Vishvanatha kaviraja, Viśvanātha kavirāja: 1 definition
Introduction:
Vishvanatha kaviraja means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumViśvanātha kavirāja (विश्वनाथ कविराज) as mentioned in Aufrecht’s Catalogus Catalogorum:—son of Candraśekhara, great grandson of Nārāyaṇa. He is mentioned in the Padyāvalī: Kuvalayāśvacarita. Candrakalā. Prabhāvatīpariṇaya. Praśastiratnāvalī. Rāghavavilāsa. These five works are quoted in the Sāhityadarpaṇa. Sāhityadarpaṇa.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Vishvanatha, Kaviraja.
Full-text: Lati, Latika, Vaidarbhi, Gaudi, Anuprasa, Pancali, Nandishloka, Riti, Santa, Alamkara.
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Search found 15 books and stories containing Vishvanatha kaviraja, Viśvanātha kavirāja, Visvanatha kaviraja; (plurals include: Vishvanatha kavirajas, Viśvanātha kavirājas, Visvanatha kavirajas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 7.69 < [Chapter 7 - Literary Faults]
Text 7.60 < [Chapter 7 - Literary Faults]
The Bible of Sanskrit Poetics < [Introduction]
The Matsya Purana (critical study) (by Kushal Kalita)
Part 2 - Application of Alaṃkāra (figure of speech) in the Matsyapurāṇa < [Chapter 2 - Literary aspect of the Matsyapurāṇa]
Part 3 - Rasa (sentiment) in the Matsyapurāṇa < [Chapter 2 - Literary aspect of the Matsyapurāṇa]
Hanuman Nataka (critical study) (by Nurima Yeasmin)
1. Rīti (Style) in the Haumannāṭaka < [Chapter 4]
1. Influence of Śrī Dāmodara Miśra on other Poets < [Chapter 6]
12.3. Arthaprakṛti (causes of dramatic action) in the Hanumannāṭaka < [Chapter 4]
Harshacharita (socio-cultural Study) (by Mrs. Nandita Sarmah)
Part 1: Sanskrit Kāvya and its Divisions < [Chapter 1 - Introduction]
Part 2: Specialties and Divisions of Gadyakāvya < [Chapter 1 - Introduction]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 4.1-2 - Definition of Guṇa (quality—principal element) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 2b - The Title of the Play < [Chapter 1 - Introduction]
Part 3.1-2 - Definition of Rīti (the mode of arranging words) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Satirical works of Kshemendra (study) (by Arpana Devi)
1.6. Ullekha (representation) < [Chapter 4 - Literary study of the Three Satirical Works]
1.4. Vibhāvanā (peculiar causation) < [Chapter 4 - Literary study of the Three Satirical Works]
1.9. Anuprāsa (Alliteration) < [Chapter 4 - Literary study of the Three Satirical Works]