Angikabhinaya, aka: Angika-abhinaya, Āṅgikābhinaya; 5 Definition(s)


Angikabhinaya means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Natyashastra (theatrics and dramaturgy)

Angikabhinaya in Natyashastra glossary... « previous · [A] · next »

Āṅgikābhinaya (आङ्गिकाभिनय, “physical expression”) is a Sanskrit technical term used in Nāṭyaśāstra. It is of three types:

  1. Śākhā (‘branch’, various movements of the hand),
  2. Aṅkura (‘sprout’, movements of the hand supplemental to an idea),
  3. Nṛtta (‘dance’, made up of karaṇas and aṅgahāras).
Source: Wisdom Library: Nāṭya-śāstra

Aṅgikābhinaya refers to the “exposition by means of the gestures of the body and limbs”.

Source: The mirror of gesture (abhinaya-darpana)

Angikābhinaya (अन्गिकाभिनय) or simply āṅgika refers to the first of four categories of abhinaya (histrionic representation). Angika-abhinaya is an expression through gestures, postures, movements of each part of the body and gait. Abhinaya is the imitation of the thing seen by self or is an expression of sentiment experienced by oneself.

Source: Illustrations of Indian Music and Dance in Western Indian Style (natya)

Angika (or physical): One of the four Abhinaya (expressional aspect of dance). Meaning is conveyed through body movements, including hastamudras (hand gestures), mandis (postures) and even the walk of the dancer. It is named as such because it is expressed in Three ways by anga, pratyanga and upanga.

Source: Indian Classical Dances: Techniques of classical dances

Āṅgikābhinaya (आङ्गिकाभिनय) refers to the “gesture language of the limbs” and represents one of the four kinds of abhinaya (“histrionic representation”) as used within the classical tradition of Indian dance and performance, also known as Bharatanatyam.—Āṅgika means that which is derived from the aṅga—the body limbs. Āṅgika-abhinaya is the gesture language of the limbs. Dance is an art that expresses itself through the medium of body, and therefore, āṅgikābhinaya is essential for any dance and especially for any classical dance of India. The whole body is the sole medium of expression in dance and hence each part of the body, from major limbs to minor limbs, is minutely concentrated on.

Āṅgikābhinaya is of three types:

  1. aṅgas or major limbs,
  2. pratyaṅgas or minor limbs,
  3. upāṅgas or subsidiary limbs.

Thus one can find that āṅgikābhinaya is not an exercise or rigid movement of the body, but it brings out the aesthetic sense in the spectator when it is combined with the other three elements of abhinaya.

The āṅgikābhinaya is elaborated in the chapters 8-13 of Bharata’s Nāṭyaśāstra, chapters 2-6 of Nandikeśvara’s Abhinayadarpaṇa, chapters 1-6 and 8-10 of Bharatārṇava, chapters 1-11 of Abhinaya Navanita and chapter 5 of Abhinaya Sāra Saṃputa.

Source: Shodhganga: The significance of the mūla-beras (natya)
Natyashastra book cover
context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).

Discover the meaning of angikabhinaya in the context of Natyashastra from relevant books on Exotic India

Relevant definitions

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Abhinaya (अभिनय).—m. (-yaḥ) 1. Indication of a passion or purpose by look, gesture, &c. 2. ...
Aṅgikā (अङ्गिका).—f. (-kā) A kind of bodice or jacket. E. aṅga the body and ikan aff.--- OR ---...
Āhāryābhinaya (आहार्याभिनय) refers to the “extraneous representation” and represents one of the...
Vācikābhinaya (वाचिकाभिनय) refers to the “verbal expression” and represents one of the four kin...
Sātvikābhinaya (सात्विकाभिनय) or simply sātvika refers to the first of four categories of abhin...
Pañcāṅgika (पञ्चाङ्गिक).—adj. (in general sense Sanskrit), (1) ep. of tūrya (as in Pali pañcaṅg...
Caturaṅgika (चतुरङ्गिक).—A kind of horse, having four curls on the forehead; यस्य ललाटे भ्रमरचत...
Sāmānyābhinaya (सामान्याभिनय).—The ‘harmonious representation’ (sāmānyābhinaya) is that in whic...
Abhinayadarpaṇa (circa A.D. 1000) is the name of an important treatise dealing with Dance and P...
Sāttvikābhinaya (सात्त्विकाभिनय) refers to the “art of expression” (through acting out the diff...
Abhinaya Navanita (A.D. 1886) is the name of an important treatise dealing with Dance and Peror...
Sūcābhinaya (सूचाभिनय) is another name for simply sūcā, one of the representations through whic...
Aṅkurābhinaya (अङ्कुराभिनय) is another name for simply aṅkura, one of the representations throu...
Śākhābhinaya (शाखाभिनय) is another name for simply śākhā, one of the representations through wh...
Lalitābhinaya (ललिताभिनय).—a. consisting of graceful gesticulations or acting; ललिताभिनयं तमद्य...

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