Bindurupa, Bindurūpa, Bindurūpā, Bindu-rupa: 2 definitions
Introduction:
Bindurupa means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Purana and Itihasa (epic history)
Source: archive.org: Shiva Purana - English TranslationBindurūpa (बिन्दुरूप) is the name of a region situated beneath the 112 Śaktilokas, as defined in the Śivapurāṇa 1.17. Accordingly, “[...] the Śaktilokas numbering hundred and twelve are beneath that point. The Bindurūpa is beneath that point and Nādarūpa is beyond. The Karmaloka is beneath that point and Jñānaloka is beyond that. [...]”.
The Purana (पुराण, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shaktism (Shakta philosophy)
Source: Google Books: Manthanabhairavatantram1) Bindurūpā (बिन्दुरूपा) refers to “one whose form is the point”, according to the Śrīmatottara-tantra, an expansion of the Kubjikāmatatantra: the earliest popular and most authoritative Tantra of the Kubjikā cult.—Referring to the inner space within the triangular Yoni, the Śrīmatottara says: “O fair lady, thus Śrīnātha sports in the Circle of the Void (śūnyamaṇḍala) and (so does) Kubjikā, the mother of Kula who is Kuṇḍalī by name. She is the will, the goddess who is Mind Beyond Mind (manonmanī) and her form is the Point (bindurūpā). That energy is called Sahajā (the Innate) and is (the state of) oneness with Śiva”.
2) Bindurūpā (बिन्दुरूपा) refers to “that which has the form of a Point”, according to the Manthānabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjikā.—Accordingly, “[...] (6) The Wheel of the Command is between the eyebrows. It is a fire in the form of a Point [i.e., bindurūpa]. In the middle of it is the seed of power (śaktibīja), red like vermilion. [...] (Perfect) contemplation (samādhi) is with (these) sixteen aspects and is (attained) within the form of the sixfold deposition (ṣoḍhānyāsa). He who knows this is (a veritable) Lord of Yogis, the others (who do not) are (just) quoting from books. Once attained the plane that is Void and Non-void, the yogi is freed from bondage”.
Shakta (शाक्त, śākta) or Shaktism (śāktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
See also (Relevant definitions)
Full-text: Nadarupa, Karmaloka, Shaktiloka, Jnanaloka, Manonmani, Shunyamandala, Iccharupa.
Relevant text
Search found 6 books and stories containing Bindurupa, Bindurūpa, Bindurūpā, Bindu-rupa, Bindu-rūpa, Bindu-rūpā; (plurals include: Bindurupas, Bindurūpas, Bindurūpās, rupas, rūpas, rūpās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Shat-cakra-nirupana (the six bodily centres) (by Arthur Avalon)
Cidgaganacandrika (study) (by S. Mahalakshmi)
Verse 79 [Varṇaśaktirūpa-Bījarūpa] < [Chapter 3 - Third Vimarśa]
Verse 212 [Saṃhāra, Nigraha and Anugraha] < [Chapter 4 - Fourth Vimarśa]
Verse 42 [Nāda, the cause of creation and plurality] < [Chapter 2 - Second Vimarśa]
The Shiva Purana (by J. L. Shastri)
Chapter 17 - The glorification of the syllable Om and the five-syllabled mantra < [Section 1 - Vidyeśvara-saṃhitā]
Shakti and Shakta (by John Woodroffe)
Chapter XIX - Creation as explained in the non-Dualist Tantras < [Section 2 - Doctrine]
Hindu Pluralism (by Elaine M. Fisher)
Śaṅkarācārya Worships the Goddess < [Chapter 2 - The Making of the Smārta-Śaiva Community of South India]
Serpent Power (Kundalini-shakti), Introduction (by Arthur Avalon)