Kurmasana, Kūrmāsana, Kurma-asana: 13 definitions
Introduction:
Kurmasana means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Shilpashastra (iconography)
Source: Google Books: Elements of Hindu iconographyIn the Kūrmāsana (कूर्मासन), the legs are crossed so as to make the heels come under the gluteals. A description of the wooden seat known as Kūrmāsana is given in the Tamil work called Śaivasamaya-neri. The timber used for making this seat is the iluppai, karuṅgāli (ebony) or bilva (bael). The Kūrmāsana must have the oval shape proper for a mirror. The height of it has to be four aṅgulas, its breadth twelve, and it should be provided with the face and feet of a tortoise, these latter being one muṣṭi or seven aṅgulas in girth.
Source: Shodhganga: The significance of the mūla-beras (śilpa)Kūrmāsana (कूर्मासन) refers to a type of Āsana (sitting poses), according to Ganapati Sthapati in his text Ciṟpa Cennūl, as defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—Kūrmāsana in one context may mean that it is the tortoise, which serves as the seat (of a particular god or goddess of the river goddess Yamuna who is kūrmāsana), while in another it would indicate that type of sitting pose in which ‘the legs are crossed so as to make the heels come under the gluteals.
Rao describes four types of āsanas or pīṭhas, viz., bhadrapīṭha (bhadrāsana), kūrmāsana, pretāsana and siṃhāsana. The height of the first is divided into 16 parts, of which one forms the thickness of the upana or the basal layer; four, of the jagati or the next higher layer; three, of the kumuda; one, of the pattika; three, of the kantha; one, of the second pattika; two, of the broader mahāpattika; and one, of the ghṛtavari, the top-most layer. The kūrmāsana is to be made of wood and is to be of oval shape. It should be four aṅgulas high and twelve aṅgulas broad.
According to the Tamil work Saivasamayaneri, kūrmāsana is to be made of wood and is to be of oval shape; it should be four aṅgulas high and twelve aṅgulas broad, and the face and feet of a tortoise should be shown on it.
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Yoga (school of philosophy)
Source: Wisdom Library: YogaKūrmāsana (कूर्मासन) is one of the eighty-four āsanas (postures) taught by Śiva, according to the Haṭharatnāvalī 3.7-20. It is said that Ādinātha (Śiva) hand-picked 84 yoga postures from 84,00,000 living beings and taught them for the purpose of introducing physical health and well-being to the human body. The compound kūrmāsana translates to kūrma (turtle) and āsana (posture).
The 17th-century Haṭharatnāvalī is a Sanskrit reference book dealing with these āsanas (e.g., kūrmāsana) which form a major constituent of the haṭhayoga practice. It was written by Śrīnivāsa.
Source: Google Books: The Hatha Yoga PradipikaKurmāsana (कुर्मासन) is the name of an āsana (posture), according to Haṭhayogapradīpikā I.24.—Accordingly, “Placing the right ankle on the left side of anus, and the left ankle on the right side of it, makes what the Yogīs call kūrmāsana”.
The 15th-century Haṭhayogapradīpikā by Svātmārāma is one of the oldest extant texts dealing with haṭhayoga: an ancient form of meditation founded by Matsyendranātha. The first chapter of this book describes various āsanas (e.g., kūrma-āsana)
Source: archive.org: Gheranda SamhitaKūrmāsana (कूर्मासन) is one of the thirty-two āsanas (postures) taught in the second chapter of the Gheraṇḍasaṃhitā: “Placing the two ankles everted under the scrotum keep the spine, the neck and the head straight. This is called Kūrmāsana”.
Kūrmāsana is one of the selected 32 postures amongs 8,400,000 total mentioned by Śiva, according to Gheraṇḍasaṃhitā 2.1-2, “In all, there are as many Āsanas as species of animals. Eighty-four lacs of them are mentioned by Śiva. Out of them, 84 are regarded as important and among these 84, again 32 are good (enough) in this world of mortal beings”.
The 17th-century Gheraṇḍasaṃhitā (mentioning kūrma-āsana) is one of the three classic texts of Haṭha-yoga: a major branch of Yoga, sharing similarities with the Yoga system taught by Patañjali, though claiming its own mythical founder known as Matsyendranātha. This gheraṇḍa-saṃhitā is an encyclopedic Sanskrit treatise describing thirty two such āsanas.
Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as āsanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
Shaivism (Shaiva philosophy)
Source: SOAS University of London: Protective Rites in the Netra TantraKūrmāsana (कूर्मासन) refers to the “seat of the turtle”, associated with the Dūtīs associated with Tumburu, according to the Netratantra of Kṣemarāja: a Śaiva text from the 9th century in which Śiva (Bhairava) teaches Pārvatī topics such as metaphysics, cosmology, and soteriology.—Accordingly, [verse 11.1-24ab, while describing the appearance and worship of Tumburu]—“[...] However, those who are Dūtīs bear a form adorned with one face, two arms, and three eyes. Adorning [them is] hair, shorn with scissors. They sit on a fish, a turtle (kūrmāsana—kūrmas tu... tāsāṃ tathāsanam), a makara, and a frog. The servants are two-armed and hold a sword and a hide, [faces bent] in a crooked frown [on their] single faces, [which is adorned with] three eyes. [When] meditated on, [they] burst forth with white, etc., colors, giving the fruits of siddhis. [...]”.
Shaiva (शैव, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Pancaratra (worship of Nārāyaṇa)
Source: archive.org: Catalogue of Pancaratra Agama TextsKūrmāsana (कूर्मासन) is the name of a posture assumed before self-purification, as discussed in chapter 15 of the Mārkaṇḍeyasaṃhitā: a Pāñcarātra text comprising some 2200 Sanskrit verses mainly dealing with temple-building, iconography, pūjā (worship procedures), utsava (festivities) and prāyaścitta (expiatory measures).—Description of chapter [nityārcana]: Routine worship in the temple, properly attended to, has immense rewards (1-3). The Arcaka’s day begins with his waking up, and, after his toilet, he goes to the temple. [...] Assuming the kūrmāsana-posture, he begins self-purification, followed by breathing-exercises (19b-23). He then arranges vessels of water before him, dedicates them to Vāsudeva and Aniruddha, then pours the center pot [arghya] over the hand of the main image, [...].
Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Languages of India and abroad
Marathi-English dictionary
Source: DDSA: The Molesworth Marathi and English Dictionarykūrmāsana (कूर्मासन).—n S One of the attitudes of yōga.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
Source: DDSA: The practical Sanskrit-English dictionaryKūrmāsana (कूर्मासन).—a particular posture in sitting (practised by ascetics).
Derivable forms: kūrmāsanam (कूर्मासनम्).
Kūrmāsana is a Sanskrit compound consisting of the terms kūrma and āsana (आसन).
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryKūrmāsana (कूर्मासन):—[from kūrma] n. a particular posture in sitting (practised by ascetics).
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
Source: Alar: Kannada-English corpusKūrmāsana (ಕೂರ್ಮಾಸನ):—
1) [noun] = ಕೂರ್ಮ - [kurma -]6.
2) [noun] a metal or wooden seat that is in the shape of the shell of a tortoise, usu. used to place the idol of a deity on.
3) [noun] in yogic exercise, a particular posture in which the body is shaped in the form of a tortoise.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Kurma, Asana.
Ends with: Baddhakurmasana, Suptakurmasana, Uttanakurmasana.
Full-text: Uttanakurmasana, Asana, Bhadrasana, Simhasana, Pancavatanam, Pretasana, Sandhipuja, Lingapitha, Nityarcana.
Relevant text
Search found 11 books and stories containing Kurmasana, Kūrmāsana, Kurma-asana, Kūrma-āsana, Kurmāsana; (plurals include: Kurmasanas, Kūrmāsanas, asanas, āsanas, Kurmāsanas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Description of Gati as in Bharatārṇava < [Chapter 2 - Concept and technique of Gati]
Varahi Tantra (English Study) (by Roberta Pamio)
Chapter 26 - Haṭhayoga (according to the Haṭhayogapradīpikā) < [Summary of the Vārāhī Tantra]
Puranic encyclopaedia (by Vettam Mani)
Lakulisha-Pashupata (Philosophy and Practice) (by Geetika Kaw Kher)
Brief History of Saivism with a Focus on Pasupati Aspect < [Chapter 1 - The Historical Context]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 15 - Conclusion < [Chapter 5 - Vyāyoga (critical study)]