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Uktapratyukta, aka: Ukta-pratyukta; 3 Definition(s)

Introduction

Uktapratyukta means something in Hinduism, Sanskrit. Check out some of the following descriptions and leave a comment if you want to add your own contribution to this article.

In Hinduism

Nāṭyaśāstra (theatrics and dramaturgy)

Uktapratyukta (उक्तप्रत्युक्त) refers to one of the twelve types of lāsya, or “gentle form of dance” according to the Nāṭyaśāstra chapter 20. These various lāsya are presented as a specific type of dramatic play (nāṭya) similar to that of the Bhāṇa type

Source: Wisdom Library: Nāṭya-śāstra

Uktapratyukta (उक्तप्रत्युक्त).—One of the twelve types of lāsya;—The Ukta-pratyukta is a duett (lit. a dialogue) expressing anger or pleasure, and it sometimes contains Words of censure. It should contain interesting things in a song.

Source: archive.org: Natya Shastra

Uktapratyukta (उक्तप्रत्युक्त).—One of the ten type of lāsyāṅga, or ‘elements of the gentle dance’;—In it there is speech and reply (i.e., the disco urse). It is caused by anger and favor and is based on words of insult and censure. It is employed with significant striking song. Abhinava explains ‘citragītārtha’ as ‘the meaning of the striking song’ (which is the composition of the dhruva song). In the nāṭyāyita, spoken of in chapter 22 of the Nāṭyaśāstra (the chapter called the Sāmānyābhinaya), there is the gestic ulation of the purport of the dhruva song. It is described there in relation to abhinaya (acting). Here it is stated as the theme of the lāsya, that is useful as part of the play. It also includes the technique of akāśabhāṣita, svagata and the asides (i.e., janāntika and apavārita), etc., used in the dramas.

Source: svAbhinava: Abhinavagupta’s Treatment of the lāsyāṅgas

about this context:

Nāṭyaśāstra (नाट्यशास्त्र, natya-shastra) refers to both the ancient Indian tradition of performing arts, (e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nāṭya) and poetic works (kāvya).

Relevant definitions

Search found 7 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:

Ukta
Uktā (उक्ता) refers to a class of rhythm-type (chandas) containing one syllable in a pāda (&...
Utta
Utta, (pp. of vac, Sk. ukta; for which the usual form is vutta only as dur° speaking badly or ...
Citraratha
1a) Citraratha (चित्ररथ).—A son of Gaya, and father of Samrāṭ; wife Ūrṇā.** Bhāgavata-pur...
Lāsya
Lāsya (लास्य) refers to a “gentle form of dance”, in the form of a specific type of dramatic pl...
Chandas
Chandas (छन्दस्) refers to “rhythm-types”, according to the Nāṭyaśāstra chapter ...
Lāsyāṅga
Lāsyāṅga (लास्याङ्ग) is an one act play which requires lāsya or a gentle form of dance for its ...
Nemicakra
Nemicakra (नेमिचक्र).—The son of Āsīmakṛṣṇa and father of Ukta; Hastināpura being washed ...

Relevant text

Search found 22 books containing Uktapratyukta or Ukta-pratyukta. You can also click to the full overview containing English textual excerpts. Below are direct links for the 20 most relevant articles:

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