Raktagandhari, Raktagāndhārī, Rakta-gandhari: 1 definition

Introduction:

Raktagandhari means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.

In Hinduism

Natyashastra (theatrics and dramaturgy)

[«previous next»] — Raktagandhari in Natyashastra glossary
Source: Wisdom Library: Nāṭya-śāstra

Raktagāndhārī (रक्तगान्धारी) refers to one of the jātis (melodic class) related to the madhyama-grāma, according to the Nāṭyaśāstra chapter 28. It is therefore also known as raktagāndhārījāti. Jāti refers to a recognized melody-type and can be seen as a precursor to rāgas which replaced them.

According to the Nāṭyaśāstra 28.124-126, “in the raktagāndhārī-jāti, the aṃśa (key note) will be the five notes of the grāma (musical scale) dhaivata and ṛṣabha being excluded, and the nyāsa (terminal note) is gāndhāra. Its hexatonic treatment (ṣāḍava / ṣāḍavita) excludes ṛṣabha, and the pentatonic treatment (auḍava / auḍavita) excludes ṛṣabha and dhaivata. Its dhaivata and niṣāda should be amplified (bahutva, lit. treated as strong), and gāndhāra and ṣāḍja will come together (saṃcāra) with notes other than ṛṣabha, and its apanyāsa (semi-terminal note) should be madhyama”.

Natyashastra book cover
context information

Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

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