Griva, Grīva, Grīvā: 16 definitions
Griva means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)Source: Wisdom Library: Nāṭya-śāstra
Grīvā (ग्रीवा) refers to the “Neck”. It is one of the parts of the human body with which gestures (āṅgika) are performaned, according to the Nāṭyaśāstra chapter 8. These gestures form a part of the histrionic representation (abhinaya).
These are the nine ‘gestures of the neck’ (grīvā):
- samā (natural),
- natā (bent),
- unnatā (elevated),
- tryasrā (triangular),
- recitā (purged),
- kuñcitā (contracted),
- añcita (arched),
- valitā (turned) or vāhitā,
- nivṛttā (retreated).
Knowers of mood (bhāva) have declared that there are four Necks (grīva): Sundari, Tirascīna, Parivartita, Prakampita.Source: Shodhganga: The significance of the mūla-beras (natya)
Grīva (ग्रीव, “neck”) refers to one of the seven “major limbs” (aṅga), which represents a division of Āṅgikābhinaya (gesture language of the limbs) as used within the classical tradition of Indian dance and performance, also known as Bharatanatyam.—Āṅgika-abhinaya is the gesture language of the limbs. Dance is an art that expresses itself through the medium of body, and therefore, āṅgikābhinaya is essential for any dance and especially for any classical dance of India. Aṅgas or major limbs include the head, hands, chest, sides, waist, and feet; at times the neck (Grīva) is also used as a separate limb.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)Source: Google Books: The Theory of Citrasutras in Indian Painting
According to the Matsya Purāṇa, Grīva (neck) is 4 aṅgulas
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Vastushastra (architecture)Source: Wisdom Library: Vāstu-śāstra
Grīva (ग्रीव) refers to the “neck” of a temple (prāsāda or vimāna). It is considered the fourth part in the ṣaḍvarga structure.Source: Google Books: Indian Temple Architecture: Form and Transformation
Grīvā (ग्रीवा).—A type of moulding;—‘Grīvā’ means neck. It is the recess below the śikhara, which is the ‘head’, and in its earlier, more representational forms depicts an upper room, the habitable part of the superstructure, below the roof. Read horizontally, it is a verandah or gallery running a hāra.Source: Shodhganga: Temples of Salem region Up to 1336 AD
Grīva (ग्रीव) and the śikhara are built above the vedi. Grīva and śikhara may be monolithic or masonry. The grīva of the prāsāda is a very important recessed part. The height of the grīva will be proportionate to the size of the śikhara. The shape of the grīva also corresponds to that of the śikhara. The sides of the grīva accommodate grīvakoṣṭas. It is also provided with bhadranīdas, which are occasionally relieved like a pillaret.
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Purana and Itihasa (epic history)Source: archive.org: Puranic Encyclopedia
Grīvā (ग्रीवा).—A daughter in bird form born to Kaśyapaprajāpati by his wife Tāmrā. Grīvā had the following sisters, Kākī, Śyenī, Bhāsī, Gṛddhrikā and Śuci, all birds. (Agni Purāṇa, Chapter 1).
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
Grīvā (ग्रीवा, “neck”) refers to that part of the human body from which the Buddha emitted numerous rays when he smiled with his whole body after contemplating the entire universe, according to the 2nd century Mahāprajñāpāramitāśāstra (chapter XIV).—Accordingly, having himself arranged the lion-seat, the Bhagavat sat down cross-legged; holding his body upright and fixing his attention, he entered into the samādhirājasamādhi. Then, having tranquilly come out of this samādhi and having contemplated the entire universe with his divine eye (divyacakṣus), the Bhagavat smiled with his whole body. Wheels with a thousand spokes imprinted on the soles of his feet (pādatala) shoot out six hundred prabhedakoṭi of rays. In the same way, beams of six hundred prabhedakoṭi of rays are emitted from his neck (grīvā).
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
Tibetan Buddhism (Vajrayana or tantric Buddhism)Source: Wisdom Library: Tibetan Buddhism
Grīvā (ग्रीवा) is the name of Vidyārājñī (i.e., “wisdom queen”) mentioned as attending the teachings in the 6th century Mañjuśrīmūlakalpa: one of the largest Kriyā Tantras devoted to Mañjuśrī (the Bodhisattva of wisdom) representing an encyclopedia of knowledge primarily concerned with ritualistic elements in Buddhism. The teachings in this text originate from Mañjuśrī and were taught to and by Buddha Śākyamuni in the presence of a large audience (including Grīvā).
