Arabhativritti, Ārabhaṭīvṛtti, Arabhati-vritti: 2 definitions
Introduction:
Arabhativritti means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Ārabhaṭīvṛtti can be transliterated into English as Arabhativrtti or Arabhativritti, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Ārabhaṭīvṛtti (आरभटीवृत्ति) or simply Ārabhaṭī refers to one of the four Dramatic styles (vṛtti) in Indian Dramas, according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—There are four kinds of vṛttis (dramatic styles) accepted in the Viṣṇudharmottarapurāṇa. According to the Viṣṇudharmottarapurāṇa, sāttvatī-vṛtti mainly displays vīrarasa and ārabhaṭīvṛtti exhibits raudrarasa. The Sāhityadarpaṇa agrees on it. Abhinavagupta states that sāttvatī-vṛtti is the action of mind and ārabhaṭīvṛtti is the action of body.
Natyashastra (नाट्यशास्त्र, nāṭyaśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Kannada-English dictionary
Source: Alar: Kannada-English corpusĀrabhaṭīvṛtti (ಆರಭಟೀವೃತ್ತಿ):—[noun] = ಆರಭಟಿ [arabhati].
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Vritti, Arabhati.
Full-text: Arabhati, Sattvativritti, Sattvati, Dhiroddhata, Power, Forgiveness, Straightness, Nayaka.
Relevant text
Search found 7 books and stories containing Arabhativritti, Ārabhaṭīvṛtti, Arabhati-vritti, Arabhativrtti, Ārabhaṭī-vṛtti, Arabhati-vrtti; (plurals include: Arabhativrittis, Ārabhaṭīvṛttis, vrittis, Arabhativrttis, vṛttis, vrttis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in Vṛttis and Pravṛttis < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Literary and dramatic elements in Nāṭyaśāstra < [Chapter 1 - Nāṭya]
Importance of Gati in Uparūpakas < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (f): Dramatic Style < [Chapter 3 - Drama and Dance]
Mudrarakshasa (literary study) (by Antara Chakravarty)
4.3. Ārabhaṭī-vṛtti < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
4. The entity of Vṛtti and its use in Mudrārākṣasa < [Chapter 5 - Adoption of Style and Language in Mudrārākṣasa]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 8 - Styles (vṛtti) of the Prakaraṇa < [Chapter 10 - Prakaraṇa (critical study)]
Part 8 - Styles (vṛtti) of the Ḍima < [Chapter 4 - Ḍima (critical study)]
Part 8 - Style (Vṛtti) in the Īhāmṛga < [Chapter 9 - Īhāmṛga (critical study)]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Ārabhaṭī-vṛtti (fierce fights and outrageous deeds) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Yaksha Gana < [September-October 1934]