Samgitamakaranda, Saṅgītamakaranda, Saṃgītamakaranda, Sangita-makaranda: 5 definitions
Introduction:
Samgitamakaranda means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraSaṅgītamakaranda (सङ्गीतमकरन्द) is a Sanskrit work by Nārada (date uncertain, possibly flourished between 100 and 300 A.D.) dealing with Indian musicology (gāndharvaśāstra or saṅgītaśāstra).
Source: Sreenivasarao’s blog: Music of IndiaSangita Makaranda ascribed to Narada (7th -9th century) is an interesting work. It has two parts, one on music; and , the other on dance, each divided into four sections. Its style is said to be rather complicated; and, makes a difficult reading. The first part of the text is devoted to music (Sangita) . It has subsections dealing with the origin of Nada and Svaras; associations of the Svaras with factors such as Gramas , Murchanas etc ; various musical terms such as , Vadi, Sruti, Alamkara etc; classification of Ragas ; and , with the musical instruments.
Source: Shodhganga: Kohala in the Sanskrit textual tradition (ns)Saṅgītamakaranda (सङ्गीतमकरन्द) by Nārada (16th Cent C.E.) is the name of an ancient lakṣaṇagrantha (i.e., texts on saṃgīta-śastra or Musicology) in which one finds the concept of tāla-daśaprāṇas being dealt with as a composite unit. From this, we can infer that Tālalakṣaṇam was probably one of the earlier works which spoke about the Tāladaśaprāṇas.

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumSaṃgītamakaranda (संगीतमकरन्द) as mentioned in Aufrecht’s Catalogus Catalogorum:—by Veda. Bik. 520. Burnell. 60^a.
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionarySaṃgītamakaranda (संगीतमकरन्द):—[=saṃ-gīta-makaranda] [from saṃ-gīta > saṃ-gai] m. Name of [work]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Sangita, De, The, Te, Makaranda.
Full-text (+14): Svara, Makarandasaha, Veda, Kutatana, Narada, Dhaivata, Rishabha, Pancama, Shadja, Vivadin, Nishada, Gandhara, Dhyanashloka, Svaradevata, Taladashaprana, Malhari, Andhalaka, Kurinjika, Madhyama, Vina.
Relevant text
Search found 11 books and stories containing Samgitamakaranda, Saṅgītamakaranda, Saṃgītamakaranda, Sangita-makaranda, The sangita-makaranda, Saṃgīta-makaranda, Samgita-makaranda, Saṅgīta-makaranda, De sangita-makaranda; (plurals include: Samgitamakarandas, Saṅgītamakarandas, Saṃgītamakarandas, makarandas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Part 4.3 - Bharataśāstram and Kohala < [Chapter 4 - Works attributed to Kohala]
Part 1(a).7 - Date of Kohalamatam < [Chapter 4 - Works attributed to Kohala]
Part 1(a).5 - Analysis of Kohalamatam < [Chapter 4 - Works attributed to Kohala]
Hindu Architecture in India and Abroad (by Prasanna Kumar Acharya)
Architecture in Miscellaneous treatises < [Chapter 3 - Classical or post-Vedic Architecture]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Observations in Post-Bharata works < [Chapter 5 - Conclusion]
Technical treatises on Nāṭya (other works) < [Chapter 1 - Nāṭya]
Gati in works on Nāṭya < [Chapter 2 - Concept and technique of Gati]
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Texts on Music < [Chapter 2 - Origin and evolution of Music and Musical instruments]
Natyashastra (English) (by Bharata-muni)
Part 3 - Literature on Ancient Indian Music < [Introduction, Part 2]