Shiva-Parvati (Iconography)
author: Thomas Eugene Donaldson
edition: 2007, D. K. Printworld Pvt. Ltd.
pages: 1201
ISBN-10: 8124603596
ISBN-13: 9788124603598
Topic: Shilpashastra
Candesanugraha-murti
This chapter describes Candesanugraha-murti located on page 195 in the book Shiva-Parvati and Allied Images (Their Iconography and Body Language). This book deals with the study of sculptures of Shiva-Parvati and other images such as the Murtis of Anugraha, Umamaheshvara and Umasahita as well as the mythological background of the deities represents by those sculptures. The two volumes contain over 700 images dedicated to the study of postures and body language of various sculptures, the sculptor’s technique.. This chapter is part of the collection Iconography and Images of Anugraha-murti.
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You can look up the meaning of the phrase “Candesanugraha-murti” according to 65 books dealing with Hinduism. The following list shows a short preview of potential definitions.
Brihad Bhagavatamrita (commentary) [by Shri Shrimad Bhaktivedanta Narayana Gosvami Maharaja]
He says, “He was Yajna-murti, the embodiment of sacrifice, in the sense that His very body was yajna. Holding the sruk and sruva ladles and other implements used in sacrifice, He appeared as the personified form of yajna.”...
Read full contents: Verse 2.2.49
Animal Kingdom (Tiryak) in Epics [by Saranya P.S]
It was that murtti which was full of darkness that became night. Later from the face of Brahma, devas with greater qualities were born. But he rejected that murtti also. That is day time which is full of light. That is why Asuras become powerful in the night and Devas become powerful during the day. Pitris were born later, but Brahma discarded them, too. This murtti became dusk between day and night. Later from the murtti with ‘rajoguna men were born. Brahma rejected them also....
Read full contents: Chapter 2.3 - Creation of Udbhits, Tiryaks and Men
The Religion and Philosophy of Tevaram (Thevaram) [by M. A. Dorai Rangaswamy]
Aghara murti is according to Karanagama dark, draped in red clothes, and adorned with red flowers and red jewels. Lalitopakhyana makes Mahakala and Mahakali black, with red eyes and black coat. Candesa, according to Amsumadbhedagama is golden yellow. According to Sritattva nidhi, in the Cakradana form, Visnu is black with yellow garments. In the Vignesvara anugraha murti form, Shiva is black. Kiratarjuna murti is red....
Read full contents: Chapter 1.1 - Arurar’s Language of Mythology
Total 65 books found: See all results here.
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[Shiva-Parvati (Iconography): index]
[About the Author (Thomas Eugene Donaldson)]
[Introduction]