Cultural Horizons of India
author: Musashi Tachikawa
edition: 1990, International Academy of Indian Culture and Aditya Prakashan
pages: 2743
Topic: History
Sanskrit Studies in Classical Indonesia
This chapter describes Sanskrit Studies in Classical Indonesia located on page 1 of volume Volume 4 in the book Cultural Horizons of India compiled by Musashi Tachikawa. This book comprises 50 years of research material of Lokesh Chandra and represents a thorough study of the ancient culture of India, dealing with Tantra, Buddhism, Art, Archaeology, Language and Literature in 7 volumes.
Volume 4 is devoted to the art, history and literature; inscriptions, statues and thought; mandalas, epics and legends of Classical Indonesia.
This book covers the research articles and general surveys of Professor Lokesh Chandra. For example, this chapter describes Sanskrit Studies in Classical Indonesia. Everything together represents a huge collection of writings related to languages such as Sanskrit, Iranian, Sino-Japanese, Tibetan, Thai, Greek, Latin, Celtic, and Slavic..
This page contains an online preview of the full text and summarizes technical terms, as well as information if you want to buy this book.
Full contents not available online!
To read the full text of Cultural Horizons of India, you can buy Musashi Tachikawa’s book from Exotic India
You can look up the meaning of the phrase “Sanskrit Studies in Classical Indonesia” according to 28 books dealing with History. The following list shows a short preview of potential definitions.
Diaspora of Bhuta (Daiva) worshipping cult—India and Indonesia [by Shilpa V. Sonawane]
Shri Bal Mukund Lohia Centre of Sanskrit and Indological Studies 1. National Seminar held on 20th and 21st February 2014. Sanskrit Sources of Indian History (III) Tiltle: JUMADI ARADHANE Spirit Worship Of Tulunadu With special reference to South Canara Dist. Karnataka. Shri Bal Mukund Lohia Centre of Sanskrit and Indological Studies, Tilak Maharashtra Vidyapeeth, Pune. 2. International Seminar held on 11th and 12st March 2015....
Read full contents: Part 2 - Observation of the Study
Triveni Journal
But setting aside these discrepancies, it is really admirable how these islanders (who are Muslims) have preserved the sacred epics through several centuries of transition, though all contact between India and Indonesia was absolutely severed even as early as the 12th century A. D. Modern India in her craze for westernisation has given up the study of her sacred epics, though India s truant sons, in the far-eastern islands, still cherish and revere them with an astonishing zeal....
Read full contents: The Kakavin and Serat Kandas
Vietnamese Buddhist Art [by Nguyen Ngoc Vinh]
Yet it would never have come about without the far-ranging stimulus exercised by classical and post-classical Gupta art, or the monumental rockcarvings at Ajanta, Elora, and elsewhere, the fertilizing influence of which was felt in Indonesian art as well. The type of Buddha figure produced in Dvaravati became a prototype followed in one way or another throughout Indochina. The extremely important of Buddhist art is the Angkor period. The Angkor art are widespread almost of South East Asian....
Read full contents: 6. The Sculpture and its Reciprocal Influence
Total 28 books found: See all results here.
Summary:
You can return to the book Index to buy or shop for other books, or you can read the available online pages below:
[Cultural Horizons of India: index]
[About the Author (Lokesh Chandra)]
[Volume 1 (summary)]
[Volume 1 (preface)]
[Volume 2 (summary)]
[Volume 3 (summary)]
[Volume 4 (summary)]
[Volume 5 (summary)]
[Volume 6 (summary)]
[Volume 7 (summary)]