Balarama, Balarāma, Bala-rama: 11 definitions


Balarama means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Purana and Itihasa (epic history)

[«previous (B) next»] — Balarama in Purana glossary
Source: Cologne Digital Sanskrit Dictionaries: The Purana Index

Balarāma (बलराम).—A son of Vasudeva1 and Rohiṇī and an aṃśa of Hari; (also Baladeva, Balabhadra, Sīrāyudha); the dhāma of Hari in the womb of Devakī transferred to that of Rohiṇī by Yogamāyā; on account of this he is Saṅkarṣaṇa; also Rāma on account of his pleasant personality and Bala on account of his strength; his nāmakaraṇa;1 was bewildered at Baka seizing Kṛṣṇa; became glad at his escape; entered the palmyra grove, vanquished the Asura Dhenuka and his kin and gladdened the cow-herds; advised Nanda and others to keep cool when Kṛṣṇa was enclosed in the coils of the reptile, and stopped their getting into the pool of Kālīya; his joy at Kṛṣṇa's escape from Kālīya; was carried by Pralamba on his back when he won in a certain game; but finding him to be an Asura in the guise of a gopa, he knocked his head with his fist and killed him for which the Devas praised him;2 his surprise at Kṛṣṇa's holding aloft the Govardhana; was in charge of the women rescued by Kṛṣṇa from Śankhacūḍa and was presented with the Cūḍāmaṇi of Śankhacūḍa.3

  • 1) Bhāgavata-purāṇa IX. 3. 33-6; X. 1. 8; 2. 8 and 13; 8. 11-13; Viṣṇu-purāṇa IV. 13. 99; 15. 19; V. 8. 11; 9. 34; 17. 23; 18. 11 and 36.
  • 2) Bhāgavata-purāṇa IX. 3. 33-6; X. 1. 8; 2. 8 and 13; 8. 11-13; Viṣṇu-purāṇa IV. 13. 99. 15. 19; V. 8. 11; 9. 34; 17. 23; 18. 11 and 36.
  • 3) Bhāgavata-purāṇa X. 11. 49, 53; 15. 28-38; 16. 22; 17. 15; 18. 3, 24-32; 26. 11.
Purana book cover
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The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

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Natyashastra (theatrics and dramaturgy)

Source: The mirror of gesture (abhinaya-darpana)

One of the Daśāvatāra (Hands of the Ten Avatars of Vishnu).—Balarāma: 1eft hand–Muṣṭi, right hand–Patāka.

Natyashastra book cover
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Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).

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Vyakarana (Sanskrit grammar)

Source: Wikisource: A dictionary of Sanskrit grammar

Balarāma (बलराम).—Writer of a gloss named धातुप्रकाश (dhātuprakāśa) on the Dhatupatha of Panini.

context information

Vyakarana (व्याकरण, vyākaraṇa) refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.

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Shilpashastra (iconography)

Source: Shodhganga: The significance of the mūla-beras (śilpa)

Balarāma (बलराम) or Balarāmāvatāra refers to one the “ten incarnations of Lord Viṣṇu”, as defined according to texts dealing with śilpa (arts and crafs), known as śilpaśāstras.—The hand gestures for the daśāvatāra in dancing and iconography are similar in some cases and dissimilar in most of the cases. The balarāma-avatāra-hasta in dance is depicted with the right hand and the left hand in patāka and muṣṭi-hastas respectively. In images, Balarāma is depicted with gadā and koumadaki and sometimes with bow and arrow in vaiṣṇava-sthānaka. The hands assume śikhara-hasta, denoting the act of ploughing. The distinctive emblem of this god is the plough which he holds in his right hand in muṣṭi or śikhara and the other hand hangs loose in the images.

Shilpashastra book cover
context information

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

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General definition (in Hinduism)

Source: Apam Napat: Indian Mythology

Balarama was the brother of Krishna. He was a matchless warrior with the mace and was the teacher of both Bheema and Duryodhana. He wanted to take part in the war on the side of Duryodhana, but as his brother Krishna was on the Pandava side, he decided to remain neutral.

Source: WikiPedia: Hinduism

Balarāma (बलराम): Elder brother of Lord Krishna and manifestation of Sheshanaga.

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Balarāma (बलराम): An avatar or incarnation of Adisesha the thousand-hooded serpent on which Lord Mahavishnu reclines in Vaikuntha.

Languages of India and abroad

Sanskrit-English dictionary

Source: DDSA: The practical Sanskrit-English dictionary

Balarāma (बलराम).—'the strong Rāma', Name of the elder brother of Kṛṣṇa. [He was the seventh son of Vasudava and Devakī; but transferred to the womb of Rohiṇī to save him from falling a prey to the cruelty of Kaṃsa. He and his brother Kṛṣṇa were brought up by Nanda in Gokula. When quite young, he killed the powerful demons Dhenuka and Pralamba, and performed, like his brother, many feats of surprising strength. On one occasion Balarāma under the influence of wine, of which he was very fond, called upon the Yamunā river to come to him that he might bathe; and on his command being unheeded, he plunged his plough-share into the river and dragged the waters after him, until the river assumed a human form and asked his forgivenss. On another occasion he dragged towards himself the whole city of Hastināpura along with its walls. As Kṛṣṇa was a friend and admirer of the Pāṇḍavas, so Balarāma was of the Kauravas, as was seen in his desire of giving his sister Subhadrā to Duryodhana rather than to Arjuna; yet he declined to take any part in the great Bhāratī war either with the Pāṇḍavas or the Kauravas. He is represented as dressed in blue clothes, and armed with a ploughshare which was his most effective weapon. His wife was Revatī. He is sometimes regarded as an incarnation of the serpent Śeṣa and sometimes as the eighth incarnation of Viṣṇu; see the quotation under हल (hala)].

Derivable forms: balarāmaḥ (बलरामः).

Balarāma is a Sanskrit compound consisting of the terms bala and rāma (राम).

Source: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

Balarāma (बलराम).—m.

(-maḥ) The demi-god named Balarama, half brother to Krishna, and the third of the Ramas; according to some, the eighth Avatar of Vishnu. E. bala strength, ram to sport, aff. ghañ .

Source: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

Balarāma (बलराम).—m. the third Rāma, the half-brother of Kṛṣṇa, Mahābhārata 1, 7912. Cf. rāma-candra.

Balarāma is a Sanskrit compound consisting of the terms bala and rāma (राम).

Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

Balarāma (बलराम).—[masculine] = baladeva.

Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

Balarāma (बलराम):—[=bala-rāma] [from bala > bal] m. Name of the elder brother of Kṛṣṇa and third of the Rāmas (regarded as the 8th Avatāra of Viṣṇu, sometimes as an incarnation of the great serpent Śeṣa or An-anta; he is also called Bala, Bala-deva, Bala-bhadra, and Halāyudha, cf. [Indian Wisdom, by Sir M. Monier-Williams 332 etc.]), [Mahābhārata; Purāṇa]

context information

Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

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