Omkara, aka: Om-kara, Oṃkāra; 4 Definition(s)
Omkara means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Nāṭyaśāstra (theatrics and dramaturgy)
Oṃkāra (ओंकार) is a Sanskrit word referring to a deity. Acording to the Nāṭyaśāstra 1.88-95, when Brahmā, Indra and all other gods went to inspect the playhouse (nāṭyamaṇḍapa) designed by Viśvakarmā, he assigned different deities for the protection of the playhouse itself, as well as for the objects relating to dramatic performance (prayoga).
As such, Brahmā assigned Oṃkāra to the jester (vidūṣaka). The protection of the playhouse was enacted because of the jealous Vighnas (malevolent spirits), who began to create terror for the actors.(Source): Wisdom Library: Nāṭya-śāstra
Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).
Vaiṣṇavism (Vaiṣṇava dharma)
In Satya-yuga the only mantra was oṃkāra (oṃ tat sat). The same name oṃkāra is manifest in the mantra “Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare” Hare. Unless one is a brāhmaṇa, one cannot utter oṃkāra and get the desired result. But in Kali-yuga almost everyone is a śūdra, unfit for pronouncing the praṇava, oṃkāra. Therefore the śāstras have recommended the chanting of the Hare Kṛṣṇa mahā-mantra.(Source): VedaBase: Śrīmad Bhāgavatam 9.14.48
Vaiṣṇava (वैष्णव, vaishnava) or Vaiṣṇavism (vaishnavism) represents a tradition of Hinduism worshipping Viṣṇu as the supreme Lord. Similair to the Śāktism and Śaivism traditions, Vaiṣṇavism also developed as an individual movement, famous for its exposition of the daśāvatāra (‘ten avatars of Viṣṇu’).
Shaivism (Shaiva philosophy)
Oṃkāra (ओंकार) is the Sanskrit name of a deity presiding over Maheśvara, one of the sixty-eight places hosting a svāyambhuvaliṅga, which is one of the most sacred of liṅgas according to the Śaivāgamas. The list of sixty-eight svāyambhuvaliṅgas and presiding deities (eg., Oṃkāra) is found in the commentary on the Jirṇoddhāra-daśaka by Nigamajñānadeva. The word liṅga refers to a symbol used in the worship of Śiva and is used thoughout Śaiva literature, such as the sacred Āgamas.(Source): Wisdom Library: Śaivism
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
General definition (in Hinduism)
Oṃkāra is the bīja-mantra of all Mātṛkā Varṇa. Oṃkāra is the unified form of all sounds. There is sound wherever there is vibration. Every action is vibrational. Cosmic thought projection is also an action. It has vibrations and sounds. We cannot hear this supramundane sound with our physical ears. But if we can tune our mind with the help of the intuitional scientific process, we can apprehend that eternal sound Oṃkāra. This Oṃkāra is the sum total of all cosmic vibrations. All other sounds are different manifestations of this Cosmic Sound. It may appear gibberish to the ignorant but it has great mystic significance. To make it more clear let us take the example of the village market place. From a distance one feels as if people there are only gibbering; it is only din and noise. But as one goes near it all makes sense and the nonsensical sounds become meaningful words like, ‘Give me one kilo of peas’, ‘What is the price of cauliflower’, etc. Yet these very utterances, collectively, were meaningless syllables from a distance. ‘Just as all the sounds of the market place have been unified into one howl carrying sound wave, just as all have blended their respective thought waves into one howl, similarly all the sounds of the universe are implanted in one Oṃkāra. Omkāra is the unified form of all sounds.’(Source): Google Books: Tantra, Its Mystic and Scientific Basis
Search found 1770 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Saṃkara (संकर, “intermixing”) according to the 2nd-century Tattvārthasūtra 5.38.—What is the me...
Andhakāra (अन्धकार, “darkness”) according to the 2nd-century Tattvārthasūtra 5.24.—“Sound (śabd...
Kāra (कार).—An affix, given in the Prātiśākhya works and,by Kātyāyana also in his Vārttika, whi...
Prābhākara (प्राभाकर).—'A follower of Prabhākara', a follower of that school of Mīmāṁsā philoso...
Rathakara (रथकर) or Rathakāra (रथकार).—1) a coachbuilder, carpenter, wheel-wright; रथकारः स्वका...
Karatoyā (करतोया).—f. A river in Bengal (called sadānīrā).--- OR --- Karatoyā (करतोया).—Name of...
Sahakāra (सहकार).—a. Having the sound ह (ha); सहकारवृते समये सहका रहणस्य के न सस्मार पदम् । सहक...
ōm (ओम्).—ind S The mystic name of the Deity prefacing all the prayers of the Hindus. It is for...
śrīkāra (श्रीकार).—m The word śrī written at the top of a book, letter, or other piece of writi...
Veṣakāra (वेषकार) refers a member of a theatrical party, according to the Nāṭyaśāstra chapter 3...
Maṇikāra refers to “jewellers” and represents one of the various classes of workers mentioned i...
Vādakara (वादकर).—a. causing a dispute. Vādakara is a Sanskrit compound consisting of the terms...
Carmakāra (चर्मकार).—m. 1) a shoe-maker, currier; वंशचर्मकृतस्तथा (vaṃśacarmakṛtastathā) Rām. 2...
Sukhakara (सुखकर) or Sukhakāra (सुखकार).—a. giving pleasure, pleasant. Sukhakara is a Sanskrit ...
Cittakāra—a painter, a decorator (cp. rajaka) S.II, 101=III, 152; Th.2, 256; J.VI, 3...
Search found 17 books and stories containing Omkara, Om-kara or Oṃkāra. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Shiva Purana (by J. L. Shastri)
Chapter 10 - The five-fold activities (pañcakṛtya) and the Oṃkāra-mantra < [Section 1 - Vidyeśvara-saṃhitā]
Chapter 18 - The greatness of the Jyotirliṅga Oṃkāreśvara < [Section 4 - Koṭirudra-Saṃhitā]
Chapter 42 - The Twelve Jyotirliṅga incarnations < [Section 3 - Śatarudra-saṃhitā]
The Bhagavata Purana (by A.C. Bhaktivedanta Swami Prabhupada)
Chapter 6 - Maharaja Pariksit Passes Away < [Canto XII - The Age of Deterioration]
Chapter 14 - Lord Krishna Explains the Yoga System to Sri Uddhava < [Canto XI - General History]
Chapter 4 - Gajendra Returns to the Spiritual World < [Canto VIII - Withdrawal of the Cosmic Creations]
Yoga Vasistha [English], Volume 1-4 (by Vihari-Lala Mitra)
Chapter II - Orthography of om < [The om tat sat]
Chapter LIV - Quiescence of uddalaka < [Book V - Upasama khanda (upashama khanda)]
Chapter XV - Vasishtha’s visit to bhusunda < [Book VI - Nirvana prakarana part 1 (nirvana prakarana)]
Vedānta-sūtras Part II (by George Thibaut)
Devi Bhagavata Purana (by Swami Vijñanananda)
Chapter 3 - On the glories of the Rudrākṣa beads < [Book 11]
Chapter 22 - On the rules of Vaiśvadeva < [Book 11]
Brahma Purana (by G. P. Bhatt)
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