Kartari, Kartarī: 7 definitions
Kartari means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Kartarī (कर्तरी) refers to one of the five characteristics of the hand (upahasta) according to the Nāṭyaśāstra chapter 33. Accordingly, “the movement of the forefinger and the thumb of the two hands by letting them fall one after another is called Kartarī”.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)Source: Shodhganga: The significance of the mūla-beras (śilpa)
Kartari refers to “scissors”, representing one of the several “attributes” (āyudha) or “accessories” of a detiy commonly seen depicted in Hindu iconography, defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The śilpa texts have classified the various accessories under the broad heading of āyudha or karuvi (implement), including even flowers, animals, and musical instruments. Some of the work tools held in the hands of deities are, for example, Kartari.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: Wisdomlib Libary: Vajrayogini
Kartarī (कर्तरी, “chopper”).—The chopper is especially associated with Vajrayoginī in the Guhyasamayasādhanamālā and symbolizes the “choppig off” of defilements. It is mentioned, for example, in the twenty-one-verse stotra (verse 42.8): “Homage to you, Vajrayoginī! You who hold a skull bowl and staff on your left and a chopper on your right; who hold empitness and compassion.”
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Aryabhusan school dictionary, Marathi-English
kartarī (कर्तरी).—f Scissors.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
2) A knife.
3) Cutlass, small sword.
4) (kartarī) A kind of dance.
See also (synonyms): kartarikā.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Ends with: Premapiyushalatakartari.
Full-text (+95): Kartarimukha, Kartarika, Kartari-svastika, Ambarisha, Dundupha, Shami, Hintala, Kuruvaka, Premapiyushalatakartari, Vyatihara, Anudhyaya, Ancati, Admara, Bhartribhratri, Kathari, Timita, Atya, Avabuddha, Adikarman, Apatanaka.
Search found 6 books and stories containing Kartari, Kartarī; (plurals include: Kartaris, Kartarīs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
A History of Indian Philosophy Volume 3 (by Surendranath Dasgupta)
Part 3 - Āḻvārs and Śrī-vaiṣṇavas on certain points of controversy in religious dogmas < [Chapter XVII - The Āḻvārs]
The Natyashastra (by Bharata-muni)
Shakti and Shakta (by John Woodroffe)