Padmaraga, Padmarāga, Padma-raga: 13 definitions
Padmaraga means something in Buddhism, Pali, Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Rasashastra (chemistry and alchemy)Source: Wisdom Library: Rasa-śāstra
Padmarāga-māṇikya (पद्मराग-माणिक्य):—One of the two variations of the Ruby gem (māṇikya, one of the navaratna, or nine gems), according to the 13th century Rasaprakāśasudhākara (Sanskrit work on Medical Alchemy).
This variation of the ruby is considered the best or the superior.
Rasashastra (रसशास्त्र, rasaśāstra) is an important branch of Ayurveda, specialising in chemical interactions with herbs, metals and minerals. Some texts combine yogic and tantric practices with various alchemical operations. The ultimate goal of Rasashastra is not only to preserve and prolong life, but also to bestow wealth upon humankind.
Vastushastra (architecture)Source: Wisdom Library: Vāstu-śāstra
Padmarāga (पद्मराग) refers to a type of temple (prāsāda) classified under the group named Sāndhāra, according to Samarāṅgaṇasūtradhāra chapter 56. The Sāndhāra group contains twenty-five out of a sixty-four total prāsādas (temples) classified under four groups in this chapter. The Samarāṅgaṇasūtradhāra is an 11th-century encyclopedia dealing with various topics from the Vāstuśāstra.
Vastushastra (वास्तुशास्त्र, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Purana and Itihasa (epic history)Source: archive.org: Puranic Encyclopedia
Padmarāga (पद्मराग).—See under Navaratna.Source: archive.org: Shiva Purana - English Translation
Padmarāga (पद्मराग) refers to a “Ruby”, representing the material for Indra’s liṅga, according to the Śivapurāṇa 2.1.12, where the Devas and Viṣṇu requested Viśvakarman for liṅgas for the achievement of the desires of all people:—“[...] at our bidding Viśvakarmā made liṅgas and gave them to the devas according to their status. [...] Indra took a liṅga made of Ruby (Padmarāga-liṅga). The son of Viśravas (Naiśravaṇa or Kubera) took a liṅga of gold. [...] Thus different kinds of liṅgas were given to them by Viśvakarmā which the devas and the celestial sages worship regularly. After giving the devas the various liṅgas from a desire for their benefit, Viṣṇu explained the mode of worship of Śiva to me, Brahmā”.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shilpashastra (iconography)Source: Shodhganga: The significance of the mūla-beras (śilpa)
Padmarāga (पद्मराग) refers a kind of precious stone (gem) used for the making of images (Hindu icons), as defined in the texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The materials listed in the Āgamas for the making of images are wood, stone, precious gems, metals, terracotta, laterite, earth, and a combination of two or three or more of the materials specified above. The precious stones mentioned in the Āgamas for the purpose of making images are [for example] padmarāga.
Precious stones (eg., padmarāga) are preferred materials for fashioning images.—The materials recommended in the śilpaśāstra for the fashioning of images are unburnt clay, burnt clay as in brick or terracotta, sudhā (a special kind of mortar/plaster), composite earth, wood, stone, metal, ivory, dhātu (mineral), pigment, and precious stones. Wood is considered superior to earth, stone as better than wood, metal better than stone, and precious stone (such as padmarāga) is the most preferred of all.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Mahayana (major branch of Buddhism)Source: Wisdom Library: Maha Prajnaparamita Sastra
Padmarāga (पद्मराग, “ruby”) refers to a type of jewel (ratna), into which the universe was transformed by the Buddha’s miraculous power (ṛddhibala) according to the 2nd century Mahāprajñāpāramitāśāstra (chapter XV). Note: this is a bright red pearl.
Also, “These jewels (eg, padmarāga) are of three types, Human jewels (manuṣya-ratna), Divine jewels (divya-ratna) and Bodhisattva jewels (bodhisattva-ratna). These various jewels remove the poverty (dāridrya) and the suffering (duḥkha) of beings”.
Mahayana (महायान, mahāyāna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sūtras of which some of the earliest are the various Prajñāpāramitā sūtras.
Languages of India and abroad
Marathi-English dictionarySource: DDSA: The Molesworth Marathi and English Dictionary
padmarāga (पद्मराग).—m S A ruby.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
padmarāga (पद्मराग).—m A ruby.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit-English dictionarySource: DDSA: The practical Sanskrit-English dictionary
Padmarāga (पद्मराग).—a ruby; R.13.53;17.23; Ku.3.53; Kau. A.2.11.29; आकरे पद्मरागाणां जन्म काचमणेः कुतः (ākare padmarāgāṇāṃ janma kācamaṇeḥ kutaḥ) || H.
Derivable forms: padmarāgaḥ (पद्मरागः), padmarāgam (पद्मरागम्).
Padmarāga is a Sanskrit compound consisting of the terms padma and rāga (राग).Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary
(-gaḥ) A ruby. E. padma a lotus, and rāga colour.Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary
Padmarāga (पद्मराग).—[masculine] a ruby (lotus-coloured).
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Search found 17 books and stories containing Padmaraga, Padmarāga, Padma-raga, Padma-rāga; (plurals include: Padmaragas, Padmarāgas, ragas, rāgas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Garuda Purana (by Manmatha Nath Dutt)
Chapter LXX - Tests of Ruby < [Agastya Samhita]
Chapter LXXIV - Tests of topas (puspa-raga) < [Agastya Samhita]
Chapter LXXII - Tests of Sapphires < [Agastya Samhita]
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Brihat Samhita (by N. Chidambaram Iyer)
The Mahabharata (English) (by Kisari Mohan Ganguli)
Rasa Jala Nidhi, vol 3: Metals, Gems and other substances (by Bhudeb Mookerjee)
Part 1 - Characteristics of Ruby (manikya) < [Chapter XV - Gems (3): Manikya (ruby)]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Chödrön)
Story of the fabulous gifts of Bindu < [Part 2 - Fulfilling the wishes of all beings]
Act 10.8: The Sahā universe transforms into jewels < [Chapter XV - The Arrival of the Bodhisattvas of the Ten Directions]