Natya, aka: Nāṭya, Naṭyā; 10 Definition(s)
Natya means something in Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Natyashastra (theatrics and dramaturgy)
Nāṭya (नाट्य) is a Sanskrit technical term, referring to “dramatic art”. According to the Nāṭyaśāstra 1.106, “In it (nāṭya) there is no exclusive representation of you or of the Gods: for the drama is a representation of the States (bhāvānukīrtana) of the three worlds”.Also, “a mimicry of the exploits of gods, the Asuras, kings as well as of householders in this world, is called drama (nāṭya)”. (I. 120)Source: Wisdom Library: Nāṭya-śāstra
Nāṭya is dancing used in a drama (nāṭaka) combined with the original plot. Nātya and Nṛtya should be seen especially at festivals.Source: archive.org: The mirror of gesture (abhinaya-darpana)
Natya is the dramatic element. Natya is exhaustive. It includes both Nrita and Nritya and in addition, it has the element of drama, which is introduced through speech and song. The Vachika (voice) and Aharya (costume) aspects of Abhinaya are more pertinent to Natya then to Nrita and Nritya. When Natya Shasta was arranged, no dance was independent of drama. The performer was compelled to present both dancer and actor.Source: Indian Classical Dances: Techniques of classical dances
Nāṭya refers to “dramatic representation” as used within the classical tradition of Indian dance and performance, also known as Bharatanatyam.—According to the Abhinayadarpaṇa, verse 16, “nāṭya or nāṭaka, which has some traditional story for its theme, is an adorable art”. The word nāṭya is derived from ‘naṭ’ meaning to move or to act. It is a presentation on the stage of a play full of ancient stories and is adorable with all the four elements of abhinaya (histrionic representation)–āṅgika, āhārya, sāttvika and vācika. It also indicates a dance drama through the medium of any classical dance style. The use of speech makes nāṭya the most comprehensive part of the three. Nāṭya means dramatic representation with speech, music, and dancing.
Nāṭya has a two-fold division: tāṇḍava and lāsya.Source: Shodhganga: The significance of the mūla-beras (natya)
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (śāstra) of performing arts, (nāṭya, e.g., theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing dramatic plays (nataka) and poetic works (kavya).
Kosha (encyclopedic lexicons)
Nāṭya (नाट्य):—“Nāṭya (drama) is the anukīrtana (restatement) of the bhāva (mental or inner state) of the totality of the three worlds.” (Nāṭyaśāstra I.107cd).
And also: “This Nāṭya (drama) has been created by me which is rich with various bhāvas (mental states), is full of many situations and is representational of the totality of human life (loka-vṛtta).” (Nāṭyaśāstra I.112)
And also: “The nature of loka (people) associated with pleasure and pain, when that is presented through abhinaya (acting) with aṅga (body) etc., it is called Nāṭya (drama)” (Nāṭyaśāstra I.119)Source: Google Books: Kalātattvakośa, volume 2
Kosha (कोश, kośa) refers to Sanskrit lexicons intended to provide additional information regarding technical terms used in religion, philosophy and the various sciences (shastra). The oldest extant thesaurus (kosha) dates to the 4th century AD.
India history and geogprahy
Nāṭya has often been translated as ‘drama’ and the plays of ancient India have indeed some points of similarity with those of the Greeks. But on a closer examination of the technique of their production as described in the Nāṭyaśāstra, the Hindu dramas represented by the available specimens, will appear to be considerably different.Source: archive.org: Natya Shastra (history)
The history of India traces the identification of countries, villages, towns and other regions of India, as well as royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
nāṭya (नाट्य).—n S Dancing, acting, gesticulating, dramatic performance. 2 Dancing, playing a part, vocal and instrumental music as in combination or union.Source: DDSA: The Molesworth Marathi and English Dictionary
nāṭya (नाट्य).—n Dancing, acting. Playing a part, vocal and instrumental music as in combination or union.Source: DDSA: The Aryabhusan school dictionary, Marathi-English
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Naṭyā (नट्या).—A company of actors.
