Cultural Horizons of India
author: Musashi Tachikawa
edition: 1990, International Academy of Indian Culture and Aditya Prakashan
pages: 2743
Topic: History
Nama-sangiti is a hymn of advaya names
This chapter describes Nama-sangiti is a hymn of advaya names located on page 381 of volume Volume 3 in the book Cultural Horizons of India compiled by Musashi Tachikawa. This book comprises 50 years of research material of Lokesh Chandra and represents a thorough study of the ancient culture of India, dealing with Tantra, Buddhism, Art, Archaeology, Language and Literature in 7 volumes.
Volume 3 begins with a new perspective on the evolution of tantras, based on Pali, Sanskrit, Chinese, Tibetan, Indonesian, and Simhalese sources. It further shows that the deification of kings and colossi of the Avatamsaka in Afghanistan, China and Japan are a crucial stage in tantra development.
This book covers the research articles and general surveys of Professor Lokesh Chandra. For example, this chapter describes Nama-sangiti is a hymn of advaya names. Everything together represents a huge collection of writings related to languages such as Sanskrit, Iranian, Sino-Japanese, Tibetan, Thai, Greek, Latin, Celtic, and Slavic..
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You can look up the meaning of the phrase “Nama-sangiti is a hymn of advaya names” according to 28 books dealing with History. The following list shows a short preview of potential definitions.
Diaspora of Bhuta (Daiva) worshipping cult—India and Indonesia [by Shilpa V. Sonawane]
Dhumavati s nama stotras (hymn with the names of deities) identify her Parvati, Sati, and glorify them as murderous demons. Dhumavati sometimes considered as an ancient form of Kali, which represents timelessness and the life force does not manifest itself. Another tradition identifies Dhumavati with Smashana-kali, "Kali who lives in the place of cremation. " It is considered a scary aspect of the goddess and is among Kalikula goddesses ("Kali family")....
Read full contents: Part 1.10 - Dhumavati—Das Mahavidya and form of Adi Parashakti
Triveni Journal
Thus Vishwam, the vision of Gita becomes the keynote of Sahasranam in which the name Vishwam precedes even the proper name Vishnu in whose name the entire hymn is promoted and publicised. It is said that the essence of Vedas is contained in the Upanishads. The message of the Upanishads is, supposed to have been covered in Gita. Which in turn finds its key-note address in the thousand names of the Lord enumerated in the sacred hymn “Sri Vishnu Sahasranam”....
Read full contents: Name him, the Song is Sung
Rivers in Ancient India (study) [by Archana Sarma]
Thus, it is found that those rivers which have been discussed or cited in the Vedas and the Puranas, now have been changed totally or partially or take a new shape or name in modern times. (* 1) lohito hemasringastu girih suryaprabhomahan | tasya pade mahaddivyam lohitam nama tatsarah | tasmatpunyah prabhavati lauhityah sadano mahan devaranyam vishokam ca tasya tire mahavanam || Bhagavata Purana. ,47. 10-11 (* 2) https://en. m. wikipedia. Org...
Read full contents: 15. The river Lauhitya or Brahmaputra and its present status
Total 28 books found: See all results here.
Summary:
You can return to the book Index to buy or shop for other books, or you can read the available online pages below:
[Cultural Horizons of India: index]
[About the Author (Lokesh Chandra)]
[Volume 1 (summary)]
[Volume 1 (preface)]
[Volume 2 (summary)]
[Volume 3 (summary)]
[Volume 4 (summary)]
[Volume 5 (summary)]
[Volume 6 (summary)]
[Volume 7 (summary)]