Simhadatta, Siṃhadatta: 7 definitions
Introduction:
Simhadatta means something in Hinduism, Sanskrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavya (poetry)
Source: Wisdom Library: KathāsaritsāgaraSiṃhadatta (सिंहदत्त) was a soldier in Sunītha and Sūryaprabha’s army whose strength is considered as equaling a double-power warrior (dviguṇaratha), according to the Kathāsaritsāgara, chapter 47. Accordingly, as the Asura Maya explained the arrangement of warriors in Sunītha’s army: “... [Siṃhadatta, and others], these are all warriors of double power”.
The story of Siṃhadatta was narrated by the Vidyādhara king Vajraprabha to prince Naravāhanadatta in order to relate how “Sūryaprabha, being a man, obtain of old time the sovereignty over the Vidyādharas”.
The Kathāsaritsāgara (‘ocean of streams of story’), mentioning Siṃhadatta, is a famous Sanskrit epic story revolving around prince Naravāhanadatta and his quest to become the emperor of the vidyādharas (celestial beings). The work is said to have been an adaptation of Guṇāḍhya’s Bṛhatkathā consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.
Kavya (काव्य, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry’ and natya, or ‘dramatic poetry’.
India history and geography
Source: archive.org: Personal and geographical names in the Gupta inscriptionsSiṃhadatta (सिंहदत्त) is an example of a name based on animalso mentioned in the Gupta inscriptions. The Gupta empire (r. 3rd-century CE), founded by Śrī Gupta, covered much of ancient India and embraced the Dharmic religions such as Hinduism, Buddhism and Jainism. Derivation of personal names (e.g., Siṃhadatta) during the rule of the Guptas followed patterns such as tribes, places, rivers and mountains.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Sanskrit dictionary
Source: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionarySiṃhadatta (सिंहदत्त).—name of a previous incarnation of Bindu-sāra: (Ārya-)Mañjuśrīmūlakalpa 613.13.
Source: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionarySiṃhadatta (सिंहदत्त).—[masculine] [Name] of an Asura & a poet.
Source: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumSiṃhadatta (सिंहदत्त) as mentioned in Aufrecht’s Catalogus Catalogorum:—poet. Śp. p. 95. [Subhāshitāvali by Vallabhadeva]
Source: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Siṃhadatta (सिंहदत्त):—[=siṃha-datta] [from siṃha] m. ‘lion-given’, Name of an Asura, [ib.]
2) [v.s. ...] of a poet, [Catalogue(s)]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
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Search found 5 books and stories containing Simhadatta, Siṃhadatta, Simha-datta, Siṃha-datta; (plurals include: Simhadattas, Siṃhadattas, dattas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Amaravati Art in the Context of Andhra Archaeology (by Sreyashi Ray chowdhuri)
Coastal and Maritime trade < [Chapter 4 - Survival of Amarāvatī in the Context of Andhra Art]
Tilakamanjari of Dhanapala (study) (by Shri N. M. Kansara)
Paumacariya (critical study) (by K. R. Chandra)
4. Genealogy of the Raksasa Vamsa dynasty < [Chapter 5 - Origin and Genealogy of Various Vamshas]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Chapter XLVII < [Book VIII - Sūryaprabha]