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Nāṭya (नाट्य).—[naṭasyedaṃ kṛtyaṃ ṣyañ]
2) Dramatic representation, gesticulation; acting; नाट्ये च दक्षा वयम् (nāṭye ca dakṣā vayam) Ratn.1.6; नूनं नाट्ये भवति च चिरं नोर्वशी गर्वशीला (nūnaṃ nāṭye bhavati ca ciraṃ norvaśī garvaśīlā) Vikr. 18.29.
3) The science or art of dancing or acting, scenic art; नाट्यं भिन्नरुचेर्जनस्य बहुधाप्येकं समाराधनम् (nāṭyaṃ bhinnarucerjanasya bahudhāpyekaṃ samārādhanam) M.1.4.
4) The costume of an actor; न लक्ष्यसे मूढदृशा नटो नाट्यधरो यथा (na lakṣyase mūḍhadṛśā naṭo nāṭyadharo yathā) Bhāg.1.8.19.
-ṭyaḥ An actor.
Derivable forms: nāṭyam (नाट्यम्).Source: DDSA: The practical Sanskrit-English dictionary
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family. Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Search found 237 related definition(s) that might help you understand this better. Below you will find the 15 most relevant articles:
Nāṭyaśāstra (नाट्यशास्त्र).—1) the dramatic science, dramaturgy. 2) a work on dramatic represen...
Nāṭyadharmī (नाट्यधर्मी).—the rules of dramatic representation. Nāṭyadharmī is a Sanskrit compo...
Nāṭya-śālā.—(EI 4), dance hall. Note: nāṭya-śālā is defined in the “Indian epigraphical glossar...
Nāṭyācārya (नाट्याचार्य).—a dancing preceptor. Derivable forms: nāṭyācāryaḥ (नाट्याचार्यः).Nāṭy...
Nāṭyaveda (नाट्यवेद).—the science of drama and dancing. Derivable forms: nāṭyavedaḥ (नाट्यवेदः)...
Nāṭyokti (नाट्योक्ति).—f. (-ktiḥ) Dramatic phraseology. E. nāṭhya and ukti expression.
Nāṭyāṅgāni (नाट्याङ्गानि).—n. (pl.) ten अङ्ग (aṅga)s of नाट्य (nāṭya) i. e. गेयपद, स्थितपाद्य, ...
Nāṭyamātṛkā (नाट्यमातृका, “mothers of the nāṭya”) refers to a group of goddesses. It can als...
Nāṭyarāsaka (नाट्यरासक).—a kind of play consisting of one act; S. D. Derivable forms: nāṭyarāsa...
Nāṭyamātṛ (नाट्यमतृका, “mothers of the nāṭya”) refers to a group of goddesses. It can also b...
Nāṭyadharmikā (नाट्यधर्मिका).—the rules of dramatic representation. Nāṭyadharmikā is a Sanskrit...
Vulgar Dancing (nīca nāṭya).—Those who are versed in the Science of Dancing say that t...
Nāṭyapriya (नाट्यप्रिय).—an epithet of Śiva. Derivable forms: nāṭyapriyaḥ (नाट्यप्रियः).Nāṭyapr...
The Course of the Dance (nāṭya-krama).—What is said traditionally by our ancestors mus...
Nāṭyavedī (नाट्यवेदी).—a stage, scene. Nāṭyavedī is a Sanskrit compound consisting of the terms...
Search found 12 books and stories containing Natya, Nāṭya or Naṭyā. You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Mirror of Gesture (abhinaya-darpana) (by Ananda Coomaraswamy)
Sri Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 3.2.65 < [Part 2 - Affection and Service (dāsya-rasa)]
Verse 2.1.232 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.5.107 < [Part 5 - Permanent Ecstatic Mood (sthāyī-bhāva)]
The Natyashastra (by Bharata-muni)
Part 2 - The Ancient Indian Theory of Drama < [Introduction, part 1]
Later Chola Temples (by S. R. Balasubrahmanyam)
Temples in Palayarai < [Chapter IV - Temples of Vikrama Chola’s Time]
Temples in Kumbakonam < [Chapter IV - Temples of Vikrama Chola’s Time]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
The Shiva Purana (by J. L. Shastri)
Chapter 8 - The description of the form and features of Vasanta < [Section 2.2 - Rudra-saṃhitā (2): Satī-khaṇḍa]