The Sanskrit term Saṅgītopaniṣatsāroddhāra can be transliterated into English as Sangitopanisatsaroddhara or Sangitopanishatsaroddhara, using the IAST transliteration scheme (?).

In Hinduism

Natyashastra (theatrics and dramaturgy)

Source: Google Books: Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition

Saṅgītopaniṣatsāroddhāra (सङ्गीतोपनिषत्सारोद्धार) is a treatise on music and dance written in the fourteenth century (1350 A.D.) by the Jaina writer Sudhākalaśa. The writer says that it is an abridged version of his previous and larger work, Saṅgītopaniṣat, written in 1324 A.D.

Source: Academia.edu: Tellings and Texts: Music, Literature, and Performance in North India

Saṅgītopaniṣatsāroddhāra (सङ्गीतोपनिषत्सारोद्धार), a text from Gujarat written about 1350 by the Jain author Sudhakalasa is the earliest in which we find visualisations for male and female ragas. It contains a scheme of six male ragas and thirty-six females called bhashas, all described in the style of deities visualised for worship. An earlier set illustrating the descriptions in the Sangitopanishatsaroddhara is found on the border of a Jain Kalpasūtra manuscript dating to about 1450.

context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

See also (Relevant definitions)

Full-text (+178): Krishna, Shveta, Aya, Raudri, Krodha, Sukha, Sthira, Vajrika, Vedhaka, Ratika, Gajakranta, Garuda, Mandakini, Sukhavaha, Surupa, Chandovati, Daivaka, Ajakhyata, Vidheya, Bhima.

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