Sahitya-kaumudi by Baladeva Vidyabhushana

by Gaurapada Dāsa | 2015 | 234,703 words

Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...

Text 10.98 [Mālā-dīpaka]

16. Mālā-dīpaka

माला-दीपकम् आद्यं चेद् यथोत्तर-गुणावहम् ॥ १०.१०४ab ॥

mālā-dīpakam ādyaṃ ced yathottara-guṇāvaham || 10.104ab ||

mālā-dīpakam—the ornament called mālā-dīpaka; ādyam—the first one (each first element[1]); cet—if; yathā-uttara—to each successive one; guṇa—a quality; āvaham—imparts.

If each first element imparts a quality to the next element, that is mālā-dīpaka (serial illuminator).

pūrva-pūrvaṃ ced uttarottaraṃ kuryāt tadā mālā-dīpakam.

If each preceding thing makes each next thing, that is mālā-dīpaka.

Commentary:

Govinda Ṭhakkura says that although the mālā varieties of previous ornaments were not defined, the mālā variety of dīpaka is defined because it conveys a special strikingness.[2]

Footnotes and references:

[1]:

yathottaram iti, asya vīpsitatvād ādyam ity atrāpi vīpsā bodhyā (Uddyota).

[2]:

mālopamādīnāṃ bahūpamāna-sambandhān nāparo viśeṣa iti na te lakṣitāḥ. idaṃ tu pṛthag lakṣitam, uttarottaram upakāryopakārakatayā parasparasasagaṇa mālā-bhāvam āpannānāṃ sakṛd dharma-nirdeśa-rūpatvenādhika-viśeṣānupraveśād iti (Kāvya-pradīpa).

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