Sahityadarpana, Sāhityadarpaṇa, Sahitya-darpana: 5 definitions
Introduction:
Sahityadarpana means something in Hinduism, Sanskrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
India history and geography
Source: Shodhganga: a concise history of Sanskrit Chanda literature (history)Sāhityadarpaṇa (साहित्यदर्पण) is the name of a work on the topic of Prosody ascribed to Raghunātha Dāsa (C. 1680-1750 C.E), a celebrated author of Oḍiśā who composed many work in different disciplines of Sanskrit Literature. Also see the “New Catalogus Catalogorum” XXII. p. 206.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionarySāhityadarpaṇa (साहित्यदर्पण).—[masculine] mirror of composition, T. of a work.
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum1) Sāhityadarpaṇa (साहित्यदर्पण) as mentioned in Aufrecht’s Catalogus Catalogorum:—by Viśvanātha Bhaṭṭa. Io. 1716. Oxf. 214^b. Paris. (B 104). K. 106 (and—[commentary]). B. 3, 58. Bik. 286. Rādh. 22. 41. NW. 626. Burnell. 58^a. Oppert. 1060. 3370. 3510. 7447. 8341. Ii, 600. 1214. 6867. 6972. 8413. 9123. Quoted in Rasapradīpa W. p. 228. Sāhityadarpaṇakārikāḥ by the same. B. 3, 58.
—[commentary] NW. 600. Oppert. 8342. Sb. 302.
—[commentary] by Mathurānātha Śukla. NW. 600.
—[commentary] by Rāmacaraṇa, composed in 1701. Io. 313. Oxf. 214^b. L. 2502. Oudh. Xvii, 30. Xviii, 34. Np. Iii, 88. Peters. 1, 121.
2) Sāhityadarpaṇa (साहित्यदर्पण):—by Viśvanātha Bhaṭṭa. Stein 64. 65.
—[commentary] Sāhityadarpaṇalocana by Anantadāsa, son of Viśvanātha. Stein 65.
—[commentary] by Rāmacaraṇa. Gov. Or. Libr. Madras 106. Oudh. Xxi, 76.
3) Sāhityadarpaṇa (साहित्यदर्पण):—alaṃk. by Viśvanātha. Ulwar 1090.
4) Sāhityadarpaṇa (साहित्यदर्पण):—by Viśvanātha, son of Candraśekhara. Ak 712 (inc.). As p. 222. Bd. 598 (inc.). L.. 821 ([fragmentary]). Peters. 6, 380. C. by Rāmacaraṇa. As p. 122. Bd. 599 ([fragmentary]).
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionarySāhityadarpaṇa (साहित्यदर्पण):—[=sāhitya-darpaṇa] [from sāhitya] m. ‘mirror of composition’, Name of a treatise on literary or rhetorical composition by Viśvanātha-kavi-rāja (15th century A.D.)
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Darpaṇa, Sahitya.
Full-text (+1938): Ayutkarana, Asphutalamkara, Anubhayatman, Dhirodatta, Bhupata, Prasajyapratishedha, Vilasavati, Apratita, Jananta, Lati, Rupana, Paratantrata, Nihatartha, Hahaha, Anaucitya, Chaddalika, Anugunya, Kundalita, Uparupaka, Anusvana.
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Search found 35 books and stories containing Sahityadarpana, Sāhityadarpaṇa, Sahitya-darpana, Sāhitya-darpaṇa; (plurals include: Sahityadarpanas, Sāhityadarpaṇas, darpanas, darpaṇas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Alamkaras mentioned by Vamana (by Pratim Bhattacharya)
22 : Alaṃkāra-śāstra according to Viśvanātha < [Chapter 2 - The concept of alaṃkāra in Sanskrit Poetics]
28: Definition of Samāhita Alaṃkāra < [Chapter 4 - Arthālaṃkāras mentioned by Vāmana]
2: Definition of Prativastu or Prativastūpamā Alaṃkāra < [Chapter 4 - Arthālaṃkāras mentioned by Vāmana]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 4.10 < [Chapter 4 - First-rate Poetry]
The Bible of Sanskrit Poetics < [Introduction]
Text 10.38 < [Chapter 10 - Ornaments of Meaning]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Vṛtti (mode of conduct)—Introduction < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Vyabhicārī-bhāvas (Transitory States) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Description of Samavakāra < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Mudrarakshasa (literary study) (by Antara Chakravarty)
3.29. Use of Vyājokti-alaṃkāra < [Chapter 3 - Use of Alaṃkāras in Mudrārākṣasa]
4.3. Ārabhaṭī-vṛtti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
3. Arthaprakṛtis of Mudrārākṣasa < [Chapter 6 - Other Literary Estimates of Mudrārākṣasa]
Theories of the Drama: Aristotle vs. the Indian Theorists < [July-August 1931]
Tagore’s Conception of Literature < [July – September, 1985]
Reviews < [October 1964]