Figure 231 - Hindu Gods: Vajravīṇā Sarasvatī

Fig. 231: Vajravīṇā Sarasvatī
(Peiping)

It is not a fact that Hindu gods [viz., Vajravīṇā Sarasvatī] were unknown in the Buddhist pantheon or that the Buddhist pantheon wholly consisted of Buddhist gods. [...] A perusal of the Niṣpannayogāvalī and especially the Dharmadhātuvāgīśvara-maṇḍala will show what a large number of Hindu deities was incorporated in the Mandala, and how this large number was tackled intelligently and fitted into the scheme of the Buddhist Maṇḍalas. [...] Amongst the Hindu deities incorporated into the Buddhist pantheon, three deities appear to be of great importance. These are Mahākāla the prototype of Śiva Mahādeva with the Triśūla as the recognition symbol, Gaṇapati the elephant-faced god, and Sarasvatī the Goddess of Learning with her characteristic Vīṇā. Separate Sādhanas are assigned to all of them, and even independent shrines for them are not wanting in the Buddhist countries of the North.

Sarasvatī is the name of an ancient river now filled up by the sands of Rajputana on the banks of which the Vedic Aryans originally settled after their migration to India. As the banks of the river were occupied by the Vedic Aryans who composed many hymns, and were the scene of many sacrifices, the river was, later on, in the Pauranic age deified as the the Goddess of Learning. The Buddhists borrowed this Hindu goddess, incorporated her bodily into their pantheon in the Tantric age when she was equally popular with the Hindus and the Buddhists, and modified her form in various ways. The Buddhist Sarasvatī may have one face with two arms, or three faces and six arms. When two-armed, she has four different variations. As her worship is widely prevalent among the Buddhists owing to the belief that like Mañjusrī and Prajñāpāramitā, she confers wisdom, learning, intelligence, memory, etc. a comparatively large number of Sādhanas is assigned to her in the Sādhanamālā.

Vajravīṇā Sarasvatī:

Colour: white;
Symbol: vīṇā.

Vajravīṇā Sarasvatī like Mahāsarasvatī is also white in complexion, peaceful and benign in appearance. She is also two-armed but the distinguishing feature in her case is that she carries in her two hands the Vīṇā, a kind of stringed musical instrument, and plays upon it. She may also be represented as accompanied by the four divinities as in the previous case.

Fig, 231 illustrates her statuette at Peiping.