Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 10.198 [Samādhi]
46. Samādhi
समाधिः सुकरं कार्यं कारणान्तर-योगतः ॥ १०.१२५ab ॥
samādhiḥ sukaraṃ kāryaṃ kāraṇāntara-yogataḥ || 10.125ab ||
samādhiḥ—the ornament called samādhi; su-karam—is easily done; kāryam—the effect (or that which is to be done); kāraṇa-antara—with another cause; yogataḥ—because of a connection.
When the intended result becomes easily accomplished by the occurrence of something else, that is samādhi (facilitation).
ārabdhaṃ kāryaṃ yadi sādhanāntara-yogād akliṣṭaṃ samādhīyate tadā samādhiḥ.
If the effect that had begun to take place is brought about (samādhīyate)[1] effortlessly because of the occurrence of another thing, which turns out as a helpful cause, that is samādhi.
Commentary:
The occurrence of the other thing happens by chance,[2] and the person who is trying to achieve the result does not in any way occasion the occurrence of that other thing.[3]
P.V. Kāṇe comments:
“The name samādhi given to the figure is significant. Samādhi is equivalent to samyag ādhiḥ (ādhānaṃ karaṇaṃ) ‘accomplishing a thing well.’”[4]
Footnotes and references:
[1]:
[2]:
[3]:
kāraṇāntara-sāhāyyāt kāryaṃ yat su-karaṃ bhavet |
kartur vinā prayatnena sa samādhir itīryate ||(Alaṅkāra-kaustubha 8.252)
[4]:
Kane, P.V. (1995), The Sāhitya-darpaṇa, p. 291.