Keshabandha, aka: Kesha-bandha, Keśabandha; 5 Definition(s)
Introduction
Keshabandha means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Keśabandha can be transliterated into English as Kesabandha or Keshabandha, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Keśabandha (केशबन्ध) refers to a gesture (āṅgika) made with ‘dance hands’ (nṛttahasta), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (aṅga) used in dramatic performance. With these limbs are made the various gestures (āṅgika), which form a part of the histrionic representation (abhinaya).
Source: Wisdom Library: Nāṭya-śāstra1) One of the saṃyutta-hastāni (Twenty-six combined Hands).—Keśa-bandha (tying the hair): Patāka hands binding the hair. Patron deity Durgā. Usage: gem-pillar, binding the hair, cheek, etc.
2) Keśa-bandha is one of the saṃyutta-hastāni (Twenty-seven combined Hands).
Source: archive.org: The mirror of gesture (abhinaya-darpana)Keśabandha (केशबन्ध).—A type of gesture (āṅgika) made with dance-hands (nṛttahasta);—(Instructions): The two hands moved out from the hair-knot (keśabandha) and held on the sides. The Dance-hands are to be used in forming Karaṇas.
Source: archive.org: Natya Shastra
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Shilpashastra (iconography)
Keśabandha (केशबन्ध):—A mode of dressing hair.—The mode called keśabandha is employed in relation to Sarasvatī among divine beings, and in relation to the queens of adhirājas among human beings.
Source: Google Books: Elements of Hindu iconography
Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Languages of India and abroad
Sanskrit-English dictionary
Keśabandha (केशबन्ध).—
1) a hair-band; (virājase) मुकुटेन विचित्रेण केशबन्धेन शोभिना (mukuṭena vicitreṇa keśabandhena śobhinā) Mb. 4.6.12.
12) a particular position of hands in dancing.
Derivable forms: keśabandhaḥ (केशबन्धः).
Keśabandha is a Sanskrit compound consisting of the terms keśa and bandha (बन्ध).
Source: DDSA: The practical Sanskrit-English dictionarySanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Relevant definitions
Search found 691 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
| Bandha | Bandha (बन्ध, “bondage”) refers to the “bonding of the matter particles fit to be karmas with t... | |
| Keshari | Kesarī (केसरी).—A forest King who lived in the Mahā Meru. While Kesarī was living in the Mahāme... | |
| Kesa | Kesa (केस) or Keśa refers to the “hair of the head” and is mentioned in a list of thirty-substa... | |
| Manibandha | Maṇibandha (मणिबन्ध, “wrists”) refers to one of the nine “minor limbs” (pratyaṅga), which repre... | |
| Mulabandha | Mūlabandha (मूलबन्ध).—a particular position of the fingers. Derivable forms: mūlabandhaḥ (मूलबन... | |
| Harikesha | Harikeśa (हरिकेश) is a name mentioned in the Mahābhārata (cf. XIV.8.15, XIV.8) and represents ... | |
| Munjakesha | Muñjakeśa (मुञ्जकेश) is a pupil of Muni Vijitāsu, according to the Kathāsaritsāgara, chapter 69... | |
| Pratibandha | Pratibandha (प्रतिबन्ध).—1) Binding or tying to.2) Obstruction, impediment, obstacle; स तपःप्रत... | |
| Jalandharabandha |
Jogpradpak describes Jālandharabandha in which the tongue is placed in the middle of the tri... | |
| Padmabandha | Padma-bandha.—(CITD), a kind of artificial composition of verses, in which the syllables are ar... | |
| Setubandha | Setubandha (सेतुबन्ध) is the name of a commentary (on Nityāṣoḍaśikārṇava) on the topic of Mantr... | |
| Mahabandha | Mahābandha (महाबन्ध).—a peculiar position of hands or feet. Derivable forms: mahābandhaḥ (महाबन... | |
| Uddiyanabandha |
Uḍḍiyānabandha (उड्डियानबन्ध, “the lock of the upward-flying [bird]”):—A contraction o... | |
| Pindibandha |
The piṇḍī-bandha was understood as dances which involved more than one dancer. In short, the... | |
| Keshapasha | Keśapāśa (केशपाश).—much (or ornamented) तं केशपाशं प्रसमीक्ष्य कुर्युर्बालप्रियत्वं शिथिलं चमर्... |
Relevant text
Search found 3 books and stories containing Keshabandha, Kesha-bandha or Keśabandha. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
The Natyashastra (by Bharata-muni)
Middle Chola Temples (by S. R. Balasubrahmanyam)
Temples in Dadapuram < [Chapter II - Temples of Rajaraja I’s Time]