four combined Hands).—Kartarī-svastika (crossed ar... | |
| Kartari Hasta |
Kartari—Attributes are often held with this gesture. If the gesture is made without an... | |
| Rama | 1) Rāma (राम) is the son of king Daśaratha who was sent to the forest with his wife Sītā and hi... | |
| Hasta | Hasta (हस्त) and Mudrā both refer to “gestures” (made with the hand), and forms one of the... | |
| Jiva | Jīvā (जीवा) is another name for Jīvantī, a medicinal plant identified with Leptadenia reticulat... | |
| Mala | Mālā (माला) or Mālāmudrā is the name of a mudrā described in the Īśvarasaṃhitā 24.27-29.—Accord... | |
| Purana | Purāṇa (पुराण) refers to the “record of ancient events” and is one of the nine divisions of the... | |
| Gana | Gaṇā (गणा).—A female attendant of Skanda. (Śalya Parva, Chapter 46, Verse 3). | |
| Shami | Śamī (शमी) is the name of a tree (Khejaḍa) that is associated with the Nakṣatra (celestial star... | |
| Jata | Jaṭa refers to “hairlock” which was popularly used in dance, as mentioned in the Cilappatikāram... | |
| Kosha | Koṣā (कोषा).—A river. It is stated in Mahābhārata, Bhīṣma Parva, Chapter 9, Stanza 27, that the... | |
| Varsha | 1) Varṣa (वर्ष).—The teacher of Vararuci. (For details see under Vararuci).2) Varṣa (वर्ष).—See... | |
| Mayura | Mayūra (मयूर) participated in the war between Rāma and Rāvaṇa, on the side of the latter, as me... | |
| Japa | Japa (जप, “recitation”).—There are three kinds of japa: reciting in oneʼs mind,in a low voice, ... |
Relevant text
Search found 6 books and stories containing Kartari or Kartarī. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Chapter 25 - Hands denoting Trees
Chapter 28 - Hands denoting Water Creatures
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 9.32 < [Section III - To whom does the Child belong?]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Thirty-six weapons < [Notes]
A History of Indian Philosophy Volume 3 (by Surendranath Dasgupta)
Part 3 - Āḻvārs and Śrī-vaiṣṇavas on certain points of controversy in religious dogmas < [Chapter XVII - The Āḻvārs]
The Natyashastra (by Bharata-muni)
Shakti and Shakta (by John Woodroffe)
Chapter XXIV - Śakti as Mantra (Mantramayi Śakti) < [Section 3 - Ritual]