Chandogya Upanishad (english Translation)

by Swami Lokeswarananda | 165,421 words | ISBN-10: 8185843910 | ISBN-13: 9788185843919

This is the English translation of the Chandogya-upanishad, including a commentary based on Swami Lokeswarananda’s weekly discourses; incorporating extracts from Shankara’s bhasya. The Chandogya Upanishad is a major Hindu philosophical text incorporated in the Sama Veda, and dealing with meditation and Brahman. This edition includes the Sanskrit t...

Verse 8.12.4

अथ यत्रैतदाकाशमनुविषण्णं चक्षुः स चाक्षुषः पुरुषो दर्शनाय चक्षुरथ यो वेदेदं जिघ्राणीति स आत्मा गन्धाय घ्राणमथ यो वेदेदमभिव्याहराणीति स आत्माभिव्याहाराय वागथ यो वेदेदं शृणवानीति स आत्मा श्रवणाय श्रोत्रम् ॥ ८.१२.४ ॥

atha yatraitadākāśamanuviṣaṇṇaṃ cakṣuḥ sa cākṣuṣaḥ puruṣo darśanāya cakṣuratha yo vededaṃ jighrāṇīti sa ātmā gandhāya ghrāṇamatha yo vededamabhivyāharāṇīti sa ātmābhivyāhārāya vāgatha yo vededaṃ śṛṇavānīti sa ātmā śravaṇāya śrotram || 8.12.4 ||

4. Next, this organ of vision lies inside the space in the eyes. That is where the deity presiding over the eyes [i.e., the Self] is. The eye is the instrument through which the Self sees. Next, the one who knows ‘I am smelling this’ is the Self. The organ of smell is the instrument through which the Self smells. Next, the one who knows ‘I am speaking this’ is the Self. The organ of speech is the instrument through which the Self speaks. Next, the one who knows ‘I hear this’ is the Self. The organ of hearing is the instrument through which the Self hears.

Word-for-word explanation:

Atha, then; yatra etat cakṣuḥ, where this organ of vision is; ākāśam anuviṣaṇṇam, lying inside the space [in the eye]; saḥ cākṣuṣaḥ puruṣaḥ, that is the deity presiding over the eye; darśanāya cakṣuḥ, the eye is the instrument of vision; atha, then; yaḥ veda, one who knows; idam jighrāṇi iti, I smell this; saḥ ātmā, that is the Self; gandhāya ghrāṇam, the organ of smell is the instrument of smelling; atha, then; yaḥ veda, one who knows; idam abhivyāharāṇi iti, I speak this; saḥ ātmā, that is the Self; abhivyāhārāya vāk, the organ of speech is the instrument of speaking; atha, then; yaḥ veda, one who knows; idam śṛṇavāni iti, I hear this; saḥ ātmā, that is the Self; śravaṇāya śrotram, the ear is the instrument of hearing.

Commentary:

The Upaniṣad is saying that the Self is within us, and that the Self makes use of the organs for its experience in this empirical world. ‘I see, I hear, I speak’—who is this ‘I’? When I say, ‘I see,’ do I mean the eyes are seeing something by their own power? No. The Self is behind the eyes, and the Self uses them for its own purpose. The eyes are not independent. When we die, all our organs may be intact, yet we won’t be able to see or hear anything.

You may ask, ‘How do I know that the Self is working through the organs?’ Vedānta says, suppose you are absent-minded and are absorbed in thinking something. Someone may come and stand before you and say something, but you don’t see him at all. Now who is it that is absorbed? It is the Self. The Self has withdrawn itself from the sense organs, and because of this they are not able to operate in the way they normally do.

Earlier Prajāpati had told Indra and Virocana that the person in the eyes is the Self. Indra took it to mean that his own reflection was the Self. But this is not what Prajāpati meant. He meant that there is a being within us who sees through the eyes and hears through the ears. He says that within the eye there is a space, and that is where the Self is. The Self is hiding there, as it were. Prajāpati uses the word puruṣa to refer to the Self. Here puruṣa does not mean ‘male,’ as it does in Bengali. The word puruṣa literally means pure śayate—that is, ‘one who is lying,’ or ‘hidden’ (śayate) ‘in a place’ (pure).

Who does the organ of smelling work for? The Self. All our organs are servants of the Self. The person in the eye uses the eye to see and the organ of smelling to smell. When the Self, the puruṣa, wants to speak, it uses the organ of speaking. And when it wants to hear, it uses the organ of hearing.

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