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayāna) are collected indepently.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
grīvā (ग्रीवा).—f (S) The back part of the neck, the region of the nape, and commonly the neck.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
grīvā (ग्रीवा).—f The neck, the region of the nape.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionarySource: DDSA: The practical Sanskrit-English dictionary
Grīvā (ग्रीवा).—[giratyanayā, gṝ-vanip ni° Uṇ.1.152] The neck, the back part of the neck; ग्रीवाभङ्गाभिरामं मुहुरनुपतति स्यन्दने दत्तदृष्टिः (grīvābhaṅgābhirāmaṃ muhuranupatati syandane dattadṛṣṭiḥ) Ś.1.7.Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-vā) 1. The neck. 2. The back part of the neck, the nape, the tendon of the Trepazium muscle. E. gṝ to swallow, vanip Unadi affix girati anayā gṝ vanip nipātane .Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary
Grīvā (ग्रीवा).—f. The neck, [Mānavadharmaśāstra] 8, 283.Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary
1) Grīva (ग्रीव):—m. the neck, [Ārṣeya-brāhmaṇa]
2) a corridor (?), [Bālarāmāyaṇa x, 100/101]
3) Grīvā (ग्रीवा):—[from grīva] a f. the back part of the neck, nape, neck (in the earlier literature generally [plural]; cf. also, [Pāṇini 4-3, 57]), [Ṛg-veda; Vājasaneyi-saṃhitā; Atharva-veda] etc. (ifc. cf. [Pāṇini 6-2, 114] f(ā). , [Mahābhārata i, 6662])
4) [v.s. ...] the tendon of the trapezium muscle, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
5) [v.s. ...] the neck part of the hide of an animal, [Śatapatha-brāhmaṇa iii]
6) [v.s. ...] the neck of a bottle, [Varāha-mihira’s Bṛhat-saṃhitā iii, 37]
7) Grīva (ग्रीव):—cf. asita-, ṛkṣa-, kambu-, kalmāṣa-, kṛṣṇa-, tuvi-, niṣka-, etc.; cf. also [Lithuanian] galwā; [Russian] glava & golova.
8) Grīvā (ग्रीवा):—[from grīva] b f. of va q.v.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Ends with (+54): Anantagriva, Arkagriva, Ashvagriva, Asitagriva, Bahulagriva, Carmagriva, Chipitagriva, Chitragriva, Cipitagriva, Citragriva, Dashagriva, Dhvajagriva, Dirghagriva, Dundubhigriva, Gauragriva, Harasvagriva, Hastigriva, Hayagriva, Kalmashagriva, Kambugriva.
Full-text (+159): Vakragriva, Ushtragriva, Dashagriva, Mahagriva, Grivaghanta, Manigriva, Kambugriva, Hayagriva, Panktigriva, Rajagriva, Shikhigriva, Grivalika, Grahuka, Grivin, Grivabila, Valin, Graiveya, Dirghagriva, Graiva, Svarnagriva.
Search found 16 books and stories containing Griva, Grīva, Grīvā; (plurals include: Grivas, Grīvas, Grīvās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Manasara (English translation) (by Prasanna Kumar Acharya)
Early Chola Temples (by S. R. Balasubrahmanyam)
Seven-storeyed Gopuram: Chidambaram < [Chapter XIII - Prasada: Component Parts]
Temples in Kanchipuram < [Chapter X - Historical Survey]
Vimana and Vimana-devatas < [Chapter XIII - Prasada: Component Parts]
Later Chola Temples (by S. R. Balasubrahmanyam)
Temples in Kaniyamur < [Chapter II - Temples of Kulottunga I’s Time]
Temples in Appakkam < [Chapter X - Temples of Rajadhjraja II’s Time]
Temples in Solapuram < [Chapter II - Temples of Kulottunga I’s Time]
Middle Chola Temples (by S. R. Balasubrahmanyam)
Temples in Marakkanam < [Chapter II - Temples of Rajaraja I’s Time]
Temples in Pasuvandanai < [Chapter II - Temples of Rajaraja I’s Time]
Temples In Tiruvalanjuli < [Chapter II - Temples of Rajaraja I’s Time]
Puranic encyclopaedia (by Vettam Mani)